It's not hard for a city like New York to create a $1.25 million fund. It's not hard for foundations to create funds that invest in diverse founders.
When I'm in New York I love to stay at the Mercer Hotel, and the C. Wonder store was so part of my New York experience from staying downtown. What I love the most about the brand is the enthusiasm that the customer has for it.
Sometimes it's summer camp on location. So it's nice to have a little New York community of people you love.
My first thought about acting, growing up here in New York, was theater, and I feel like I need to force myself to go get my ass kicked in a rehearsal room and do one of those plays at some point.
Basically, there's a good friend of mine who works at EMI Publishing, a publishing company. He had asked me - he was like, you know, do you know this girl, Amy Winehouse? She's in New York for a day. She's kind of meeting people to maybe work with on her second album.
But it's also the beginning of another level of liberation for her]Eleanor Roosevelt], because when she returns to New York, she gets very involved in a new level of politics. She meets Esther Lape and Elizabeth Read, and becomes very involved in the women's movement, and then in the peace movement. And ironically, the years of her greatest despair become also the years of her great liberation.
Well I've made no secret of my life long love of MAD Magazine, it's probably my first and greatest influence in terms of my comic sensibilities. I've known John [Ficarra] for many years, and we've been friends. About four or five months ago, at a dinner in New York, John made the very nice offer of my being guest editor for an issue of MAD and I thought about it for about half a nanosecond and decided that was a pretty good idea.
I read a lot of those Single Girl in New York books, like "Fear of Flying," where you could sort of put yourself, through transference, into the Jewish Girl in New York situation.
For my family and Howard's partner, who is like family, for 10 years we were in a state of shock. It takes time to appreciate fully what was going on then. That's connected because post-9/11 New York is so completely different from the way it was and the counterculture movement going on before then was so remarkable; I think people are appreciating it a lot more now.
So I'm here, and not being one for missed opportunities, I made a list of the casting directors in New York and mark off the ones I've already met over the years. The few remaining I asked my agent and manager, "See if you can set up some meetings while I'm here."
We take it into account from the very beginning and try to steer couples toward items that lend themselves to those circumstances. Sometimes we have to steer a little more forcefully - you can't fry French fries in the New York Public Library.
One of my favorite apps is VSCO, which is for editing photos. I think they have great filters. And then I read the New York Times.
I was born in Mount Kisco, New York-although my family was living in the Bronx at the time. That's just where I decided to be born.
When I first moved to New York, I moved all over because I never knew where I would be or if I was going to Europe, so I would sublet apartments. It was miserable because I was constantly moving.
I live in Brooklyn, New York. It is a melting pot of cultures and people. I walk down the street, and there is art on the buildings and people congregating who have been neighbors for years and events and music and freedom.
There is an energy in New York that is like nowhere else I've been, and I feel free there, and that is inspiring.
We were in the middle of a sandbar in the middle of the ocean with no one around, and still someone was following me from New York, and was hiding in some bushes like a mile away with a long lens, so he still got pictures. It was really an eye opener to how you really have to be careful about being followed everywhere. I was trying to go to the most remote place in the world, I was out on a sandbar in the middle of the ocean, and they still found me. It was definitely a very new experience.
I was always drawn toward the Actor's Studio. I studied at the Lee Strasberg Institute when I first came to New York. One of my favorite teachers was one of Al [Pachino]'s teachers, a guy named Charlie Laughton, who was just a wonderful, wonderful man.
[In New York,] when you say you're an actor, there's a certain level of respect that goes with that.
Nobody ever said, "Well if you want to be in movies, you should go to L.A." Everybody else was going to New York. So I went to New York with them. And then I was like, "How am I supposed to get a movie?"
I am proud to be in Los Angeles. I have a lot of fans that love me here. When you talk about the Meccas of boxing - Las Vegas, New York - now you have to talk about Los Angeles.
We have a philosophy of we'll keep putting it up until people get it. We did that actually these last three weeks with Cracked Out from New York. People didn't really understand them. We put them up three weeks ago and they just got stared at.
I think we need to be fighting for the working men and women of this country, not the moneyed New York interests.
New York is vibrant, sexy, naughty, always surprising, and has great live music and great fashion.
I turned down a contract with a major network in New York my senior year of college in order to move to Los Angeles and pursue my acting career. But so far it's working out.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: