You can stand on a stage in New York City and make very strong statements, but now everyone has to be held accountable equally.
Donald Trump can say hey, did she [Hillary Clinton] short-circuit when she reset the relationship with Vladimir Putin and now Russia is, according to "The New York Times" article today, Russia is in control in Syria?
I did a run of a play over the summer in a really tiny theater in New York and that was rejuvenating for me. I directed a short series for Hulu called Paloma and being in an editing room, I learned a lot about acting.
In New York that probably has more lawyers per square foot than any other state in the union, more women lawyers. I mean, it to me shocking that this can happen in 2008, but fortunately, you had a governor who was sensitive enough to this outrage that he pointed it out to the nation, and is trying to do something about it.
My first feature film was a movie called 'A Gunfight,' with Kirk Douglas, Johnny Cash, Karen Black, Jane Alexander, Raf Vallone... It was shot in Santa Fe, Mexico, in 1970, and it was directed by Lamont Johnson. It was the first gig I did when I got to California from having done 'Hair' in New York on Broadway for a year. It was a Western, though! But that film was not a successful release.
I first did stand-up when I was 17, and then I passed out fliers for a comedy club (in New York City) and I got onstage whenever I could. And musical theater went out the window as soon as I started doing stand-up.
You should look up some of the reviews. The New York Times review is so over-the-top funny. It's hysterical. You should dig it out.
I think if you come from where I came from and where I have always been, I've always been reaching out and whether it's talking with our neighbors or going shopping or standing, talking to people in these bookstores and hearing what's on their minds, or even the work I did for eight years as a senator to bring new jobs to New York and stand up for the people I represented.
The idea of the book ["The Japanese Lover"] came in a conversation that I had with a friend walking in the streets of New York. We were talking about our mothers, and I was telling her how old my mother was, and she was telling me about her mother. Her mother was Jewish, and she said that she was in a retirement home and that she had had a friend for 40 years that was a Japanese gardener. This person had been very important in my friend's upbringing.
I'm a kid from New York, so urban life reflected into art and music was around me and accessible and tangible.
Let's have Michael Bloomberg run the whole thing. Did a great job on this stuff in New York. If you want to spend at least what we already are on the poor but actually get results, go for it!
It's strange, because Long Island is still New York, but the farther you go out on Long Island, the more creepy it gets.
I'd much prefer to hear somebody like Ed Thigpen [drummer with New York session group Stuff, and featured on innumerable hits] take a solo. I mean, that's what it is. I'd much rather hear that than the jazz/rock thing because it's blowing an aspect of jazz that I really like...the level where you can snap your fingers to it and you can groove to it. You can do anything to it.
I like [George] Benson because I just like it. I like that kind of style. I don't like the broken up kind of style. I don't like where you play for 16 bars and then break it up into what somebody's version of what birds twittering sounds like, or what the sound of the city is, or what New York sounds like.
When the doors to television were opened to me, that was quite a surprise. It's been such a gift that there was so much TV and independent film happening in New York that I could be a part of. There was something to satiate my desire to be artistic and creative, especially when it wasn't in the way I originally thought it was going to be.
In 1977, hip-hop literally wasn't outside the boroughs. But I was profoundly aware of the city through films like Saturday Night Fever, The French Connection, and Network. I had a friend who visited New York, and I asked him what it was like. He said, "Oh, it's great. Just wear a coat and don't look anyone in the eye."
I'll come back to New York. I think I'll start focusing in more on the entertainment business. I have been doing some of that already, all kinds of monkey business. But I'm all over the place, literally.
I'm living in Los Angeles for a couple of years. I've been a gypsy for quite a while. It'll come to an end. I'm going to come back to New York.
If I keep going outside, I get distracted - and all these lunches and things I get invited to, I just don't care. I just want to make the work. New York is very distracting.
I've always created solo work. When I first came to New York I was working in a few different areas; I was working as a drummer, a vocalist, an actor, and a dancer. I had gotten picked up more on the music side and that sort of went, and that's where I found my community in New York and that's the path that I went down.
I like to think that people can see that and appreciate that idea and then, by some mechanism of wearing the fragrance, sort of carry that idea with them in their own life. Whether it's a weekend in Louisiana or in New York City or in Venice, Italy, or wherever they may be. I think there's something kind of fascinating and powerful about that.
The New York Times will tell you what is going on in Afghanistan or the Horn of Africa. But it is no exaggeration that The New York Times has more people in India than they have in Brooklyn. Brooklyn is a borough of two million people. They're not a Bloomingdale's people, not trendy, sophisticated, the quiche and Volvo set. The New York Times does not serve those people.
New York has always been a place where it is possible to have memories without the experience that conventionally precede them.
What if the New York Times gave out free, cheap Kindles to everyone and said this is how we're doing it now. You know? Maybe that's a way to go. The technology gets cheaper and cheaper, and at some point it has to be cheaper than all these trucks and all this gas, to just say, let's give away a Kindle to everyone.
Here was long period on my life when I was very disappointed by the fact I wasn't gay. Because I grew up going to gay clubs, living in New York and LA, both very gay cities.
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