By 1833 the largest publisher in America, Harper and Company, boasted one horse-powered printing press and seven hand presses while the American Bible Society owned 16 new state-of-the-art, steam-driven presses and 20 hand presses.
Sarah Palin - now don't laugh - is writing a book. Not just reading a book, writing a book. Actually, in the word of the publisher, she's 'collaborating' on a book. What an embarrassment! It's one of these 'I told you,' books that jocks do.
You can get a subjective and highly factual dossier on most anyone in the public realm almost instantly. It's why publishers don't worry about author photos any more; people just Google a person and get on with things.
Never use 'submit' as a verb for sending work to magazine or book publishers; say 'offer,' and never, ever submit. Keep your knees unbent. Be brave.
Writing is not about making a buck, not about publishers and agents. Writing is not about feeling good. Writing is about pain, suffering, hard work, risk, and fear.
Times have changed since a certain author was executed for murdering his publisher. They say that when the author was on the scaffold he said good-bye to the minister and to the reporters, and then he saw some publishers sitting in the front row below, and to them he did not say good-bye. He said instead, "I'll see you again."
As a writer, you can't allow yourself the luxury of being discouraged and giving up when you are rejected, either by agents or publishers. You absolutely must plow forward.
A book reviewer is usually a barker before the door of a publisher's circus.
So I became a publisher by mistake - well, not quite by mistake, because I wanted to be an editor but I had to make sure the magazine would survive. The point is this: Most businesses fail, so if you're going to succeed, it has to be about more than making money.
From that moment on, the newspaper became a highly lucrative investment for those with a talent for making money or for publishers wanting to gain a fortune.
There is only one way to make money at writing, and that is to marry a publisher's daughter.
Good publishers – as one former publisher aptly put it – are market-makers in a world where it is attention, not content, that is scarce.
A comic book publisher says he's trying to increase voter turnout in the presidential election by publishing comic books about John McCain and Barack Obama. Yeah, the publisher said that the election comic books are targeted at first-time voters and long-time virgins.
I remember once giving my dad some drawings and writings and said, 'If you could just give these to the publisher, that would be great.' And I was about five!
The future of publishing lies with the small and medium-sized presses, because the big publishers in New York are all part of huge conglomerates.
When new pages are sent to editors and see rejection, we should ask for the reasons. We must study the reasons for failure and learn. It's not about struggle with our limitations or with public or the publishers. It's more about treating it like in aikido; the strength of the attack is used to defeat him with the same effort.
Self-publishing in comics is core to the whole artform. There is no scarlet letter in comics as there still is, to some degree, in prose. As no publisher for a long time would publish serious work in comics, the only way a lot of it came out was because of self-publishing. Many of the greatest works of the medium are self-published.
In the long run, the quality of your work is all that matters. That is your only resumé. Be professional. Make sure your editor or publisher can always reach you. Do what's asked of you if your conscience can bear it. But know that, five years from now, as fans or prospective employers are looking over your published pages, no one will care that this story sucks because the publisher moved the deadline up or because the editor made you work an android cow into the story. All they will care about is what they see in front of them, and they will hold you responsible for it, no one else.
I'm singing the music publisher's theme song - it ain't a commercial.
The Internet will make every enterprise a publisher.
I always figured it was best if I write my songs, take them to my publisher and just lay back. There used to be so many things going on - getting to the artist, getting to the publishers - you know, politics. I just didn't want to get mixed up in all of that.
The Seven Deadly Sins of the Press: - Concentrated Power of the Big Press. - Passing of competition and the coming of monopoly. - Governmental control of the press. - Timidity, especially in the face of group and corporate pressures. - Big Business mentality. - Clannishness among the newspaper publishers that has prevented them from criticizing each other. - Social blindness.
When I started in the business, there was a thing called adult fantasy, but nobody quite knew what it was, and most publishers didn't have an adult fantasy list. They had science fiction lists, which they stuck a little bit of fantasy into.
I believe my publisher has shown a great deal of faith in me over a lot of years but I'm not prepared to be so arrogant to say that the long-term literary value of my work would compensate them for a financial failure.
I'm delighted about the track's success in the sports world, but the frustrating thing is, I don't think I got rich on it. The labels and publishers did very cheap deals on our songs.
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