New York exists for me. Not me for it.
I guess the best way to describe that would be to connect with the fact that I came out of college just before the big Depression, and I came to New York.
My association with the Southern Christian Leadership Conference is sort of predated by an effort that we were a part of here in New York City regarding the reaction to this 1954 Supreme Court [Brown v Board of Education] decision.
I believe, the NAACP began to try to organize parents of Negro children to file petitions with the boards of education regarding the integration of the school system. You had some very severe economic reprisals against people in Mississippi and in South Carolina. So, in order to try to help to meet some of the physical needs and the economic needs of people in Clarendon County [SC] who had been displaced from the land, and otherwise, and in certain sections of Mississippi, we organized in New York City something called "In Friendship".
I'm a kid from New York, so urban life reflected into art and music was around me and accessible and tangible.
Former New York Mayor, Rudy Giuliani, former Alaska Governor, Sarah Palin, talk show Rush Limbaugh claim - " don't you love that, they "claim." I'm not claiming anything. I'm saying. Anyway. " - that Black Lives Matter exacerbates tensions and sows racial divides." How can that even be debatable?
Let's have Michael Bloomberg run the whole thing. Did a great job on this stuff in New York. If you want to spend at least what we already are on the poor but actually get results, go for it!
It's strange, because Long Island is still New York, but the farther you go out on Long Island, the more creepy it gets.
That was pretty cool [Life With Mikey]. Michael J. Fox at the time was huge. I was like, "Whoa, he's a real bona fide movie star!" I was a kid. It was a huge deal. That's kind of it. We shot it in Toronto, and a little bit in New York.
I produced a play in New York that got nominated for an Outer Critics Circle Award for Best American Play.The play is called Stalking The Bogeyman. It was a story on This American Life, and my former roommate is the artistic director of the New York Repertory Theater. He heard the NPR show, contacted them, and essentially - shortest synopsis ever, like I'm the Cablevision guide button - it's the true story of a man stalking and plotting to kill the man who raped him when he was seven. It's by a brilliant reporter named David Holthouse.
I'd much prefer to hear somebody like Ed Thigpen [drummer with New York session group Stuff, and featured on innumerable hits] take a solo. I mean, that's what it is. I'd much rather hear that than the jazz/rock thing because it's blowing an aspect of jazz that I really like...the level where you can snap your fingers to it and you can groove to it. You can do anything to it.
I like [George] Benson because I just like it. I like that kind of style. I don't like the broken up kind of style. I don't like where you play for 16 bars and then break it up into what somebody's version of what birds twittering sounds like, or what the sound of the city is, or what New York sounds like.
You have to understand that for the most part in New York, whoever gets the Democratic nomination wins.
When the doors to television were opened to me, that was quite a surprise. It's been such a gift that there was so much TV and independent film happening in New York that I could be a part of. There was something to satiate my desire to be artistic and creative, especially when it wasn't in the way I originally thought it was going to be.
In 1977, hip-hop literally wasn't outside the boroughs. But I was profoundly aware of the city through films like Saturday Night Fever, The French Connection, and Network. I had a friend who visited New York, and I asked him what it was like. He said, "Oh, it's great. Just wear a coat and don't look anyone in the eye."
Quite frankly, we have seen liberal policies in cities like Chicago, like New York and others, have led to increased crime.
When I was a kid in New York I used to go to the zoo. I always liked the zoo. I grew up within walking distance of the Bronx Zoo. And then when my first two children were young, I used to take them to the zoo. Zoos are always interesting. And I make pictures.
I'll come back to New York. I think I'll start focusing in more on the entertainment business. I have been doing some of that already, all kinds of monkey business. But I'm all over the place, literally.
I'm living in Los Angeles for a couple of years. I've been a gypsy for quite a while. It'll come to an end. I'm going to come back to New York.
I tend not to think that anything I happen to be reporting on in my films is special. Meaning that people are always saying to me, 'you must love New York, you have it in all your films.' But mostly it's because I know New York, and I know Brooklyn at this time. I know the lives there, because I have lived in them.
I've always created solo work. When I first came to New York I was working in a few different areas; I was working as a drummer, a vocalist, an actor, and a dancer. I had gotten picked up more on the music side and that sort of went, and that's where I found my community in New York and that's the path that I went down.
I'm from New York. I grew up there. I grew up in Westchester County, the suburbs. For me, that was always the best of both worlds. I was super lucky to have a place where I could pretty much practice drums unperturbed. Obviously there were neighbor's complaints, but not very often, and I could get to the city easily by myself or with my parents.
I also have an amazing codesigner and an amazing partnership with New York & Co. The exciting part of growing together and having this kind of long-term relationship is that they can anticipate where I'm going with something. So our relationship is very defined, it's a true partnership so I'm not doing it all by myself.
I like to think that people can see that and appreciate that idea and then, by some mechanism of wearing the fragrance, sort of carry that idea with them in their own life. Whether it's a weekend in Louisiana or in New York City or in Venice, Italy, or wherever they may be. I think there's something kind of fascinating and powerful about that.
The New York Times will tell you what is going on in Afghanistan or the Horn of Africa. But it is no exaggeration that The New York Times has more people in India than they have in Brooklyn. Brooklyn is a borough of two million people. They're not a Bloomingdale's people, not trendy, sophisticated, the quiche and Volvo set. The New York Times does not serve those people.
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