If you do not have an alert and curious interest in character and dramatic situation, if you have no visual imagination and are unable to distinguish between honest emotional reactions and sentimental approaches to life, you will never write a competent short story.
"Simply look with perceptive eyes at the world about you, and trust to your own reactions and convictions. Ask yourself: "Does this subject move me to feel, think and dream? Can I visualize a print - my own personal statement of what I feel and want to convey - from the subject before me?""
I think that emotional content is an image's most important element, regardless of the photographic technique. Much of the work I see these days lacks the emotional impact to draw a reaction from viewers, or remain in their hearts.
In your reaction to an imagined attack on your country or an insult to its government, you draw closer to the herd for protection, you conform in word and deed, and you insist vehemently that everybody else shall think, speak, and act together. And you fix your adoring gaze upon the State, with a truly filial look, as upon the Father of the flock.
If I love myself I will express that love in my interactions with you, and then I am being impeccable with the word, because that action will produce a like reaction. If I love you, then you will love me. If I insult you, you will insult me. If I have gratitude for you , you will have gratitude for me. If I'm selfish with you, you will be selfish with me.
Believe me that in every big thing or achievement there are always obstacles-big or small- and the reaction one shows to such obstacles is what counts, not the obstacle itself.
The dangers of unexamined and unregulated monopoly power, particularly in the state executive, are hardly news. The right reaction is not passive acquiescence.
...the disqualification is unjust, I understand his reaction. You must understand the riders at certain moments (like climbing an 18% hill) they are stressed and they can react rashly.
It falls apart now. They used to be intrinsically linked. Now they've been driven so far apart that I don't think the one has anything to do with the other. Even more so: I think that there is almost a reaction against style, that brute ugliness somehow has been interpreted as being the way to go.
This investigation has yielded an unanticipated result that reaction of cyanic acid with ammonia gives urea, a noteworthy result in as much as it provides an example of the artificial production of an organic, indeed a so-called animal, substance from inorganic substances.
You, and you alone, get to determine whether you are going to react positively about something or negatively about something - or, interestingly, have no reaction at all. Your emotions are entirely under your control. Your feelings are what you want them to be.
The easiest period in a crisis situation is actually the battle itself. The most difficult is the period of indecision - whether to fight or run away. And the most dangerous period is the aftermath. It is then, with all his resources spent and his guard down, that an individual must watch out for dulled reactions and faulty judgment.
The discovery of nuclear chain reactions need not bring about the destruction of mankind any more than did the discovery of matches. We only must do everything in our power to safeguard against its abuse. Only a supranational organization, equipped with a sufficiently strong executive power, can protect us.
At our most elemental, we are not a chemical reaction, but an energetic charge. Human beings and all living things are a coalescence of energy in a field of energy connected to every other thing in the world. This pulsating energy field is the central engine of our being and our consciousness, the alpha and the omega of our existence.
With a nonviolent movement we are still inviting a strong reaction from the government or ruling authorities. We are inviting a powerful reaction against ourselves. But it undermines the moral legitimacy of our current government. That is the path we need to pursue. Rather than reinforcing their legitimacy we need to undermine their legitimacy.
A lot of people are just really confused by me; they don’t know what to think of me, so they try to compartmentalize me or diminish me. Maybe they just feel unsafe. But any time you have an overtly emotional or irrational, negative reaction to something, you’re fearing something that it’s bringing up in you.
Being onstage is like being rock star. Whereas if you're doing a movie, it's such a confined space. You know, you do a comedy, it's so hard, too, 'cause with a comedy, there's no vocal reaction, there's no energy that you get back that spurs you on to be funnier because everyone has to be quiet.
That's so different in Hong Kong when I'm using my own mother language, I can treat the line in one thousand different ways, with many different reactions.
I think it was a good challenge for me to get my reactions across without being able to speak.
There's always a reaction based on fear. People assume if you're criticizing a decision to go to war, then you're saying something against the soldiers-which is not the case
I was in a Paris for four or five days and I couldn't believe the reaction I got there. It was just bizarre; people recognizing me left and right.
Depression is something that seems really obscure when you see it in a theater, but when you talk to people who come to see it and hear their reactions, you realize that it is such a prevalent part of life and our society today that it really needed to be told, and still needs to be told.
I was shocked by the reaction I got for Bleak House. It was very intensive but one of the best jobs of my life. It was a chance to play a character that grows and develops and I was very enmeshed in it. But I didn't realise how stylish it was and how much people would love it.
We cannot segregate the human heart from the environment outside us and say that once one of these is reformed everything will be improved. Man is organic with the world. His inner life moulds the environment and is itself also deeply affected by it. The one acts upon the other and every abiding change in the life of man is the result of these mutual reactions.
What makes a man a man are his deeds, his responsibilities, and his reactions... These things are also what makes a man a monster.
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