Lyndon Johnson who was the president who was executing that war, announced in the spring of 1968 that he would not seek the presidency again. He would go to Paris and end the war in Vietnam. Well we were ecstatic.
I'm a little bit older, I've traveled the world, spent lots of time in New York and Paris and lots of inspiring places, and I still feel alien.
Like Rick in Casablanca: "We'll always have Paris." When what we'll always have is, like, Brooklyn and arguments about [Lev] Trotsky.
Paris was incredible. Everything about it for me, from spending hours eating, drinking and talking to walking through the streets...at that time I hadn't seen that sort of political passion in the youth, and I got to experience that first hand.
We have a society in which men sexualize women, period. If you don't want male attention, it makes total sense you'd do everything to your dress and physicality to not be sexualized. But I see that changing dramatically. Now, [younger lesbians] look more like Paris Hilton than Billie Jean King.
At this moment, my soul is in Lebanon, my heart in Paris, and my body in New York.
I can live in Paris for four months or London or, you know, Barcelona. These are places that are like New York. But I don't think I could live in many places. When I had to make a film in the United States I picked San Francisco because to me it's one of the great cities of America.
After my best friend jumped off the bridge, I knew that I was next. So-Paris. With forty dollars and a one-way ticket.
I've been dealing with pressure all life long. Coming from a very poor family in Haiti, moving to Paris, a new place, a new culture, a new language. I used that pressure to adapt, to do better than everyone else, and I moved around quite a bit as well.
I started to write because of my dream to become a filmmaker. I got to know about a film school in Paris and it was my goal to get there. To do that I knew I had to learn French. In order to practice I started to write journals in French. The effort I made to master what I regarded a bad thing - a language owned by the rich Moroccans - brought me the ability to write.
During the election people from visible minorities stood as candidates on both the left and the right. And only one African woman was elected in a very left-wing constituency in Paris. The French don't seem to be ready to elect people from a visible minority. So maybe this society is not ready to have a woman from a foreign background in this important post. That really surprised us, because we thought we had evolved.
The romanticism and sentimentality in the relationship between Paris and Berlin is likely to vanish. It's the way it is with an old, married couple, although the established habits will remain in place.
"Naming Tokyo" kicked off at the Palais de Tokyo in Paris in June, and it's going to travel to various art institutions for years to come. Every time it is shown, I'm developing the research and involving more and more people in it. The final conclusion of the work would eventually be to put up street signs in Tokyo with my names on them.
Creativity does not belong exclusively to professional artists and geniuses; it is the birthright of every single human being. Creativity is our common heritage. You don’t need to quit your job and move to Paris in order to lay claim to this heritage - all you have to do is clear some space in your life for whimsy, invention, sensory pleasure, and play. Most of all, you have to learn how to follow your curiosity more than your fear.
That's why 'The Bourne Identity' has that sort of shaky style, because for the most part, Matt Damon and I were sneaking around Paris and shooting where we didn't have permits.
I went to Paris when I was about 18 and then went to Miami and New York. I did all of that alone. I did it to myself.
Now is the time to divest and invest to let our world leaders know that we, as individuals and institutions, are taking action to address climate change, and we expect them to do their part this December in Paris at the U.N. climate talks.
To have come on all this new world of writing, with time to read in a city like Paris where there was a way of living well and working, no matter how poor you were, was like having a great treasure given to you.
I am in Paris. Yes ma'am , I made it back. I came up from Berlin, stopped here ten days, fought a losing battle against my deepest inclinations, pulled myself out by the hair and went to Madrid...Madrid is a lovely enchanting city, and there was almost ready for me a kind of penthouse full of sunlight, a roof garden, and so on. I gave one look at it all, returned to the hotel and went to bed and wept bitterly for eleven hours...Why? Because I had seen Paris and could not endure the thought of being anywhere else.
There has been a marvelous joyous carnival of mourning for Edith Piaf and Jean Coctaeau, and it was real! They died as they had lived, with style and grace and their proper eccentricity; and Paris loves anybody who can live anarchically and be delightful entertainment at the same time. So do I.
My ideal city is more like the city (New York and Paris come to mind, but it sort of applies to all) that existed up to and including the 1930s, when different classes lived all together in the same neighborhoods, and most businesses of any sort were mom-and-pop, and people and things had a local identity.
America has always been the most fertile ground for models - and they were always exported to other countries. When Eastern Europe opened up its doors to the rest of the world, a lot of the girls that were basically working there for $1 a month realized that if they were beautiful and that they could go to Paris and work for $1,000 a day versus the $10,000 that the other girls were demanding. So it created a huge imbalance in the financial structure of how clients could budget out campaigns. The market became flooded.
American girls are much more financially savvy - for example, if a girl went to Paris and she was going to do a fragrance campaign, she would say she wouldn't do it for less than half-a-million dollars. Whereas a girl from the Czech Republic would do it for $100,000. I think that's a really big imbalance that created the demise of the modeling industry - and it also created a gap in giving girls an opportunity to become or gain super-status.
The most disgusting, appalling horror of our world that we live in, to me, is sex trafficking and the enslavement of men and women, boys and girls, in the sex industry. That is the most horrific, horrific thing that's happening and it's happening in all of our towns here in Los Angeles, in New York, in London, in Paris, all over the world, and I think that's really what has to be addressed.
To be rich is to have a ticket of admission to the masterworks and chief men of each race. It is to have the sea, by voyaging; to visit the mountains, Niagara, the Nile, the desert, Rome, Paris, Constantinople: to see galleries, libraries, arsenals, manufactories.
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