Because sloths' metabolisms are so slow, they don't exhibit many external signs of stress and it can be hard to determine their mood.
I see music as an aid. It overcomes my internal editor, especially when the music evokes the character or the mood I'm trying to build.
Depression seems to be related to fear, anger and frustration. When you're in a bad mood, even if you meet with your friends, you don't take pleasure in their company. But when you're in a good mood, even if things go wrong, you can cope with them without difficulty. This is why putting yourself in a good mood, making a point of developing a sense of loving kindness gives you greater inner strength.
Realize that your present difficulty is only a small part of you, and the rest of you is doing quite well, thank you.
I used to write when I was in the mood or felt inspired. Anymore, I write whether I feel inspired or not. It's a discipline. So that's definitely different. It's part of maturing as a person and as a professional.
Music is extremely important to have on photo shoots - it brings the mood.
I can control the weather with my moods. I just can’t control my moods.
It is OK to be happy in life. Even through all the strife, maybe especially during times of great pain and suffering. We still have to be able to stay close to that joy because we can't save the world in a bad mood.
My idea of a perfect surrealist painting is one in which every detail is perfectly realistic, yet filled with a surrealistic, dreamlike mood. And the viewer himself can't understand why that mood exists, because there are no dripping watches or grotesque shapes as reference points. That is what I'm after: that mood which is apart from everyday life, the type of mood that one experiences at very special moments.
Wilderness is rapidly becoming one of those aspects of the American dream which is more of the past than of the present. Wilderness is not only a condition of nature, but a state of mind and mood and heart. It cannot be confined to the museum-case status—seen only as a passing diorama from superlative throughways.
Music creates a certain mood and then people dress accordingly. I think it's all quite closely intertwined.
Innumerable changes of moods are yours, and they are uncontrolled by you. If you knew their origin, you would be able to dominate them. If you cannot localize your own changes, how can you localize that which formed you?
A man likes to believe that he is the master of his soul. But as long as he is unable to control his moods and emotions, or to be conscious of the myriad secret ways in which unconscious factors insinuate themselves into his arrangements and decisions, he is certainly not his own master.
I didnt like being reminded about how self-absorbed i was. I wanted to be over this, done with this. I didnt want to live in a broken world or a broken me. I wasnt trying to weasel out of anything. I just wasnt in the mood of being on the earth that night. I get like that sometimes when it rains, or when i see certain sad movies.
It’s almost just a difference of mood as to whether I would describe myself one way or the other. I think I share that experience with most people.
I think weather affects my mood a lot more than I thought, and I like to be in bad moods sometimes.
We have discovered that exercise is strongly correlated with increased brain mass, better cognition, mood regulation, and new cell growth.
Of course my moods change, but the average is serenity. I have a firm faith in art, a firm confidence in its being a powerful stream which carries a man to a harbor, though he himself must do his bit too; at all events, I think it such a great blessing when a man has found his work that I cannot count myself among the unfortunate. I mean, I may be in certain relatively great difficulties, and there may be gloomy days in my life, but I shouldn't like to be counted among the unfortunate, nor would it be correct if I were.
Unless you're fond of hollering you don't make great conversations on a running cycle. Instead you spend your time being aware of things and meditating on them. On sights and sounds, on the mood of the weather and things remembered, on the machine and the countryside you're in, thinking about things at great leisure and length without being hurried and without feeling you're losing time.
The only and absolute perfect union of two is when a baby hangs suspended in its mother's womb, like a tiny madman in a padded cell, attached to her, feeling her blood and hormones, and moods play through its body, feeling her feelings.
Doth Nature draw me, 'tis because, Unto my seeming, there doth lurk A lawlessness about her laws, More mood than purpose in her work.
There is no escape from yesterday because yesterday has deformed us, or been deformed by us. The mood is of no importance. Deformation has taken place.
So how do people listen to music? How do the broad masses listen to it? Apparently they have to be able to cling to pictures and 'moods' of some kind. If they can't imagine a green field, a blue sky or something of the sort, then they are out of their depth.
Every meaning is a projection of the viewer's inarticulate moods.
You begin by engaging the left hemisphere of the brain with the overall shape, the basic structure of the painting, and then eventually you engage with the colour, with the mood of the painting and then you are entering the activities of the right hemisphere - and it is in the right hemisphere that ideas of space are born, the realization that you are seeing space.
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