Most of my thoughts, you couldn't print.
I see my finished platinum print (in the viewfinder) in all its desired qualities, before my exposure.
The easy glamour of the French Riviera in the late 1960s - inspired by Romy Schneider's character in La Piscine - mixed with garden elements. Blueprint, botanical, lattice, Queen Anne's lace and folly prints are paired with cleaner silhouettes and proportions in a fresh palette of green, white and coral.
Being goal-oriented instead of self-oriented is crucial. I know so many people who want to be writers. But let me tell you, they really don't want to be writers. They want to have been writers. They wish they had a book in print. They don't want to go through the work of getting the damn book out. There is a huge difference.
Negatives are the notebooks, the jottings, the false starts, the whims, the poor drafts, and the good draft but never the completed version of the work The print and a proper one is the only completed photograph, whether it is specifically shaded for reproduction, or for a museum wall.
In music I still prefer the minor key, and in printing I like the light coming from the dark. I like pictures that surmount the darkness, and many of my photographs are that way. It is the way I see photographically. For practical reasons, I think it looks better in print too.
Visually Agincourt is a pre-Raphaelite, perhaps better a Medici Gallery print battle - a composition of strong verticals and horizontals and a conflict of rich dark reds and Lincoln greens against fishscale greys and arctic blues.
Speaking of the motto of the New York Times, "All the news that's fit to print:" It is hard to think of any group of seven words that have aroused more newspaper controversy.
A woman once rang me up and said, 'Mr. Escher, I am absolutely crazy about your work. In your print -Reptiles- you have given such a striking illustration of reincarnation.' I replied, 'Madam, if that's the way you see it, so be it.'
I try in my prints to testify that we live in a beautiful and orderly world, not in a chaos without norms, even though that is how it sometimes appears. My subjects are also often playful: I cannot refrain from demonstrating the nonsensicalness of some of what we take to be irrefutable certainties. It is, for example, a pleasure to deliberately mix together objects of two and three dimensions, surface and spatial relationships, and to make fun of gravity.
Although I am even now still a layman in the area of mathematics, and although I lack theoretical knowledge, the mathematicians, and in particular the crystallographers, have had considerable influence on my work of the last twenty years. The laws of the phenomena around us--order, regularity, cyclical repetition, and renewals--have assumed greater and greater importance for me. The awareness of their presence gives me peace and provides me with support. I try in my prints to testify that we live in a beautiful and orderly world, and not in a formless chaos, as it sometimes seems.
Print encourages a sense of closure, a sense that what is found in a text has been finalized, has reached a state of completion.
Any innovation that is evident in my paintings is a direct result of something that happened in the course of making a print.
I'm pretty selective. I generally edit the contact sheets and then do work prints. Because I have my own lab and printers, I can afford the luxury of going through the contact sheets for black-and-white, making up work prints, seeing them big, and honing them down.
TV journalism is a much more collaborative, horizontal business than print reporting. It has to be, because of the logistics. Anchors are wholly dependent on producers to do all the hustling
If any of you are secret poets, the best way to break into print is to run for the presidency.
I was burned so many times that I stopped giving interviews. In other words, if my words ended up in print, they were twisted in an indescribable fashion.
Read as much as you can. Write only when you feel the inner need to do so. And don’t ever rush into print.
Men build our churches but do not enter them, print our Bibles but do not read them, talk about God but do not believe Him, speak of Christ but do not trust Him for salvation, sing our hymns and then forget them.
I was very young when I prepared those prints. I suspect the reason I couldn't celebrate the floating world was that I couldn't bring myself to believe in its worth. Young men are often guilt-ridden about pleasure, and I suppose I was no different. I suppose I thought that to pass away one's time in such places, to spend one's skills celebrating things so intangible and transient, I suppose I thought it all rather wasteful, all rather decadent. It's hard to appreciate the beauty of a world when one doubts its very validity
Literature, whether handed down by word or mouth or in print, gives us a second handle on reality.
I like to hold a book. When someone sends me a script, I ask for a hard copy or print one out.
I never got a pass mark in math... Just imagine - mathematicians now use my prints to illustrate their books. Funny me consorting with all these learned folks, as though I were their long lost brother. I guess they are unaware of the fact that I am ignorant about the whole thing.
Collage – SS13 offers a very controlled and pure do-it-yourself attitude. The collection shows a juxtaposition of very different materials, prints and colours, therefore giving the wearer a possibility to combine the garments in different ways.
I have always been drawn to the beauty of things designed to function. Mixing technical pieces with more traditional prints and patterns creates not only a quality experience, but a look that is unique, and for me, very exciting.
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