We only really remember things for five years. After that, what we remember, what's actually etched in our brain is our memory of the thing, not the thing itself. And five years after that, what's left is our memory of the memory.
Our memory of dreams is a glimpse of the full spiritual life that each of us leads beyond the physical.
Our body is the place that our memories and dreams call home for the time being.
To begin with, our perception of the world is deformed, incomplete. Then our memory is selective.
Most of us have no idea what we can do because we are totally conditioned by the past. Our memories, beliefs, assumptions, prejudices, and stresses conspire to trap us in one boundary after another. We need to escape from this.
I can't believe 50 years have gone by since that film was released. I blinked and suddenly here I am. We all really felt blessed and as for me; how lucky can a girl get. Great music does more than enhance a film, it cements our memories in the film going experience.
An astonishing book. In compelling language, both homely and elegant, Young Men and Fire miraculously combines a fascinating primer on fires and firefighting, a powerful, breathtakingly real reconstruction of a tragedy, and a meditation on writing, grief and human character.... Maclean's last book will stir your heart and haunt your memory.
It is natural to want to forget, Anna, when everyday is a brimful of sadness. But those souls also forgot those that they had loved. You do not want that, surely? I have heard some preach that God wants us to forget the dead, but I cannot believe so. I think He gives us precious recollections so that we may not be parted entirely from those He has given us to love. You must cherish your memories of your babes, Anna, until you see them again in Heaven.
What we hold in our heads - our memory, our feelings, our thoughts, our sense of our own history - is the sum of our humanity.
Your memory and your senses will be nourishment for your creativity.
Our memory is our coherence, our reason, our feeling, even our action. Without it, we are nothing.
If you're serious about becoming a wealthy, powerful, sophisticated, healthy, influential, cultured and unique individual, keep a journal. Don't trust your memory. When you listen to something valuable, write it down. When you come across something important, write it down.
Some studies make such a deep impression on you that they stay etched in your memory forever.
We have inherited a great music. This music is a holdover. It comes with us like the skin, the texture of our hair. It's our memory banks.
Our memory tells us stories, that is, what we get to keep from our experiences is a story.
First of all, begin to live out of the glory of your imagination, not your memory.
Like all our memories, we like to take it out once in a while and lay it flat on the kitchen table, the way my wife does with her sewing patterns, where we line up the shape of our lives against that which we thought it would be by now.
But any Time is with us. And if we take control to shape our attitude and reshape our memories, that time is always now, - our time for the best possible uses of our lives.
Satan will try to use our memory of any previous guilt to lure us back...We must be ever vigilant to avoid his enticements
I've never been very attached to genre labels and never set out intentionally to write historic fiction. Besides, what you consider historic depends on how far back your memory extends.
It really is easy to forget the unpleasant if we simply refuse to recall it. Withdraw only positive thoughts from your memory bank. Let the others fade away. And your confidence, that feeling of being on top of the world, will zoom up-ward. You take a big step forward toward conquering your fear when you refuse to remember negative, self-deprecating thoughts.
What beastly incidents our memories insist on cherishing, the ugly, and the disgusting; the beautiful things we have to keep diaries to remember.
If you follow the process of a thought - any thought, not just about art - the thought changes. It has to do with what you can hold in your memory and what you lose. That's an interesting thing to try to paint.
I want to question the images that are in our memory. There is always a double level in my work; what you see is true and at the same time not true.
It is strange how the romances of the teenage years retain a poignancy all through life - how a girl who turns you down when you're 16 retains an aura in your memory even long after you, and she, have ceased to be who you were then. I attended my high school reunion a couple of weeks ago and discovered, in the souvenir booklet assembled by the reunion committee, that one of the girls in my class had a crush on me all those years ago. I would have given a great deal to have had that information at the time.
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