Habitat for Humanity is a cause that is near and dear to my heart. I am proud to be a part of the partnership between Whirlpool and Habitat and appreciate everything these two organizations are doing for the wonderful Nashville community and other communities throughout the world.
I have two sons, ages 38 and 25 in Texas, and my wife and seven year old daughter here in Nashville. On New Year's I'd rather be with them.
The tax incentives are things the music business can emulate. If I own Yesterday by the Beatles and I go to a bank and try to borrow $10,000 and use that song as collateral, they wouldn't know what to do. They would run me out of the bank. Whereas if we get specialized people who know how to appraise the value of intellectual property like songs, catalogs and master recordings, they know how to put some type of value on it. They have this in Nashville and Los Angeles. New Orleans is just starting to get it.
I think if you really put your mind to something you can do it. Five and a half years ago I couldn't stand on stage and play guitar. I didn't have enough talent as a kid to play guitar. I started really late. I hired a guitar teacher when I was in Nashville and I applied myself and stayed focused.
Recording in Nashville was absolutely essential to get the sound, the musicians, the atmosphere, the warmth... There are just cult places like that in the world, like Chicago for the blues or New York for jazz. Nothing sounds the same in Nashville as it does elsewhere. Nashville is the Mecca of country music and everyone knows it.
The first time I go out to Nashville, ever (at this point I had only heard the rumors about what it's like) I had three writing sessions set up. The first two canceled on me. I was kind of pissed off at that point. So I just went back to my hotel room and started writing. And even though I've been to L.A. and experienced a lot of things, at the end of the day I just start to feel like I'm playing acoustically at the first bar I ever played at.
I grew up listening to everything, and when I got signed to a record deal out of Nashville, that was my introduction to what was happening in country music.
I'm playing a D-28 Martin that I've had about 20 years or so. I've got a '51 Martin and I thought I shouldn't be taking this on the road. So I went down to Gruhn Guitars in Nashville and kind of traded around and ended up with this one. This guitar sounded pretty good as new guitar.
I was always drawn to the roots music, bluegrass, blues, early rock - Sun Records, Elvis [Presley]. And I still love that music to this day. Memphis never gets the credit. It's much more musically rich than Nashville ever will be. Nashville manufactured that hokey-hillbilly image way back.
I don't know if Nashville will ever be ousted as the Music City. But I also think that here, over the last few years, Georgia has definitely kind of risen to the top as far as the crop of young artists coming out of this area that are kind of making waves, you know?
All I knew when I moved to Nashville was that I wanted to make music in whatever shape and form I could.
There was a period of time when I first moved to Nashville, like the first couple of years, that I was just simply lost. I didn't know who I was; I didn't know really what I was doing here. I was meant to be a singer, but I just felt lost. That's when I went on the search for my birth family.
My absolute favorite meal in Nashville is sweet-potato pancakes at Pancake Pantry.
I could get drunk and run around Nashville naked. But I won't because I want to set a good example for my fans. I think they deserve to have a role model.
As far as in my adult life, it kinda started (with) writing first 'cause I went to school in Nashville. I mean, not Nashville but close to Nashville, and I met my managers in L.A. at a convention randomly. And then, it kinda just started from there. And then, I got my publishing deal.
I think all of us would agree that a lot of Christian radio sounds the same. A lot of music that comes out of Nashville kind of has a little bit of the same vibe. Because I don't live in Nashville, I surround myself with a culture and an influence that's outside that bubble. So when the church hears it, it's refreshing, and when the world hears it, it sounds like something they want to listen to.
My songs speak for themselves. The musicians who play on them and the way they sound and where they were recorded and the way they were recorded is the old Nashville way ... they sound as country or more country than a lot of things that are on country radio.
When I was sworn in as Mayor of Nashville back in 1991, I have to admit to you that I felt for several weeks like a bit of an outsider who had somehow taken over but didnt really belong in this nice palace. I secretly wondered if the real mayor would come back from vacation one day and call the police.
In terms of American Horror Story and Nashville, what attracted me to those, and Friday Night Lights, for that matter, is that they felt like something innovative and something that we hadn't seen before. As an actor, that's exciting.
The big influence on me was Robert Altman, who, especially in 'Nashville,' transformed my sense of dramatic structure and showed how you could handle overlapping stories.
In college, I thought I wanted to be solely an artist, and then when I got here, to college, I was like, "Okay, well I want to be a songwriter," 'cause it was like close to Nashville.
Pilgrims travel to Jerusalem to see the Holy Land, and the foundations of their faith. People go to Washington, D.C. to see the workings of government, and the foundation of our country. And fans flock to Nashville to see the foundation of country music, the Grand Ole Opry.
I moved cities for about four months to try to provoke some inspiration and put myself in an uncomfortable situation where I would be meeting new people and have a change in locale. I look back at my career and one of my favorite records I ever made was right after I moved to Nashville.
My contract with mercury PolyGram Nashville was about to expire. And I never had really been happy. The company, the record company, just didn't put any promotion behind me. I think one album, maybe the last one I did, they pressed 500 copies. And I was just disgusted with it. And about that time that I got to feeling that way, Lou Robin, my manager, came to me and talked to me about a man called Rick Rubin that he had been talking to that wanted me to sign with his record company.
My father was pretty independent. He was - he was arrested once in Nashville when he was on one of his sales trips because he had a black - guy to lunch. So that took a fair amount of courage at the time.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: