Periods Quotes - Page 9

• When I stepped out from doing films and had a dark period, I never did anything dark on a set, so I never made enemies on a set. I never was a bad girl on a set; I always considered films a really sacred space, so when I had my problems, I had them very much away from the film community.

  Courtney Love

  Girl, Dark, Space

  Source: mag.citizensofhumanity.com

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• My falling in love with spoken word poetry definitely came out of that time period where all the adults around me were failing to supply me with any answers. Everyone was too busy dealing with things that were more important. I was pretty lost and invisible. And all of a sudden, this world opened up where I could get on stage and perform in front of my peers. People would listen to me and see me, and people would say, "That thing you created was important." And that was so validating and necessary at that specific moment.

  Sarah Kay

  Falling In Love, People, Important

  Source: saseye.com

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• High school was the first time I ever saw spoken word poetry. The first place I ever performed a poem was at my school, so in some ways it was the nucleus of how it all started. For me I think high school was a period of trying to figure myself out, and poetry was one of the ways I did that, and was a very helpful avenue to try to do that.

  Phil Kay

  School, Thinking, Trying

  Source: saseye.com

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• If I'm going to continue to be any kind of spiritual teacher, I've got to go deeper myself. And so for me, [I am] preserving long periods of solitude, silence, prayer, journaling, study, writing. I don't turn on music or the TV unless I really need to.

  Richard Rohr

  Spiritual, Teacher, Prayer

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• I don't personally believe in an arrived state of enlightenment. I feel that being human is a constant practice of return. We have moments of clarity, and then we're confused. We have incredibly sensitive periods of being awake, and then we're numb. Being human is a very universal and a very personal practice of learning how to return when we can't get access to what we know.

  Mark Nepo

  Confused, Believe, Practice

  "Journey to the Sacred: An Interview With Mark Nepo". Interview with Mark Matousek, www.huffingtonpost.com. February 13, 2013.

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• Since the songs were written over a five-year period, I think these are little snapshots. Some people call it political or topical, but I think each song is self-contained. I think it fits together as a picture of the last half-decade of time.

  Conor Oberst

  Song, Thinking, Self

  "Desaparecidos' Conor Oberst: We're perfectly prepared for people to hate what we're saying". Interview with Jessica Goodman, ew.com. July 7, 2015.

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• When you see Hitler burning paintings by Salvador Dali and Picasso he's telling you that this time period and these men and this culture didn't exist, and I've seen that happen in other countries, Sudan for instance, it's not enough to kill them you have to destroy all of their markings that they left that was their history.

  George Clooney

  Country, Men, Culture

  "The Monuments Men - George Clooney interview". Interview with Rob Carnevale, www.indielondon.co.uk.

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• I enjoy learning about different periods and people, and then taking what's universal about the human condition and seeing where it matches up. No matter where you are, certain things unite everybody.

  Laura Linney

  People, Different, Matter

  Interview with Matthew Broderick, www.interviewmagazine.com. July 22, 2010.

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• [Good taste] is a nineteenth-century concept. And good taste has never really been defined. The effort of projecting 'good taste' is so studied that it offends me. No, I prefer to negate that. We have to put a period to so-called good taste.

  Louise Berliawsky Nevelson

  Effort, Taste, Century

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• Buonaparte is certainly writing, or rather dictating, his memoirs. He walks backwards and forwards with his hands behind him, and dictates so fast that two or three of his suite are obliged to be in attendance, that the one may take down one-half of a sentence, and another the rest; they then literally compare notes, and put the disjointed legs and wings and heads of periods together. This is writing a book as he fought a battle.

  Mary Russell Mitford

  Book, Writing, Wings

  Mary Russell Mitford (1870). “The Life of Mary Russell Mitford ; Related in an Selection from Her Letters to Her Friends. Ed. by A.G. Estrange”, p.7

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• We are often like rivers: careless and forceful, timid and dangerous, lucid and muddied, eddying, gleaming, still. Lovers, farmers, and artists have one thing in common, at least - a fear of 'dry spells,' dormant periods in which we do no blooming, internal droughts only the waters of imagination and psychic release can civilize.

  Gretel Ehrlich

  Artist, Rivers, Psychics

  Gretel Ehrlich (1986). “The Solace of Open Spaces”, Penguin Group USA

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• [When working on a book] I have an almost complete detachment from the world I live in, a sort of armor against distraction. I talk to people, move about, appear on the surface much as usual. But later on I have only a confused memory of what has happened during that period.

  Mary Roberts Rinehart

  Memories, Confused, Moving

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• The art of one period cannot be approached through the attitudes (emotional or intellectual) of another.

  Louise Bogan

  Art, Attitude, Emotional

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• A phenomenon noticeable throughout history regardless of place or period is the pursuit by governments of policies contrary to their own interests.

  Barbara Tuchman

  Government, Pursuit, Interest

  Barbara Tuchman (2015). “The March of Folly: From Troy to Vietnam”, p.10, Crux Publishing Ltd

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• There is no better indication of what the people of any period are like than the plays they go to see.

  Edith Hamilton

  Play, People, Theater

  Edith Hamilton (1957). “The Roman Way to Western Civilization”

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• There is a period in one's life - perhaps not longer than six months - when one lives in two worlds at once ... It is the time when one has freshly learned to read. The Word, till then a denominating aspect of the Thing, has suddenly become detached from it and is perceived as a glittering entity, transparent and unseizable as a jellyfish, yet able to create an independent world that is both more recondite and more instantaneously convincing than the world one knew before.

  Sylvia Townsend Warner

  Reading, Independent, Two

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• [On her collaboration with Adolph Green:] We stare at each other. We meet, whether or not we have a project, just to keep up a continuity of working. There are long periods when nothing happens, and it's just boring and disheartening. But we have a theory that nothing's wasted, even those long days of staring at one another. You sort of have to believe that, don't you? That you had to go through all that to get to the day when something did happen.

  Betty Comden

  Believe, Creativity, Long

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• if I'd thought that nobody would like it as I was writing it, I would have written it even more. But I never think of the audience. I never think of people reading. I never think of people, period.

  Jamaica Kincaid

  Reading, Writing, Thinking

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• Remember when you were eleven years old and you thought how great it would be to get your period? And then you got it? That's what planning a wedding is like.

  Mimi Pond

  Years, Would Be, Planning

  Mimi Pond (1993). “A Groom of One's Own: And Other Bridal Accessories”, Plume Books

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• An artist requires the upkeep of creative solitude. An artist requires the healing of time alone. Without this period of recharging, our artist becomes depleted. Until we experience the freedom of solitude, we cannot connect authentically. We may be enmeshed, but we are not encountered. Art lies in the moment of encounter. We meet our truth and we meet ourselves and we meet our self-expression.

  Julia Cameron

  Art, Lying, Healing

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• I endeavor to drink deep of philosophy, and to be wise when I cannot be merry, easy when I cannot be glad, content with what cannot be mended, and patient where there is no redress. The mighty can do no more, and the wise seldom do as much. ... I am resolved to make the best of all circumstances around me, that this short life may not be half lost in pains ... Between the periods of birth and burial, I would fain insert a little happiness, a little pleasure, a little peace: to-day is ours, yesterday is past, and to-morrow may never come.

  Elizabeth Montagu

  Wise, Wisdom, Pain

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• Life is atrocious, we know. But precisely because I expect little of the human condition, man's periods of felicity, his partial progress, his efforts to begin over again and continue, all seem to me like so many prodigies which nearly compensate for the monstrous mass of ills and defeats, of indifference and error. Catastrophe and ruin will come; disorder will triumph, but order will too, from time to time.

  Marguerite Yourcenar

  Loss, Men, Order

  Marguerite Yourcenar (1954). “Memoirs of Hadrian”

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• All writers have periods when they stop writing, when they cannot write, and this is always painful and terrible because writing is like breathing.

  Audre Lorde

  Writing, Breathing, Painful

  Audre Lorde, Joan Wylie Hall (2004). “Conversations with Audre Lorde”, p.16, Univ. Press of Mississippi

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• Spring is the usual period for house-cleaning and removing the dust and dirt which, notwithstanding all precautions, will accumulate during the winter months from dust, smoke, gas, etc.

  Isabella Beeton

  Spring, Winter, Dust

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• Adolescence is the period of the decisive last battle fought before maturity. The ego must achieve independence, the old emotional ties must be cast off, the new ones created.

  Helene Deutsch

  Maturity, Emotional, Ties

  Helene Deutsch (1958). “The Psychology of Women”

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