I'm trying to make the case that the church can indeed, from within its own resources, move out of a false, and often a hateful, characterization of and set of attitudes toward gay and lesbian people.
You've got to keep moving, keep creating.
I think only a superb news or reportage picture could move me. Other photographs may leave a strong impression on me, but they don't move me.
Moving to Australia was not a career move, but a quality of life issue. It has no guns, no God, and no gangster rap. As an Ethiopian cab driver said to me the other day when I was returning from a gig in Sydney, Australia is a peaceful, democratic place. I like the relatively stress free lifestyle. It's worth the drop in income.
If I ever move in with a woman, she'll have to be really comfortable with unhappiness.
If you want something bad enough, you've got to make a bold move. George Washington, took on the British Empire. Neil Armstrong walked on the moon. Ken Titus taped a hotel key to his underwear to score with an airport security guard.
I think our collective psychosis is hilarious. With the world moving as fast as it is, if we weren't dysfunctional, we couldn't function.
Thanksgiving is a holiday that brought together two different cultures. The pilgrims came here with the best intentions. They decided to flee an oppressive people and move to a new land. Where they thrived. And became an oppressive people. You get certain people on the same continent, there's going to be a problem. Pilgrims and Indians. Protestants, Catholics. My family, anybody else's family.
If you want something bad enough, you've got to make a bold move. Just make sure you clear the bold move with the people whose lives it's going to affect. Like George Washington, had to get all those guys who the British killed to agree to die. Neil Armstrong, had to crank a couple of elbows into Buzz Aldrin's face mask to make sure he got on the moon first. And Christopher Titus, well, he worked his dad for five grand. Ha ha. Who can't support who ? I know, it's complicated.
I always hate having to use the equipment after these huge buff guys who move, like, the entire rack of plates. Then I get on, and move two plates, you know like: CLANK! CLANK! "I'm the two plate guy!" CLANK! CLANK! "Anyone wanna spot me?" CLANK! CLANK!
I was driving in Manhattan. There's traffic, nobody's moving... The guy behind me is honking just at me. He kept yelling at me. I decided that I'm gonna argue with this guy, but I'm gonna argue about something else. I'm not having his argument; I'm having mine. So, he's like, 'Go!' And I go, 'Well give me back my jacket!' And he stopped. I was like, 'Yeah, you got my jacket! Give it back! I said you could borrow it, not have it! You're stretching it out, you fat pig! Give it back, now!' He got back in his car, and he locked his doors.
It was awkward and embarrassing, but you have to go through things, ... I got through it and I'm happy it's over with and I can move forward and start playing.
Judah Friedlander, I'm ok with you being the world champion for a few years more. That's a hook with legs. But I think he should make one more hat, that says 'there's a limit to how funny words on a hat can be'. And then move to a chapeau.
My standup has always been a direct reflection of my life. When I was single, I talked about single stuff. I talked about dating. When I got married there were only a handful of stories I could move over to where I wasn't going to be disrespectful to my wife. So I developed a new routine.
I feel like in Australia, all the films I've done, we're all equal moving parts in this equation of making the film - an actor is another crew member, essentially.
I admire Russell Simmons. He is a successful dude that has done a little bit of everything. He keeps it moving, and he's still doing things. Larry David is also amazing. He is honest and blunt. A creative genius.
We discussed all of this before Anthony decided to run for mayor, so really what I want to say is I love him, I have forgiven him, I believe in him, and as we have said from the beginning, we are moving forward.
Being an actor in L.A. is like being in prison: you go, you serve your time, you try to replicate Johnny Depp's career-and then you move to Paris.
You get to a point in relationships where you don't want to push anything, but things need to change, move on, or develop.
There's a lot of dancing in football. You can see Victor Cruz doing a little bit of a cha-cha or samba move in the end zone. You can see Terrell Owens getting his popcorn ready. You can see Ochocinco doing the Riverdance. But not so much when it comes to ballroom.
One of the most revolutionary concepts to grow out of our clinical experience is the growing recognition that innermost core of man's nature - the deepest layers of his personality, the base of his 'animal nature' - is basically socialized, forward-moving, rational and realistic... He is realistically able to control himself, and he is incorrigibly socialized in his desires. There is no beast in man, there is only man in man.
The glance is natural magic. The mysterious communication established across a house between two entire strangers, moves all the springs of wonder.
To move with the times is, of course, to go where all times go.
Just when I get my church all sorted out, sheep from the goats, saved from the damned, hopeless from the hopeful, somebody makes a move, get out of focus, cuts loose, and I see why Jesus never wrote systematic theology. So you and I can give thanks that the locus of Christian thinking appears to be shifting from North America and northern Europe where people write rules and obey them, to places like Africa and Latin America where people still know how to dance.
Through our faith, we gain the courage to take action. And through action, we move one step closer toward the manifestation of our desires.
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