I never will let anyone make, maneuver me into making a distinction between the Mississippi form of discrimination and the New York City form of discrimination. It's, it's both discrimination; it's all discrimination.
I could turn around as Wyatt Walker said to me about, not you personally, but about the whole Black Muslim movement. That if you go outside of New York City, Dr. [Martin Luther] King is known to 90 percent of the Negroes in the United States and is respected and, and is identified more or less with him, at least as a hero of one kind or another. That the Black Muslim, outside of one or two communities like New York, are unknown.
[William Shawn] took over The Voice and tried to turn it into New York Magazine - very glitzy covers that promised practically nothing in terms of what was inside, very rushed paper anymore. You - not very contemplative, thoughtful or whatever.
Clay Felker was then - he had - to his credit, he had created New York Magazine, which was the first of the city magazines that covered the city and gave all kinds of advice and all that sort of stuff. And there were copies all over the country by the time he left. He had, however, a view of journalism that was very much, I must say, like Tina Brown's at The New Yorker. You hit 'em hard, fast, give 'em something to talk about the day after the paper comes out, as contrasted with William Shawn, who gave them something to talk about two or three years from then.
At the time there was a hospital strike in New York and the Catholic hospitals were part of a general consortium, and the head of the consortium had decided that they were finally going to replace some of the striking workers. And I hear [John] O'Connor yelling, `Over my dead body will you replace any of those workers! They have a right to strike.' So I figured, `This is interesting.'
I live in New York full time. I can't live in L.A., because I fear people think I'm a vagrant there.
In New York, as long as you're not peeing in someone's doorway, everyone thinks you're a gentleman.
I feel like my behavior goes over better on the streets of New York.
I don't want to romanticize the world in which everybody watched three networks and the Washington Post and the New York Times and the Wall Street Journal were incredibly dominant. That time has passed.
President-elect Trump needs to keep in mind that the media - they're never going to like him, especially after WikiLeaks exposed that the press was openly colluding with the Clinton campaign, like CNBC and MSNBC and CNN and The New York Times and the whole rest of them.
I don't even know if I ever knew - some sweatshop in Baltimore. I knew with my other relatives - some of the women were in the International Ladies' Garment Workers' Union and men were shop boys and things like that. I happened to be in Philadelphia, but the family was in New York. I could see what the union was doing for them.It really saved their lives.
A lot of people who are passionate about digital or publishing, they either want to be in New York or Brooklyn.
When I was young, it was an exciting time to be in New York.
Now, it is much more difficult for young people coming to New York. But also when you're young, you have more time to interact with one another, to discover yourself with people of your generation.
I've been very lucky being in New York. While there are many things that have impacted my life, I have been able to stay here and do my own work.
If you're looking for a New York Times best-seller, I may or may not give you that.
Too many people write books because they want to be a New York Times best-seller. They want the glory and the fame.
The New York Times and The Guardian came out and said, "Hey, clemency for Snowden." But for me, the key - and I've said this from the beginning: it's not about me. I don't care if I get clemency. I don't care what happens to me.
When someone is running for reelection in Texas, they're not looking for votes in California or New York.
I talk to people in the ACLU office in New York all the time. I'm able to participate in the debate and to campaign for reform. I'm just the first to come forward in the manner that I did and succeed.
There was a place in New York called Tannen's Magic. It still exists. But back in the day, it was really fantastic. You'd go into the old Wurlitzer Building, take the elevator to the 13th floor, which was labeled 14, because of bad luck, the elevator would open, and you'd be in heaven. It was all of these guys doing magic stuff with props. It's kind of gone now, that experience, the brick-and-mortar magic shop, but you really felt like you'd landed in the most amazing place in the world.
There was a guy named Ed Mishell. He was this grandfatherly guy who did all the illustrations for the catalogs and reviewed magic effects for the magic magazines, so all of the magic dealers would send him magic effects for free-it was a great deal. His basement was full of this stuff. He took me under his wing, and he would sneak me into the Society of American Magicians meetings in New York. It's the world's oldest magic organization.
These New York City streets get colder, I shoulder every burden every disadvantage I've learned to manage. I don't have a gun to brandish. I walk these streets famished.
I grew up in the time just when cassettes were waning and CDs were growing. And so mix tapes - and not mix CDs - mix tapes were an important part of the friendship and mating rituals of New York adolescents. If you were a girl and I wanted you - to show you I like you, I would make you a 90-minute cassette wherein I would show off my tastes. I would play you a musical theater song next to a hip-hop song next to an oldie next to some pop song you maybe never heard, also subliminally telling you how much I like you with all these songs.
[Producers] took me to Chicago at 18 to star in a show that ran for almost a year. And that's when my parents said, "Okay, I guess you can quit Fordham." Of course, when that show closed, as you can imagine, I came to New York and starved for years, but it's never an easy road.
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