I got a call from an agent to come to New York City, and write for the 'Ford Star Revue.' Because at the time there wasn't much 'national television'.
One thing in the Middlewest: If you're in my business you're aware of the low opinion both coasts have of the midlands. And that is quite mistaken. New York would be a Kokomo if it weren't for Middlewesterners coming there.
When you look at the New York Times and you pick it up in the morning, at the top of the paper there's three stories that are anti-Trump. Some of them baseless, some of them silly. And at the bottom you get something about WikiLeaks. Same thing with The Washington Post. Way out of control.
When I ran for mayor of New York City, the first time, some people voted eight and ten times. And second time I had firefighters and police officers outside checking on the buses so we take down the number of the bus, the bus had voted ten times, and wouldn't let the bus vote again.
I support the Second Amendment. I lived in Arkansas for 18 wonderful years. I represented upstate New York. I understand and respect the tradition of gun ownership. It goes back to the founding of our country.
You go to Pennsylvania, you go to Ohio, you go to Florida, you go to any of them. You go upstate New York. Our jobs have fled to Mexico and other places.
With recidivism algorithms, for example, I worry about racist outcomes. With personality tests [for hiring], I worry about filtering out people with mental health problems from jobs. And with a teacher value-added model algorithm [used in New York City to score teachers], I worry literally that it's not meaningful. That it's almost a random number generator.
Art is fantastic, but it's also that you come to Paris, you call me, I come to New York, I come to visit you, we hang out together, and that's art.
Living New York, everyone has a million hustles, so I was doing party promoting, working the doors at parties, doing that whole nightlife thing.
What kind of motivated me to join the Black Panther Party was that I, along with some of the comrades that I was working with in New York, had heard about the Black Panther Party, and they were doing things that we wanted to do in New York, and we thought that would be a better vehicle than the vehicle that we had going on in New York. They were better organized, and they already had their Ten-Point Platform and Program, and people already heard about them. So we decided that we would join the party, when given a chance.
Abandoned by the existing political system, young people in Oakland, California, New York City, Quebec and numerous other cities throughout the globe have placed their bodies on the line, protesting peacefully while trying to produce a new language, politics, imagine long-term institutions, and support notions of community that manifest the values of equality and mutual respect that they see missing in a world that is structured by neoliberal principles.
There are a lot of writers from the South who would probably have once figured they needed to go to New York to make it who have stayed closer to home - people like David Joy, Tom Franklin, Sheldon Lee Compton, Wiley Cash, Mark Powell, and Alex Taylor.
I forget how beautiful and calm California is. It's not so much about the place, but also the age that I came to the place and, well, other things. New York is hard.
When you come to New York you always get a buzz.
The issues for journalism and journalists, we see obvious places where presentation is very different in a digital space from traditional print. If you go to a New York Times homepage, you cannot get to a story about the Ukraine without a click-off on a banner ad or a slide show. They're not alone in that - you think you're clicking on a video about a news event and you have a 30-second ad that you have to watch before you can get to it.
As far as liberals are concerned, the Democrats are concerned, when the New York Times clears you, you are cleared.
The New York Times carries as much weight as the FBI, and if the New York Times says there's nothing to see between Trump and Russia and Putin, then there's nothing to see.
It doesn't matter what the FBI says. The New York Times is that big a bible for people on the left.
I get questions from Richard Sandomir at the New York Times or Michael Hiestand at USA Today about issues .., 'well, there's a blog site that says you root too hard for the Red Sox. Or people don't like you because you're rooting against their team ...'I don't want to say it's bad. There are certainly things you learn from the internet. You certainly learn from people's opinions. I think you're going to get some of the negative a lot more than the positive, but I think you can learn from it.
Five years ago, I wasn't getting questions [about blogs and the internet] from the TV/radio critic of the New York Times.
I have friends in New York that won't leave New York, and they're really talented people, but they'd rather take an acting class in New York than do a play in Florida or Boston. That's just weird to me, but they get into that I've-got-to-be-in-the-center-of-the-universe mentality. I'm not that way.
Early on in life I knew that I was a writer, that I just wanted to write, I love books, I love literature and after graduating college, I kind of wandered around in Europe learning languages and writing novels and never led anywhere. And then I got into like journalism in New York as a way to kind of maybe find my way into the field and it wasn't a good fit. It just wasn't right for me.
I grew up in New York City where there is no night sky. Nobody has a relationship with the sky, because, particularly in the day, there was air pollution and light pollution, and you look up, and your sight line terminates on buildings. You know the sun and maybe the moon, and that's about it. So what happens is that I am exposed to the night sky as you would see it from a mountaintop, and I'm just struck by it. Suppose I grew up on a farm where I had that sky every night of my life - then you're not going to be struck by it. It's just the wallpaper of your nighttime dome.
I wanted individuals who were clearly themselves and I just got to put some clothes on them, but they basically came "done," you know? How they feel comfortable. I just wanted them to walk down the streets of New York and I said, "You know what? Don't even pose, just walk and we'll take pictures."
Mortal City was really influenced by geography. [The song] "The Ocean" is the Pacific Northwest. Southern California and New York also figure into songs, and Iowa. "February" is very much about New England. "Mortal City" is Philadelphia. The whole album is this anthropomorphized landscape where the metaphors live in this geography.
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