The people in Atlanta, they're not really up on the blogs. A few people are, but it's not super crazy. In Atlanta it's still very much radio. When they hear it on the radio, that's what it is.
I've got my girl records that are real feel-good and could be a radio crossover. But it's not me going in that direction, and being like, "We need this huge pop crossover record where we need this girl on the hook."
It's often considered elitist to say that well maybe voters are uninformed and that they should know more before they cast their votes. It's strange to say that because it's also elitist to say that to run a radio station requires skill or to be a plumber requires skill and background knowledge.
Everything on the radio is metaphorical in a bad way. But when I write a lyric, like "bang my box," that's pretty clear.
I have much clearer memories of my time in Egypt: songs on the radio, the rhythms that accompanied belly dancers, the sound of the adhan - the Muslim call to prayer. I just soaked it all up.
I'm trying to laugh uncontrollably with whoever I'm making a song with because whatever we just listened to that we just came up with is so dope. I'm chasing that feeling in the studio, not like a trend or what's hot on the radio at the moment. It just seems like the more I do that, the better I get at what I do. I'm going to keep doing that.
If you only ever heard "Valley Girl," or "Don't Eat The Yellow Snow," or a song that has a comedic narrative, you would get some impression that that was novelty music, but that's the only stuff that ever got on the radio. You can make the argument that that's what has confused generations as to what his music's about.
I listen to mostly-classical music, but mostly by radio - I'm not an audiophile.
The most recent incarnation of [Bob] Dylan has been the traveling journeyman/ charlatan who sings roots music, snarls dark lyrics that make "All Along the Watchtower" sound like a Disney tune, hosts an old-school radio show, and turns up in some unusual places, like ads for Chrysler and Victoria's Secret.
Starting with radio, starting with television, we got used to this idea of stuff being free as long as you just watch a few ads.
Where would the Republican Party being without talk radio the last 25 years? And yet who now is enemy number one? Talk radio! I don't know what I did to Michael Gerson, but he's back again in the Washington Post blaming everything [Donald] Trump on me.
As I got older though I wanted a life of my own. The classical training was very demanding and thorough. It was a very sheltered existence. Even though I heard blues and gospel on the radio sometimes, it was always back to the piano and study and give recitals.
I still love the radio. I think the radio is still an important thing in music.
The fact that a TV star can become president should be old news since [Ronald] Reagan, and old news since the Nixon-Kennedy debates - which the famous story, whether or not you agree, is that if you listened on the radio, Nixon won; if you listened on TV, Kennedy won.
I've done radio interviews about this movie [42]. I feel I'm a part of this movie, since I knew Jackie Robinson. I was at his first game.
I really suggest listening to talk radio. I mean, if you just listen to what the talk hosts are saying, they sound like they are lunatics.
Modern man is assailed on every side and almost without interruption by noise - of the radio, of television, of headlines, of advertising and of the cinema - of which the greatest part, far from enlightening the mind, blunts and stultifies it.
The only thing contrived is the production - you can over-produce to the point you kill a good idea, you can under-produce so that the song's amazing but you'll have folks at a radio station saying they won't play it, so there's this balance, and it has to be true.
It's very enigmatic because of course, the population [of North Korea] has no contact with the world outside or it's very, very limited. They don't have any telephone connections, no radio, no TV, no movies, no newspapers - nothing from the outside world. This is very strange and there's the very strict, unifying government that forces you to be in step. You see it in the stadium where the spectators create, by flipping cards, an image of the dear leader, or of the volcano, and it's made of a 100,000 human pictures.
Radio broadcasting was only 25 years old when I was born in 1932.
I've never, like some people are, been embarrassed to be in radio.
I love radio! I think radio, done right, can have more influence and have a greater connection with people and be more deeply meaningful than another medium like TV, which is on all the time and you're paying attention to it half the time.
Now it seems like hip hop belongs to the people you see in the videos and radios. So I want to give it bring it back to the hood, make a statement for NY to put us back in our proper perspective, and of course let them know that Ra still spits fire.
It's just these moments in hip-hop where you feel invincible. It felt good hearing the music on the radio and in cars, skating rinks, and clubs.
My mom used to tell me, I can't use this phrase on the radio - but basically don't be one of those dudes hanging on the corner.
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