And if you say a word about this over the radio, the next wings you see will belong to the flies buzzing over your rotting corpse.
It was hard to work and work and work and not get your music played on the radio.
There were a lot of things I listened to, but so-called pop music never killed me, you know, the type of stuff that always seems to make it on the radio. The whole radio thing seems so... it's like they've accepted the whole "new wave" thing only because this kind of pop element came into it. In Europe they really love emotion, but here it's like, "let's stay away from it because we might cry or something".
I always thought I was commercial. I always thought I was writing hit singles. These days, whatever's on the radio is considered commercial. People like what's on the radio, whatever it is.
You can't just repurpose old material created for one platform, throw it up on another one, and then be surprised when everyone yawns in your face. No one would ever think it was a good idea to use a print ad for a television commercial, or confuse a banner ad for a radio spot. Like their traditional media platform cousins, every social media platform has its own language.
The funny thing is that the studio that we recorded in was the same studio that Frank Sinatra and Bing Crosby and Nat King Cole used to warm up their voices in before they went across the street to CBS Radio. The owner has preserved it exactly the way it was in 1925. It was such a perfect coincidence that we were doing music inspired by that stuff in that room. It was incredible.
I'm the Legendary Radio Head
People talk about the difference between radio acting, TV acting and stage acting, but I think it's all the same. For instance, when I played Vultan in 'Flash Gordon,' I put as much energy into it as I would with 'King Lear' - it's all part of the same thing.
When I say, 'I can't stay long, I'm in-between meals,' that plays differently on the radio than it does in person. So I have to pick material that works because the words are funny, not just because of the images.
I grew up on radio, not TV.
I think that you hear more opposition to the government in Venezuela than you would here in the United States. That's in the TV, in the radio and in the print media.
Republicans look to find the future and they find radio.
In Europe, radio stations are owned by a variety of different entities, so there is less uniformity on radio programming and more opportunity for artists to get radio play and break overseas.
What must it be like to live in Rush Limbaughs world? A world where when anyone other than conservative, white men attempts to do anything or enter any profession, be it business, politics, art or sports, the only reason theyre allowed entry or, incredibly, attain excellence is because the standard was lowered. Be they liberals, people of color, women, the poor or anyone with an accent.... Edgy, controversial, brilliant. What a way to shake up intelligent sports commentary. Hitler would have killed in talk radio. He was edgy, too.
I think everyone's voice is unique. Although sometimes when you listen to the radio, it makes you wonder.
I got into DJ'ing because I started to listen to New York radio a lot. Obviously, I knew the stuff everybody knew, like Beastie Boys and Public Enemy, but I heard "Who Got the Props" by Black Moon, and I went up to this kid in my school with the Walkman on and was like, "What is this? You must tell me how I can get this now." Because there was no Shazam or googling lyrics.
When I first saw Destiny's Child, I was in the fifth grade, and it made me want to sing and make music and there would be these freestyles on the radio for what seemed like hours, it was just so cool to me. So all of these influences and these styles started to blend together. Eventually, that evolved into me finding the indie scene in Houston. When I was 19, I joined a rock band, and that's when I began to say, "Okay, this is something that I could take seriously."
Every time I meet people working in radio, I'm a little embarrassed. It's all pre-programmed, rigidly formatted stuff. Time and time again, when I talk to jocks, they say how jealous they are of the freedom we have on WKRP. I sometimes have to explain to them that it's not a real radio station.
In radio, you are the game, so to speak - you have to describe every aspect. In TV, Ive always felt less is more, and its really a question of my setting up the color analyst more than anything else.
I was a born club comic. Radio and TV and stage were fine, but I found my real home in cabaret.
I listen to KCRW in the car and Pandora radio, which I stream through the stereo from my iPhone. I've been listening to everything from Caribou to Conway Twitty. If I'm going on a longer car ride, I'll download some podcasts.
Jazz and blues fests are everywhere now, and Americana is going strong on college radio. What I'm hearing is an appreciation of real music.
Rock n' roll unchained a nation and revolutionized radio and the record industry, not to mention the motion picture business.
I like radio and live performing stuff. I don't like the television stuff as much.
There are definitely times where I am listening to the radio, and I think, 'That would be awesome. I would love to sing that.' It's this weird karaoke fantasy that I might someday get to live out on the big screen.
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