My problem is that while other people are reading fifty books I'm reading one book fifty times. I only stop when at the bottom of page 20, say, I realize I can recite pages 21 and 22 from memory. Then I put the book away for a few years.
I think basically lables were more interested in a Richard Page record than a Mr. Mister record.
The Cold War in Africa is one of the darkest, most disgraceful pages in contemporary history, and everybody ought to be ashamed.
And we've read scary books and watched scary movies and TV shows together. He's met monsters, ghouls, and demons on the page and on the screen. There's nothing like watching Anaconda with your best friend or lying in bed next to your mother reading Roald Dahl, because that way you get to explore dark stuff safely. You get to laugh with it, to step out on the vampire's dance floor and take him for a spin, and then step back into your life. When you make friends with fear, it can't rule you.
It will seem as if you were making the visions banal — but then you need to do that — then you are freed from the power of them Then when these things are in some precious book you can go to the book and turn over the pages and for you it will be your church — your cathedral — the silent places of your spirit where you will find renewal. If anyone tells you that it is morbid or neurotic and you listen to them — then you will lose your soul — for in that book is your soul.
It is one of the oddest things in the world that you can read a page or more and think of something utterly different.
We stand in the shadow of the Bible today as opposed to in the pages of the Bible. I think that the biblical illiteracy comes as a direct result of a failure to recognize that the DNA of western civilization comes from a biblical worldview.
Unlike prose writing, the strange process of writing with pictures encourages associations and recollections to accumulate literally in front of your eyes; people, places, and events appear out of nowhere. Doors open into rooms remembered from childhood, faces form into dead relatives, and distant loves appear, almost magically, on the page- all deceptively manageable, visceral, the combinations sometimes even revelatory.
People were always able to look at Bettie Page and see what they needed her to be and she gave them that permission to do so. So in that way she's a feminist but I don't think she was ever trying to be.
All of a sudden, those few pages of script that he had shown me with the weird images I could visualize all of that in my brain, and I knew that there was this mad little genius at work here and I really wanted to do the film.
Read him slowly, dear girl, you must read Kipling slowly. Watch carefully where the commas fall so you can discover the natural pauses. He is a writer who used pen and ink. He looked up from the page a lot, I believe, stared through his window and listened to birds, as most writers who are alone do. Some do not know the names of birds, though he did. Your eye is too quick and North American. Think about the speed of his pen. What an appalling, barnacled old first paragraph it is otherwise.
Well, I'm a slow writer. For me, a good day is a page, maybe a page and a half. I'd love to be more efficient, but I am not.
The tragedy in his life already existed. To love an atmospheric spirit. That was the real sorrow. Hopelessness itself. Nowhere on the printed page, nowhere in the annals of man, would her name appear: no local habitation, no name. There are girls like that, he thought, and those you love most, the ones where there is no hope because it has eluded you at the very moment you close your hands around it.
It's clear that when we're this outnumbered by the creatures, we have to take a page from the British Empire and rule the lesser species through intimidation. That's why the single most important thing you can do as a human is to dominate an animal. Need more proof?Rule over the fish of the sea and the birds of the air and over every living creature that moves on the ground. I'd say that about covers it.
The effects of human wickedness are written on the page of history in characters of blood: but the impression soon fades away; so more blood must be shed to renew it.
Words like passion and ecstasy, we learn them but they stay flat on the page. Sometimes we try to turn them over, find out what's on the other side, and everyone has a story to tell os a woman or a brothel or an opium night or a war. We fear it. We fear passion and laugh at too much love and those who love too much.
I think the people will - who advocate having a step back and read those public opinion polls on the front page of the newspapers all over this country saying public supports restoration in restoration of the Everglades, protection of the parks and the creation of monuments.
Most men are followers, and implicitly rely upon the judgment of others. They mistake solemnity for wisdom, and regard a grave countenance as the title page and Preface to a most learned volume. So they are easily imposed upon by forms, strange garments, and solemn ceremonies. And when the teaching of parents, the customs of neighbors, and the general tongue approve and justify a belief or creed, no matter how absurd, it is hard even for the strongest to hold the citadel of his soul. In each country, in defence of each religion, the same arguments would be urged.
Women in America read 'lifestyle' pages which are really glorifications of shopping. They teach us we must veil ourselves in make-up to be loved. And we willingly take the veil, thinking ourselves freed by it. Make-up is no more optional for us than the veil is for Arab women: it is our Western version of the chador.
I work sometimes from outlines, which are immediately abandoned. Sometimes, when I'm trying to find the characters, I'll sketch things out a bit. Sometimes, outlines help me aim a little bit, but I tend to find it's usually much more interesting, especially with the first draft, to spew it onto the page. I used to get very nervous that, if I write this first rough draft and I die that night, whoever finds it might think that I thought it was good. For me, it's much more important to get some general shape onto the page and later take all the time I need to refine it, fix it, and rewrite it.
Talk isn't work. Work is when you have pages in the evening that you didn't have in the morning.
We can and must turn this page if we are friends and are prepared to look one another in the eye.
To many Congressmen and Senators right now, there's a ceaseless antagonism toward Hollywood because politically, it is high-reward and low-risk. So when you can't do anything about poverty or the budget deficit, and you can't deal with Bosnia or the possibility of nuclear explosions in Russia, what do you do? You bash Hollywood and get on the front pages.
For what is history, but... huge libel on human nature, to which we industriously add page after page, volume after volume, as if we were holding up a monument to the honor, rather than the infamy of our species.
She once complained that her stories were like 'birds bred in cages,' but that concentrated atmosphere, that claustrophobic hothouse of emotion, was her talent. Her stories were little masterpieces of compression: she succinctly contained whole lifetimes in a few pages, every moment loaded with as much as it could bear.
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