Anyone who slaps a 'this page is best viewed with Browser X' label on a Web page appears to be yearning for the bad old days, before the Web, when you had very little chance of reading a document written on another computer, another word processor, or another network.
It's difficult to write a book where a character is on virtually every page of the book but you cannot refer to his or her gender. It gets rid of every his, her, she and he.
Thinking is the activity I love best, and writing to me is simply thinking through my fingers. I can write up to 18 hours a day. Typing 90 words a minute, I've done better than 50 pages a day. Nothing interferes with my concentration. You could put an orgy in my office and I wouldn't look up-well, maybe once.
I'm afraid that surprise, shock, and regret is the fate of authors when they finally see themselves on the page.
Among all the religious persecutions with which almost every page of modern history is stained, no victim ever suffered but for violation of what Government denominated the law of God. To prevent a similar train of evils in this country, the Constitution has wisely withheld from our Government the power of defining the divine law.
Well, as a short-story writer, I don't think there are any weaknesses to the genre itself. I guess I would say that the difficulty of the form is that one must create an entire world in five to 30 pages, as opposed to 300. There is very little room for fat - you must be economical. And you must begin as close to the end as you possibly can.
Most really good fiction is compelled into being. It comes from a kind of uncalculated innocence. You need not have your ending in mind before you commence. Indeed, you need not be certain of exactly what's going to transpire on page 2. If you know the whole story in advance, your novel is probably dead before you begin it. Give it some room to breathe, to change direction, to surprise you. Writing a novel is not so much a project as a journey, a voyage, an adventure.
Gay marriage has jumped out of the closet on to the front page. Everyone from the president of the U.S. to retired four-star general Colin Powell is embracing the issue, now supported by most Americans. Still, a few people, like former First Lady Laura Bush appear to be conflicted.
I admired Eugene McCarthy’s courage and although I left his Senate staff after four years to accept a job as the researcher on the editorial page of the Washington Post, I remained an admirer.
The language of Doctor Johnson and Mrs Hester Lynch Thrale, and that of their adult contemporaries, was the stately language of the time, polished, stylish, unordinary, even in the intimate pages of their diaries, and the regime of instruction was severe and practical.
Sometimes the characters develop almost without your knowing it. You find them doing things you hadn't planned on, and then I have to go back to page 42 and fix things. I'm not recommending it as a way to write. It's very sloppy, but it works for me.
If I'm going really, really fast, I can do a page of finished text a day, on average.
I try to read everything that's sent me - play scripts, movie scripts - but I've had to make a rule. If the author hasn't grabbed me by Page 25, the piece goes back with a note of apology.
What you learn in school is the opposite of what happens in the real world. In school, you're always worried about minimums. You have to reach 20 pages or you have to have so many slides or whatever. Then you get out in the real world and you think, 'I have to have a minimum of 20 pages and 50 slides.
I consider writing practice a true Zen practice because it all comes back at you. You can't fool anyone because it's on the page.
I think the thinking is, in the comic books, I should pack as much onto a page as possible, because, you know, it's kind of the cheaper format, and you want to give readers as much as you can for their dollar.
I totally hate when somebody takes a classic and desecrates it. I like Jimmy Page and P. Diddy, but what they did to 'Kashmir' was a debacle.
Once you're directing, you're kind of in a certain mode, where you're taking whatever is on the page and forming it into the film that you think it might want to be. So whether it's my writing or not, I still try to work with it in the same way.
One of the more fatuous remarks I've heard in recent days is that 'My Life,' Clinton's autobiography, is too long and, at almost 1,000 pages, short it is not. But this man was for eight years the President of the most powerful country on earth.
I’m interested in so many different things and I’d like to cover a lot of territory. I’m trying to see my show as the Sunday Times. You have the Arts & Leisure section, you have the Op-Ed page, you have the Book Review...even the Style section has those wonderful essays about relationships.
I started my first novel when I was 10, and have produced thousands of pages of juvenilia since.
I bring my classical training - some of it, but not all of it - and also my background and culture, to spirituals. And I try to leave room for that unpredictable factor, where the feeling of the song is allowed to come through. The same ethos can be applied to singing Mozart, or Schubert, or Bach. It's not just about what's on the page.
The video maker doesn't easily face a blank page. Because the videomaker can run it either any way, this way or the other way and erase it if they don't like it and so on.
I love to read different books on completely different subjects at the same time. I cannot focus on one. I read a few pages of literature, then I jump to philosophy and at the same time I'm reading biographies of Mahler.
For the last few years I've tried to force myself to write at least one page every day, which doesn't sound like much but it's actually pretty hard to manage. Because I'm not allowed to do a make-up day. I can't do two pages the next day. The punishment for not completing my page is that I have to eat a vegetarian meal the next day.
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