The strangest part of being so well known is definitely getting a New Yorker profile. It's a wonderful, strange process, like seeing yourself through a distorting mirror.
Interviews are good if you want to be an actor because they raise your profile.
I believe it is the responsibility and duty of those in high-profile positions to give a voice to people whose voices cannot be heard.
Part of the true luxury of "earned laziness" are the braggin rights that come along with being purposefully and publicly lazy. It is a badge of distinction, an emblem of success, without having to say too much about it. It labels us, affords us kudos, and raises our profile in the "pecking order" of our fellow troglodytes. It says to others, "See, I've done so well that I can afford to do nothing at all whenever I so choose!
There's nothing noble or selfless about politicians and there never has been. Putting it charitably, Profiles in Courage is a compendium of Democratic mythology, ghostwritten for an ambitious young Massachusetts Senator who never did a thing for himself if he could pay to have it done by others.
I would love to see churches start using their Web sites to present video profiles of people within their congregations so that the average person could get a sense of what the life of the church (not the organization, but the people - the true church) is really like.
I would like to reiterate that I don't want any profiles of me. I am not newsworthy.
I think that DDT holds a lot of promise. It hasn't been banned everywhere - obviously it has in the U.S. In fact, about 10 years ago, the WHO came out with a statement promoting it for public health interventions in many countries. It's cheap. It's very, very effective. We've never had an insecticide that has worked so well since. It's also safe. A lot of people don't realize that its toxicity profile for humans is low.
What I've done for the last ten years is develop high profile entertainment properties for animation, so it's kind of funny to be able to create my own book to already know how I'd want to develop it for animation and live action.
I'm trying to work out a way to be a singer and to create cool content. I'm willing to do that as an entertainer. But I'm not willing to give up my actual self. And the way the system is built up, there'll be a backlash soon. Just recently some people published 11 photos of Sia's face. It's a bummer for me because it's going to elevate my profile and make me more recognizable. But I don't look the same as I did when I used to have my photo taken. Music is for your ears, not your eyes, right? But film is for your eyes, and I would like to give you something.
That's a KORTAN DAHUK. That's the first alien we see in the film [Valerian]. That's another artist. The first one was Chinese, the one with the space station. This one is American. Personally, that's my favorite alien. I love him. I love his profile and his face. There is such a sweetness and almost a sadness in his face.
A person who keeps always his profile down-to-earth doesn't have to worry with those who surround or who to go around for he is likely to get only those who are of his ilk and the real worth on the ground.
Someone wanted me to write a profile for ESPN about the commissioner of baseball, and I said, "He's just some suit! Some Republican. No!" I mean if you want me to write about baseball, boxing or football, I'll write about those things because I watch them, I think about them a lot and I like them. But I don't want to write about Barry Bonds.
The current state of music journalism is not bad, but it's not great at all. Some of the hip-hop stuff people get into is exciting, because there's a passion and there's something to explain to a more mainstream audience, so you get these passionate writers who want to express their love for rap and hip-hop, which is cool. But there are too many magazines, and the access has been diminished, so the quality of profiles has gone way down. Internet stuff can be really good, though. I like the dialogue between fans on the Internet. I think that's the best rock writing that's going on right now.
I like [John Cardinal O'Connor] a lot. He - I started a - to know him - when I asked William Shawn at The New Yorker, `Sh - can I do a profile of Cardinal O'Connor?' He said, `All right. Find out what he's like.' So I went to his office, and I heard somebody - and it turned out to be O'Connor - yelling outside, and I've never heard him since raise his voice.
All human beings have all of the intelligences. But we differ, for both genetic and experiential reasons, in our profile of intelligences at any moment.
I had read an early profile of [Tony] Blair by Frank Millar in which he said that Blair was very keen on the 'consent principle'.
I basically enjoy doing films that are about something, that have complex roles that I can sink my teeth into. Basically, I gravitate to things that scare me. They might be things that I don't think I know how to play. I like trying to find within me where this character may exist. Whether is it is a fictional character or not I am not motivated by that. It is more about how challenging it is. It is just so happens that the more high profile things I have done have been historical characters.
Having a Facebook and Twitter profile allows me to keep more in touch with people, particularly young South Africans and those who are part of the online community. I was amazed that anyone might be interested in what I do and who I meet. Now I know what people will be interested in.
The way in which sports focuses more on the peccadilloes, lives and putative personalities of athletes and less on the finer points of playing games, I've become less interested in it. I don't want to write sports profiles.
The countenances of children, like those of animals, are masks, not faces, for they have not yet developed a significant profile of their own.
You may change your profile picture to Trayvon Martin or Eric Garner, but you will never actually walk the streets the way they have, or systematically had your vertebrae stunted. So you will not walk that shrouded walk unless you're on the inside and you can occasionally nod at another on the inside and that acknowledgement can carry you for a while as it won't come from the outside.
Luckily my fans are so lovely and I haven't really had to - what's the phrase? - "Clap back at the trolls?" Every now and then I do get a troll that mentions my skin color and calls me ugly names, though, like "Dark Monkey." Most of the time those people have their pages blocked, or you can't even see their profile picture. I can't focus on that. What I've realized is that I have the power to control how I feel about what they say.
Other countries have outeducated us. They have made this a priority. And a big part of what I'm trying to do, frankly, is raise the profile of education and get America to wake up.
I'm 13 to 17, 18 years old; I thought that's what the world was like. It never occurred to me that this was a very unusual period in music history. So I went on assuming that one day I'm going to have my band like my heroes had their own band. So people ask me this question all the time - they go, "Bass is basically a background instrument." The other thing is that in urban music, Black music, the bass has a much higher profile.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: