There's a lot more to playing in the big leagues in New York than just the baseball part.
Sometimes I get mad when I think that I only have maybe 40 or 50 more springs in New York. When I miss one, 'cause I'm on location for a film, I wanna go, 'That's it, that just cost me one of my 50!'
I met Peter Brook, the theater director, who's been based in Paris for many years at the Bouffes du Nord. I admire him tremendously. Some years ago, he was in New York, and he gave an interview with The Times, and what he said was this: "In my work, I try to capture the closeness of the everyday and the distance of myth. Because, without the closeness, you can't be moved, and without the distance, you can't be amazed." Isn't that extraordinary?
A cupcake is like a great pop song. The whole world in less than three minutes. And it's impossible to have a bad cupcake. In New York you walk everywhere. So I'm always looking, always on the eternal search for the perfect cupcake. I take them very seriously. It's like hunting and gathering for me.
I've always liked the fact that galleries are free to visit in New York.
I don't even believe in magic, or ghosts or anything like that, and yet in a city like New York, on the subway, I definitely see ghosts and art seems to have some magical properties.
The important thing for me is that I try to understand the culture. Everything I thought I knew about the country was either through TV, music, movies or hopping in and out when I did shows. You can't just get the US through being in Miami, LA and New York. Middle America is the place to understand real America.
The thing about living in New York is that there are other artists; that is the most difficult, I think they are the hardest critics.
Education is huge for me. I went to public school until I turned thirteen, and was lucky enough to afford college once I became successful as an actress. I cannot believe that quality education costs as much as it does in this country. Ghetto Film School is a remarkable public high school in New York City where students get to learn to express themselves through filmmaking, and have hands-on access to equipment.
For example, when I was writing Leviathan, which was written both in New York and in Vermont - I think there were two summers in Vermont, in that house I wrote about in Winter Journal, that broken-down house... I was working in an out-building, a kind of shack, a tumble-down, broken-down mess of a place, and I had a green table. I just thought, "Well, is there a way to bring my life into the fiction I'm writing, will it make a difference?" And the fact is, it doesn't make any difference. It was a kind of experiment which couldn't fail.
I stopped drinking and realised New York still has a lot of charm, but it has become so bourgeois and affluent - and I can't really complain because I'm sort of bourgeois and affluent myself, but I like living in a place where artists and musicians and writers can actually pay the rent.
I find London really exciting but there's a lot of vicious success here. Like New York, there's a lot of incredibly successful people who feel incredibly entitled, perhaps justifiably, but I don't want to be around viciously entitled people.
I walked the streets of New York for two years begging for a job, and I couldn't get one.
I never leave home without my writing notebook, and get a lot of writing done in transit. One great place to create is while riding the subways of New York City, where I live.
I started as an artist and I had a side job moving some heavy boxes for a publishing company. They had just gotten a Mac for their art department, the department that creates the book covers. I was kind of showing the art director a thing or two about how to use a Mac. And one day everyone went out to lunch and I jumped on the computer and designed a book jacket and slipped it in the pile to go to the review board in New York. They picked my jacket and when the art director got back to Boston, he wanted to know who designed it and I said, "Me." He was like, "The box guy?"
New York has inspired more remarkable music than any other city I can think of.
I don't want to name names because they'd be mad at me if I did, but people who are significant novelists can't get published by real publishers at this point, or have to go through two years of trying after writing a novel that's taken them five or six years and simply can't get the thing in print. Or it gets in print and it doesn't get reviewed in the New York Times Book Review and disappears without a trace. I mean, it's terrifying. I don't know how anybody can stand it. It's such an enormous amount of work and the economics of it are really quite brutal.
For some reason New York is the epicentre for people who hate me. Maybe this is another reason why I left New York but I get more hatred directed towards me there than any other place.
Here was long period on my life when I was very disappointed by the fact I wasn't gay. Because I grew up going to gay clubs, living in New York and LA, both very gay cities.
Mark Twain married the daughter of one of New York State's leading Abolitionists, Jervis Langdon, who helped Frederick Douglass who became the great Negro leader to escape from slavery.
It wasn't until I moved to New York that I decided to make a conscious effort to be myself.
I remember getting my first cell phone in New York, getting into a taxi and thinking "This is the end of solitude in the back of a taxi." What used to happen in the back of a taxi? You looked out the window. My brain has become less able to spend lengths of time without shifting, and I worry about that.
New York rushed to get students into early childhood programs, but the research is clear that it has to be high quality. What we are giving poor kids now in early childhood is nothing like what we are giving middle-class kids in most places.
There are a lot of sources of information out there, so why don't you curate for yourself a list, like a real timeline of information, like the New York Times, or JetBlue, or your friends, or this comedian, or this guy who pretends to be a cat, or whatever it is, whatever entertains you, whatever you find useful.
What if the New York Times gave out free, cheap Kindles to everyone and said this is how we're doing it now. You know? Maybe that's a way to go. The technology gets cheaper and cheaper, and at some point it has to be cheaper than all these trucks and all this gas, to just say, let's give away a Kindle to everyone.
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