... in the movies Paris is designed as a backdrop for only three things--love, fashion shows, and revolution.
Delay and indecision are first weapons in the armory of moviemakers.
So, I installed a CCTV system to tape what's going on inside my mind. Thousands of hours of drama, confusion, discussion, huge special effects and futuristic scenarios. Also a lot of chatter, drama and suspense. Is like to go to the movies for free, every day. The CCTV technology used is the SSM-X45. Whose initials stand for: Sit down, Shut up and Meditate (X45 is just to sound more hi-tech)
White people scare the crap out of me. I have never been attacked by a black person, never been evicted by a black person, never had my security deposit ripped off by a black landlord, never had a black landlord, never been pulled over by a black cop, never been sold a lemon by a black car salesman, never seen a black car salesman, never had a black person deny me a bank loan, never had a black person bury my movie, and I've never heard a black person say, 'We're going to eliminate ten thousand jobs here - have a nice day!'
I was obsessed with romance. When I was in high school, I saw 'Doctor Zhivago' every day from the day it opened until the day it left the theater.
It's all just one film to me. Just different chapters.
Most of my characters are romantic rather than sexual. I think that's an essential difference in my pictures. I think they are more accurate in portraying young people as romantic - as wanting a relationship, an understanding with a member of the opposite sex more than just physical sex.
As far as the filmmaking process is concerned, stars are essentially worthless - and absolutely essential.
The moral of filmmaking in Britain is that you will be screwed by the weather.
I made two movies before The Police had a hit record: I did Quadrophenia and a film called Radio On.
I think that came out of watching all those serious movies for all that time. If you watch a movie like Zero Hour, Sterling Hayden is pretty funny, and so are the guys in the cockpit.
I do believe that movies are subject to a million interpretations.
It was great for that to be my first movie with such a wonderful cast, and such a huge movie. And now I get to do The Fighting Temptations, which is coming out soon-it wasn't much of a character, it was more of a real person, so I got to show more of my acting range.
It's very difficult to raise money, especially in the United States, for independent movies.
I think I mentioned to Bob [Geldof] I could make love for eight hours. What I didn't say was that this included four hours of begging and then dinner and a movie.
When I was doing 'This Boy's Life' I wanted to be as old as Robert DeNiro and as experienced as him and have the same respect as he did in that movie.
I left our home to work on a movie, and while I was away, my boyfriend [Billy Bob Thorton] got married, and I've never heard from him again.
I don't care if you call it AO for Adults Only, or Chopped Liver or Father Goose. Your movie will still have the stigma of being in a category that's going to be inhabited by the very worst of pictures.
This movie is a toupee made up to look like honest baldness.
In Paris, when the picture came out [Casablanca] they weren't too pleased with it. They didn't like the political point of view. The picture was taken off immediately and was never sold to television. A while ago it was brought in and opened in five theatres in Paris, as a new movie. They had a big gala opening where I appeared and people were absolutely crazy about it.
The only thing worse than watching a bad movie is being in one.
The nation of Dubai banned the movie Charlie's Angles because it's "offensive to the religion of Islam." Apparently, the religion of Islam is offended by anything without a plot.
I'm definitely happy with the way my career has gone, the success; but I even feel glad that I've experienced some failure in my life. That gives you perspective and humility about this business; it's good to realize that you're always just one movie away from not being in Vogue anymore.
At the end of the day it's got to be a good movie, it's got to be a funny movie, and it's got to make people think, 'Hey, I couldn't have spent my time any better.'
Basically, there's not enough sex in movies, that's it. I'm trying to say it, people. I miss sex in movies because sex is natural, guns are not.
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