Science is based on the possibility of objectivity, on the possibility of different people checking out for themselves the observations made by others. Without that possibility, there is no empirical principle capable of deciding between different arguments and theories.
When, in 1913, in a desperate attempt to rid art of the ballast of objectivity, I took refuge in the form of the square... the critics... sighed, "All that we loved has been lost. We are in a desert"... But the desert is filled with the spirit of non-objective feeling.
Nobody knows why we're alive; so we all create stories based on our imagination of the world; and as a community, we believe in the same story. In India, every person believes his/ her own mythosphere to be real. Indian thought is obsessed with subjectivity; Greek thought with objectivity.
Not only did I rediscover every experience of my life, I had to live each unfulfilled desire as well—as though they’d been fulfilled. I saw that what transpires in the mind is just as real as any flesh and blood occurrence. What had only been imagination in life, now became tangible, each fantasy a full reality. I lived them all—while, at the same time, standing to the side, a witness to their, often, intimate squalor. A witness cursed with total objectivity.
He had thought more than other men, and in matters of the intellect he had that calm objectivity, that certainty of thought and knowledge, such as only really intellectual men have, who have no axe to grind, who never wish to shine, or to talk others down, or to appear always in the right.
If there was one life skill everyone on the planet needed, it was the ability to think with critical objectivity
Objectivity is just male subjectivity.
You need the kind of objectivity that makes you forget everything you've heard, clear the table, and do a factual study like a scientist would.
...the scientific attitude implies what I call the postulate of objectivity-that is to say, the fundamental postulate that there is no plan, that there is no intention in the universe. Now, this is basically incompatible with virtually all the religious or metaphysical systems whatever, all of which try to show that there is some sort of harmony between man and the universe and that man is a product-predictable if not indispensable-of the evolution of the universe.
But instinct is something which transcends knowledge. We have, undoubtedly, certain finer fibers that enable us to perceive truths when logical deduction, or any other willful effort of the brain, is futile.
Suffering is given to you that you might open your eyes to the truth.
The old scientific ideal of episteme - of absolutely certain, demonstrable knowledge - has proved to be an idol. The demand for scientific objectivity makes it inevitable that every scientific statement must remain tentative for ever.
The subject of the novel is reality liberated from soul. The reader in complete independence presented with a structured process:let him evaluate it, not the author. The façade of the novel cannot be other than stone or steel, flashing electrically or dark, but silent.
Economics seeks to be a science. Science is supposed to be objective and it is difficult to be scientific when the subject matter, the participant in the economic process, lacks objectivity.
The bottom line about the information possessed by non-Western peoples is that the information becomes valid only when offered by a white scholar recognized by the academic establishment; in effect, the color of the skin guarantees scientific objectivity.
News objectivity is a twentieth-century myth. We only complain about propaganda when we don't agree with it.
You have a certain objectivity, as a member of the audience, and you can come away maybe being provoked into a certain discourse or a certain arena of questioning, regarding how you would deal with things that your character has to deal with. Whereas when you're doing a film, once you start asking, "What would I do?," you're getting the distance greater between yourself and the character, or you're bringing the character to you, which I think is self-serving, in the wrong way. The idea is to bring yourself to the character.
Every atheist is an idolater- unless he is worshipping the true God in his impersonal aspect. The majority of the pious are idolaters.
We are caught in a traffic jam of discursive thought.
Objectivity is the subject subjugating the object. That is how you assert yourself. You make yourself the active voice and the object is the passive no-voice.
The news is a public service. It's a way to inform people of what's going on in their world. And when you make it about ratings and make it about ad dollars, there's no incentive to inform people. The incentive is to be sensationalistic and get as many people to watch as you can without any regard for truth or objectivity.
When can our brain's innate objectivity begin to flourish? Only when our inappropriate Self-centered subjectivity begins to dissolve.
Choosing a director is like choosing a therapist - you want somebody who is going to be a step or two ahead of you, who can interpret and articulate your intentions better than you can, with the benefit of objectivity. I look for a collaborator who is going to help bring to life, on stage, in three dimensions, what is on the page. I wouldn't want a director who imposes conceits or distrusts the text or who has prejudged the characters.
I make no pretensions to 'objectivity,' a fraudulent concept in an era of industrialized and politicized science in which intellectual mercenaries too often serve power and greed, the ambitions of competing nation-states, or the requirements of commerce.
Two aesthetics exist: the passive aesthetic of mirrors and the active aesthetic of prisms. Guided by the former, art turns into a copy of the environment's objectivity or the individual's psychic history. Guided by the latter, art is redeemed, makes the world into its instrument, and forges, beyond spatial and temporal prisons, a personal vision.
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