The vast majority of writers out there, they finish their books and no one cares whether their book is late or ever comes out at all. And then it comes out and two reviews are published and it sells 12 copies.
I have a list of universal beliefs, and they are amazing beliefs, like, "No one cares" or "You don't care about me"; "I should be successful" or "I'm not successful"; "I don't have enough money"; "I'm too tall or thin or fat"; "I shouldn't have done it" - oh, my goodness, they go on and on and on.
No one cares what you ate for breakfast. Unless it's something really spectacular, don't tweet me your breakfast, I don't care.
If you are the writer/director especially, no one cares more about the project than you do. You know it in and out. You created it. So always listen to input but don't be afraid to veto and fight decisions that you know instinctively are wrong.
In my world, history comes down to language and art. No one cares much about what battles were fought, who won them and who lost them - unless there is a painting, a play, a song or a poem that speaks of the event.
No one cared what St. Louis thought, although the city got a wink for pluck.
You can have the greatest strategy in the world but what is the point if no one cares?
If women who were free to speak did not speak, we might as well say to the entire world, 'No matter what you do to women, no one cares, just go right ahead.'
Congratulations on turning 60 Now you can wear what you like No one cares, and more particularly You're fine telling 'em 'Take a hike'
I mean its an obsession, you follow the obsession but at the same time you have so many doubts, you know. Why am I wasting so much money going back to this place, taking more pictures? What’s the point of it? No one cares about it. I think I care about it but maybe I am deceiving myself.
Motorsport is very expensive. No one cares if you had a good season two years ago and then you have an injury. It is a very dodgy investment.
It is generally supposed that where there is no QUOTATION, there will be found most originality; and as people like to lay out their money according to their notions, our writers usually furnish their pages rapidly with the productions of their own soil: they run up a quickset hedge, or plant a poplar, and get trees and hedges of this fashion much faster than the former landlords procured their timber. The greater part of our writers, in consequence, have become so original, that no one cares to imitate them; and those who never quote, in return are never quoted!
Normally I'm really lucky because I can go down to my local shops and no one cares. I take the Tube and the bus so it's kind of the perfect balance.
No one is putting comic book writers on the cover of Entertainment Weekly or Vanity Fair. No one cares whether we have cellulite. There are no paparazzi hiding in the bushes of our front yards. Even the wealthiest among us make very little compared to any c-list star. Even the biggest stars in the comics are completely unknown to anyone who doesn't read them.
The Lady' is a piddling little magazine that no one cares about or buys.
Wherever I go people recognize me, call my name, cheer for me. But there are names no one cares to remember, that no one cheers for: the 805 million people suffering from hunger in the world today.
The work I did in Vertigo meant nothing if no one cared about the movie. Luckily, Vertigo had a revival and people had begun to recognize there was something special and it gained in reputation. But it just as well could have ended up rotting in film cans somewhere.
Critics stopped being relevant when they stopped writing to inform and contextualize, and when they started writing to signal who they are, to display their identity by their stance on what they are writing about. Criticism should never be about the critic, but thats what it has become, and that’s why no one cares about them anymore.
As long as I could pitch a little, no one cared that I was getting drunk.
I have a deep-seated distrust and even contempt for people who are driven by ambition to conquer the world … those who cannot control themselves and produce vast amounts of crap that no one cares about. I find it unattractive. I like the Zen artists: they’d do some work, and then they’d stop for a while.
When I published my first work, I thought I would never be able to go back to Lebanon. I thought they'd arrest me at the airport. I thought I would change literature as we know it. I thought I'd have men lining up at my door wanting to be my boyfriend. But later I discovered that no one read the book. Or no one cared. Right now, I have only one book translated into Arabic. Someday, maybe if the Syrian regime falls, there will be others, but probably another regime will come into power and it will employ just as much censorship.
None of the pictures I take a risk in cost a lot, so it doesn't take much for them to turn a profit. We don't deal in big budgets. We know what we want and we shoot it and we don't waste anything. I never understand these films that cost twenty, thirty million dollars when they could be made for half that. Maybe it's because no one cares. We care.
No one is asking what happened to all the homeless. No one cares, because it's easier to get on the subway and not be accosted.
In hip hop no one cares. No one stands up for it and it's a mess. We need order so we can all follow the tradition of where we came from. We need to keep referring to the pioneers.
No one loves me, - no one cares for me, but you, mother.
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