I listen to [customers] and we make adjustments because we pretty much average a collection every six weeks. We're constantly taking everything in and taking notes.
Beethoven said that it's better to hit the wrong note confidently, than hit the right note unconfidently. Never be afraid to be wrong or to embarrass yourself; we are all students in this life, and there is always something more to learn.
Glorious bouquets and storms of applause are the trimmings which every artist naturally enjoys. but to move an audience in such a role, to hear in the applause that unmistakable note which breaks through good theatre manners and comes from the heart, is to feel that you have won through to life itself. Such pleasure does not vanish with the fall of the curtain, but becomes part of one's own life.
In fact, on a side note, after the success of the first record, I got asked to write for some pop artists, as everybody does, and I did a couple songs for some of these massive stars and the review that I got back was, "This artist likes the song but it's too POP-y for them." I was like, "What do you mean, I thought I was writing for a pop star."
We will build a Marine Corps based on 36 battalions, which the Heritage Foundation notes is the minimum needed to deal with major contingencies. Right now we only have 23.
I keep a couple of notebooks too into which I record ideas for story titles or characters or situations, and these notes help me quite a bit when I'm feeling at loose ends and not sure of what to work on next.
I have to throw in on a personal note that I didn't like history when I was in high school. I didn't study history when I was in college, none at all, and only started to do graduate study when my children were going to graduate school. What first intrigued me was this desire to understand my family and put it in the context of American history. That makes history so appealing and so central to what I am trying to do.
Both of my mom's parents were music teachers, so I was hearing the fundamentals of playing the piano, what notes are, and all those things very early on.
And on a completely different note I will NOT in fact be sharing my bra size, that was a very sleepy tweet last night but I ain`t no an A cup.
Your mission is to document and observe the world around you as if you’ve never seen it before. Take notes. Collect things you find on your travels. Document your findings. Notice patterns. Copy. Trace. Focus on one thing at a time. Record what you are drawn to.
I feel that as a writer and as a performer too. I never really thought about backstory for characters. It was much more of a musical approach: You learn a melody, and then you sing it, I suppose, or you find a rhythm or a cadence that works for the material. And then it's sort of about hitting that note correctly and finding those beats.
I note that many British MEPs belonging to the UK Independence Party (UKIP) have used all their time in Parliament to work against the institution of which they are members. I would not presume to advise them on what they should or should not do. However, since the UK could not leave the EU fast enough as far as they were concerned, I can imagine that they will not stay any longer than they have to.
I love the lower ranges of my new voice. I really enjoy that. It's a challenge, and I accept the challenge. I sort of enjoy it now to reach notes that maybe four years ago I couldn't reach. I don't mean to grumble about it. I'm past that critical period and have gone on to a whole new field. And we go everywhere. We travel around the world, and I learn songs from every place we go, and it's a joyful process.
I could definitely rock out to Kraftwerk's "Tour De France," Tubeway Army, or Gary Numan. All of that stuff has an infectious beat, but with "Oh Yeah," I can't even identify what's going on. It sounds like typewriter keys, a couple of synth notes and then this really deep "Oh yeah," which I always picture as Andre The Giant on vocals.
Everyone's opinion is of equal value, which is bizarre to me. It's so hard to get anybody cast because you'll be on the phone with 15 people, and if anybody says I don't know about that guy - move on. Wait a minute, why is that person's note valid? It's such a bizarre process that's sprung up around it.
On a personal note, a legacy he left me, aside from being a friend who was important to me on many levels, was that the decades I knew Sam [Fuller] happened to be the decades that were his least happy professionally.
I send thank you notes, not emails, even if I'm staying at a friend's house or something. I'm very old school.
Part of my reaction to my diagnosis of infertility was deeply sarcastic and critical, part of it was morbid, part of it was numb, part of it was neurotic and desperate. To mush all of those notes together would cancel them out. I ended up just trying to keep them as separate as possible.
When I'm talking to somebody, I'll put a piece of paper on the table and I'll write what I call a conversation summary - notes about the conversation on the piece of paper. At the end of the conversation, I'll take a picture on my phone and give the other person the original piece of paper.
It is of note that even if utilitarianism has proved to be superior to deontology and the libertarian moral rights theory in the area of killing, we are not allowed to say that it has been finally vindicated; it has to face other challenges in other areas, in particular in situations of distributive justice.
Most folks, when they see movies or hear records, need something that they find pulls them in, draws them in, and appeals to them beyond just the notes. For a record to be memorable and great, it has to have something of this quality. Exactly what that is, I don't know, but I think it has something to do with an atmosphere, an environment that is appealing and attractive. And the people that inhabit this environment have... almost a message for the rest of the world.
Save for your goals. Take note of what's coming your way - vacations, the holidays, what ever is going to cost you money - and start saving ahead of time so that you have a stash when the time comes.
Jazz is not about getting and playing whatever notes you want. It is about reworking themes in a manner that sounds good, that can be followed by the other musicians and that the audience enjoys. You cannot do that without first acquiring skills.
I suspect that we are all recipients of cosmic love notes. Messages, omens, voices, cries, revelations, and appeals are homogenized into each day's events. If only we knew how to listen, to read the signs.
Make notes—I’ve lost more material than I’ve ever written. Contrary to popular opinion, it’s not still up there in one’s brain. It’s in outer space and it ain’t coming back.
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