I can move around the floor, but I don't know if I'd call that dancing!
The reason you have to say "Trust me" is that you haven't earned it and are forced to ask for it - BAD MOVE.
As I have come to realize that we all live and move and have our being in God, the names of each person, species, creature, and element are superimposed over God's name. God is reality; God is the source of reality of each of us. Panentheism seeing the world as in God - puts God's "name" first, but each of our names are included and preserved in their distinctiveness within the divine reality.
I famously had a huge television producer say to me one time, 'Can you please stop doing that to your face? It's very distracting and unattractive.' And I was like, 'You mean move it? Okay, sorry, I guess we're not going to work together.'
How, then, has Obama been saddled with an image of being long on inspiration and short on details? The answer is that journalists are not accustomed to covering a candidate who moves crowds the way Obama does, who uses speech cadences and rhythm like Martin Luther King Jr. without making his talk explicitly about race. Sen. Clinton already owned the policy-wonk slot, so by default, Obama was cast as the poetic one.
In the movie, you have to decide as an actor how you are going to give a character presence. You can't really move, walk, and talk like yourself. This creates something so you have to find something "other".
I'd love to say that every move I make is completely calculated and I'm sitting on a pile of scripts, sifting through them for the perfect role, but the fact is that there are a lot of talented people out there and there's a lot of competition in our business.
I only want to keep moving up and up in terms of quality and be careful with perception. I don't just want to do things that are the pretty girl with lots of makeup, I want to get into the gritty stuff and get down and dirty and dark and really feed my soul and not my vanity.
I feel like in Australia, all the films I've done, we're all equal moving parts in this equation of making the film - an actor is another crew member, essentially.
In the old days, people thought that wouldn't be amenable to life. Modern studies with computers have shown that it's okay to be tidally locked. If a planet heats up on one side and not the other, the atmosphere can still circulate, because heat wants to move around.
I'm varying my workouts so it's not just cardio but also includes moves to maintain my flexibility.
I want to always move forward with everything I am doing. So, I do the radio show, speak at universities and other social institutions all around the world, appear on TV, and continue to create music all in the hope to keep the struggle alive.
When you think of 244 years of slavery and 81 years of that finally you are going to be allowed to be part of the pool from which people choose jobs. That's not a substantive kind of move, but it was very important.
If the churches don't move, much of the community won't move. We've got a situation in which a black church is still a major institution in the black community where 55 percent of the black folk attend and over 75 pass through its doors.
I went for a more classical approach to filmmaking with lots of dolly, track and cranes, and slightly slower, more choreographed fight moves, so you get more fight moves in one take.
I am quite prepared to die here [in NY]. It doesn't matter at all. I don't know better places, or perhaps if I do I am not prepared to make a move.
Knowledge, wisdom, and understanding don't come out of the microwave. You got to keep moving forward because the evil doesn't sleep.
Television moves so fast. A series moves at such a rapid pace and things are changing, episode to episode, where you're going, "Wait, why am I doing this? This last episode, you told me I was doing this." You're shooting at a moving target.
I was sitting on top of people and it was just really uncomfortable. There was no place to move. And, I don't like auditioning, anyways. With auditions, you can get so nervous, or other things get into your head and throw you off, and it doesn't really reflect what you can do, as an actor. The whole thing was just really nerve-wracking, but I ended up getting it.
Being singer/songwriter implies versatility and being able to create more than one medium, and R&B artist is a box, simple as that. It is 'that's what you do, that's what you are', and that's a little unfair, to me, because I don't just do that. So I like singer/songwriter because it allows me to move a little bit more freely.
I guess just personally I've become a bolder person in my day-to-day. I think a lot of it came from moving to Brooklyn. I just sort of became an adult and started speaking up for myself and not apologising for myself.
Be prepared to cut your little extra lines that come after a big punchline and move on to the next joke or routine to give your set more punch and crispness. You can keep them in your set, but if the audience applauds your big line, don't do your tag when it dies down, just move on.
I want to get away from it all. Move to the sticks. Montana. Hundreds of miles from civilization. Get a cabin in the snow. Curl up with some cute girl. Say stuff to her like, Scream all you want, sugar. Ain't nobody gonna hear you!
I grew up speaking English and Spanish. I grew up moving from country to country due to political, governmental, and social issues and just family atmosphere that wasn't right to bring up your kid in a country where there's a dictatorship or a communist type sense, so I incorporate that int music.
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