The funnest jokes for me to tell are the ones that are the newest. So I'm just constantly motivated to keep my eyes and ears open and have new stuff.
All this new stuff goes on top turn it over, turn it over wait and water down from the dark bottom turn it inside out let it spread through Sift down even. Watch it sprout. A mind like compost.
Hey, this is it—right now!—the time when you find out who you are and what you can do. And how will you ever know if you don't try new stuff?
The thing about new things is you feel new when you buy them, you feel as though you are somebody different because you own something different. We are our possessions, you know. There are people who get addicted to buying new stuff. Things. Piles and piles of things. But the new things become old things so quickly. We need new things to replace the old things.
I think that if you, as a comedian, are trying to be in people's face, then you've got to come up with new stuff every year. We're in a mass consumption phase where people take things for granted and want things to be instant when these are not things that can be instant.
Sometimes, you cut off people and you don't even let them know that you aren't messing with them anymore. A lot of people cut themselves off because they can't deal with the new stuff that you have going on.
Other [artists'] music is really what you get most inspiration from, whether consciously or subconsciously. I like a lot of old music and a lot of soul music. I also really like a lot of new stuff.
It's always a blast playing the new stuff. But I feel like songs, in a way, are never finished. You get to a point where you're comfortable enough to put a stamp on it and send it out there, but even after recording it, when you're playing it live, you hear different harmonies, you hear different notes, you hear different tempos or peaks and valleys in the song.
With a comedian, it's the opposite. You put that album out, and they've heard it. If they're coming out to see you, you'd better be doing new stuff. There's always a tiny part of the audience that want to hear certain bits of yours, or they've brought friends to see you, and they've told them about some of your bits. Then maybe you should do them.
But for the most part, for the majority of a stand-up audience, you better have new stuff they've not heard. And if you put an album out, just consider that material gone. At least that's how I see it.
The minute you start getting in trouble, you can't try to do new stuff. You can't try to make a nasty pitch or 'paint the black' because that's when you fall behind. You have to stick with what works for you and go after hitters like there's nobody on base.
I recommend that people try new stuff or take new fitness classes all the time. It's important to mix up your routine, not only for your body, but also for your mental state.
I don't listen to a lot of new stuff. I just like the old stuff. It's all quite dramatic and atmospheric. You'd have an entire story in song. I never listen to, like, white music - I couldn't sing you a Zeppelin or Floyd song.
You either evolve or you don't. I don't like old people on a rock n' roll stage. I think they look pathetic, me included. And the fact that I represent an era means I can't just go out there and do all new stuff. They would all say, 'Sing 'White Rabbit,'' and I'd say no? That's rude.
The majority of the filmmaking process is in pre-production. The more you've planned out the more freedom there is on set to find new stuff, to play around, find new jokes and let the actors kind of breathe - but it needs to come from a place where it's completely structured.
I can't recall a story that played out exactly as I'd expected it to. That's one of the thrills of journalism - being surprised, and learning new stuff, but it also poses the biggest challenge to a writer's character.
I never play all new stuff, because you got to "dance with the girl that brought you" what is that saying? You got to play the songs that got you there, so I love playing the songs from my very first record.
I'm always open to new stuff. I don't sit and try to figure out what to do, I just wait for an idea to come.
We need new art. Old art cannot do that. It can do lots of other things, and of course humanity hasn't changed that much in the last thousand or two thousand years.So that the old Greek dramas are still at the very heart, core, of human experience, but still we need new stuff.
We haven't played that many of them because all our gear was over here waiting for us when we could get here. So we didn't get to rehearse any of the new stuff, so we have planned to play 3 or 4 new ones.
I like learning new stuff, and continuing to educate myself as best I can.
If I say I've got two versions of Word - that old one from 1982 that's perfect, with zero defects; or the new one that's got all this cool new stuff, but there might be a few bugs in it - people always want the new one. But I wouldn't want them to operate a plane I was on with software that happened to be the latest greatest release!
It's a lot of work to keep reinventing yourself and coming up with new stuff, but that's what it takes to be in show business.
I still love old-school hip-hop, but there hasn't been a lot that I've taken from the new stuff.
I have a lot of fake food in my apartment, but I'm picky about it. Old plaster food, like from the '50s is really nice, hollowed out paper-mache food from old plays - the new stuff just looks too good.
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