Well technologically and so forth, it's a breakthrough, and yet [Birth of a Nation,] it's very white supremacist to the core in terms of the narrative content.
My role in the government was not to think about narratives and consistency with narratives, but think of the human consequences of rules.
I thought both she [Gypsy Rose Lee] and her story would be ill-served by a conventional, birth-to-death narrative, and so I structured the book like one of her stripteases: revealing a peek of shoulder, then a glimpse of knee, pulling back a bit before you go a bit further, until all is revealed at the end.
Taking photographs seems to be a means to express some kind of emotional, abstractive narrative. I look at the images that I'm most proud of like a film about the world the way I see it (or at least saw it at that moment, a perspective that seems to be ever-shifting and filled with self-doubt.)
As a woman who doesn't necessarily fit the beauty standard in Hollywood... I really related to the narrative of looking for something you felt comfortable in that would properly express your identity, especially when your identity didn't feel like it necessarily matched the one that was being imposed on you.
Whether people are making narrative cinema or experimental cinematic movie experiences, they all want the biggest screen possible and the quietest room and the most attention to every nuance and detail. Obviously, most people will not see the movie that way, but I can still hope for it, and I'd like to think we will be able to pull it off this time.
I certainly believe you can write a narrative lyric or a lyrical narrative - why not a nyric or a larrative?
I actually went on lectures at Harvard, Stanford, Oxford and all the business schools eight years ago, explaining what the implications were and how the platforms could be powerful in creating the narrative of your brand and mobilizing your life so that you become humanized as well. I understood that and thought that was really empowering, not only to artists, but to brands as well and in general.
Chance the Rapper: if you listen to his narrative and the subject matter he covers in his music, you can see that he's strong, courageous and shows vulnerability. He asks some very poignant questions in his music and is still very melodic. The harmony and the melody of the music allows you to also come in closer.
When a culture is being dumbed down as effectively as ours is, its narrative arts (literature, film, theatre) seem to vacillate between the brutal and the bland, sometimes in the same work.
In narrative films, you set up reality, so you can limit the variables. You don't have that luxury with docs.
I didn't have a perfect model, but I wanted to try to blend my own personal reflections and experiences with this broader canvas to see how a lot of the narratives we have about economy and foreign policy got stuck. Because we have these categories of liberal, conservative, free marketer, open government - all these stereotypes about our politics and the categories we try to put things in are inadequate to this sort of complex, ambiguous, sometimes contradictory experience we have as ordinary people and that I have as an elected official.
It's pretty easy to think of the idea of a story, and maybe even to write a scene or two, but understanding the ebb and flow of a narrative, where to leave the little clues your protagonist (and reader) need, while playing fair, takes a lot more skill and patience than you might think.
It seems that's where Bill Clinton came in last night because he told this long story about how they met [with Hillary Clinton], how he courted her, how he bought a house to convince her, I think after the third proposal, to actually marry him. And he talked about her activism and her commitment and everything. And it was as if he could tell the narrative in a way that she couldn't.
I'm wondering if the Roger Ailes scandal in which more than 20 women have come forward accusing him of sexual harassment is going to affect that narrative that's directed against Hillary [Clinton] and her husband pertaining to his infidelities.
If you open the door and realize things like the fact that Batman is occupying the same narrative space that Robin Hood used to fill 400 years ago, then you have the freedom to ignore the pointless "what is literature" discussion and just talk about stories.
For all the talk of my pictures being narratives or that they're about storytelling, there's really very little actually happening in the pictures. One of the few things I always tell people in my pictures is that I want less - give me something less.
When I was young I wanted to make films and then I got into folk music when I was about 12, and started going to this folk club in Auckland. My dad [Barry Andrews] was in punk and post-punk bands, so I guess it was a side of music I hadn't really listened to before - the really narrative form of songwriting.
I sometimes imagine a great writer as a sort of God-surrogate: the writer is doing his or her human-best to emulate what God might think of is, if God was inclined to observe some human beings and present their activities in the form of a narrative.
Let's say that what's out there is a narrative. Often enough, the picture plays with the question of what actually is happening. Almost the way puns function.
They (fables) teach us that human beings learn and absorb ideas and concepts through narrative, through stories, not through lessons or theoretical speeches.
One’s lover is one’s partner in observing and understanding the world. Marriage is a place where joint narratives are composed. If the lover is a liar then all your joint observations are unreliable. You will have to start all over again.
It’s easy to see why politicians would be drawn to the populist pose. First, it makes everything so simple. The economic crisis was caused by a complex web of factors, including global imbalances caused by the rise of China. But with the populist narrative, you can just blame Goldman Sachs.
Incredibly deep research combines with the talents of a fine historian and writer to produce superb narrative history. The true character and relationship of these two iconic westerners emerge to suppress myth and correct more than a century of tomes laden with bad history.
Music and film are parallel experiences: they are linear, they are narrative.
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