I am a hobbyist photographer so I relate to the visual arts that way, but Im not a painter.
I'm in the early stages of a film called 'Freezing Time' about Eadweard Muybridge, the Victorian photographer who was really the forefather of cinema. Digital animators still treat his images like the Bible. He was a very obsessed man.
I love going out and it is a bit sad when the photographers stop asking you for your picture.
I don't know who said 'pictures don't lie.' It couldn't have been a photographer.
I think that I was lucky that I was 30 when I did 'Love Story', which came with this extravagant pop celebrity. I had already done 15 years of what I call 'real' work.' I was a waitress, chambermaid, and a photographer's assistant, so I knew that I was tremendously lucky as a novice actor to have that big hit.
I know the importance of highly trained awareness of the “moment” and the immediate and intuitive response of the photographer. It should be obvious to all that photographers whose images possess character and quality have attained them only by continued practice and total dedication to the medium.
In common with other artists the photographer wants his finished print to convey to others his own response to his subject. In the fulfillment of this aim, his greatest asset is the directness of the process he employs. But this advantage can only be retained if he simplifies his equipment and technic to the minimum necessary, and keeps his approach from from all formula, art-dogma, rules and taboos. Only then can he be free to put his photographic sight to use in discovering and revealing the nature of the world he lives in.
The job of the color photographer is to provide some level of abstraction that can take the image out of the daily.
I started being a photographer because I liked fashion. I liked the idea of dressing up and changing my look. I got earrings, dyed my hair. I would dress like a fashion photo.
There are a lot of photographers who have influenced me; some of the great ones, like Herb Ritts, Helmut Newton, and [Alfred] Stieglitz. I draw from all of them. You're supposed to steal from the good ones.
I started as a black-and-white teenage photographer, and I'm still there decades after. In some ways, the genre is almost gone. I am thinking of true, stubborn, lifetime black-and-white photographers, as opposed to black-and-white as a photographic commodity.
These days, with 'American Idol' and all the other reality shows, young people become famous overnight, and that can be very difficult to handle, the way photographers follow you around and study your every move.
A journalist is supposed to present an unbiased portrait of an event, a view devoid of intimate emotions. This is impossible, of course. The framing of an image, by its very composition, represents a choice. The photographer chooses what to show and what to exclude.
During my lifetime I have met dozens of writers and photographers in dozens of different countries. But I have encountered no one who could both write and photograph with the artistry of Robert Vavra.
I came to New York with $500 and I had to live on that, but thankfully I was taken up by photographers quickly.
The photographer can arrange his picture just as the painter does, only sometimes he must go about it in a different way.
I had a background in theater as an actor, and then a photographer, and then as an experimental filmmaker and editor.
I think this is the most exciting time in the history of photography. Technology is expanding what photographers can do, like the microscope and the telescope expanded what scientists could do.
People think: 'If this photographer's looking like a big jerk-off, maybe it's okay if I do.' I like to catch my subjects off balance a bit.
I sell my first book to Random House, a memoir of my years as a war photographer, for twice my NBC salary.
A photographer who wants to see....must recognize the value of the familiar. Your ability to see is not increased by the distance you put between yourself and your home. If you do not see what is all around you every day, what will you see when you go to Tangiers?....Good seeing doesn't ensure good photographs, but good photographic expression is impossible without it.
My father is doing a radio program - classical music. He has a beautiful speaking voice and that's his passion in life, his music. My mother lives in Melbourne and is an avid photographer. She's also started writing for a magazine out there and she submits poems, very funny ones, and articles. In some way or other, my family is always doing something with the media.
We do not know the true value of our moments until they have undergone the test of memory. Like the images the photographer plunges into a golden bath, our sentiments take on color; and only then, after that recoil and that trans-figuration, do we understand their real meaning and enjoy them in all their tranquil splendor.
Mars and Venus are at it again. This time, Hephaestus is standing by with a private detective, a photographer, and a lawyer.
Knowing what I know now, any photographer worth his salt could make some beautiful things with pinhole cameras.
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