The greatest compliment a writer can be given is that a story and character hold a reader spellbound. Im caught up in the story writing and I miss a good deal of sleep thinking about it and working out the plot points.
A book is always a dialogue with other readers and other books.
I don't have a great eye for detail. I leave blanks in all of my stories. I leave out all detail, which leaves the reader to fill in something better.
Hugely enjoyable and insightfulGosling has produced the perfect combination of rigorous research and lightness of prose to create a book that will transform every reader into a super snooper.
An author describing the methods of intensive farming, or the excesses of sport hunting, or even the harsher uses of animals in science writes with confidence that most readers will share his sense of concern and indignation. Sounding the call to action-convincing people that change is not only necessary, but actually possible-is more problematic. In protecting animals from cruelty, it is always just one step from the mainstream to the fringe. To condemn the wrong is obvious, to suggest its abolition radical.
Readers should aspire to what is excellent. They should refuse to read a substitute Bible. They should want a Bible that calls them to their higher selves - or to something higher than their current level of attainment.
The funniest novel you've never read. . . . Afternoon Men is a revelation to sophisticated readers of every stripe, but especially to a certain kind of artist manqu on the brink of discovering that life is a more difficult business than he ever had reason to expect. . . . The subject matter is 'relatable,' as my students like to say. Better still, though, is what you can learn about the craft of writing from this marvelous book. . . . Indeed, if you're looking for a funny, nonportentous Hemingway, then the early Powell is your man.
There is an aesthetic crisis in writing, which is this: how do we write emotionally of scenes involving computers? How do we make concrete, or at least reconstructable in the minds of our readers, the terrible, true passions that cross telephony lines? Right now my field must tackle describing a world where falling in love, going to war and filling out tax forms looks the same; it looks like typing.
My influence is probably more from American crime writers than any Europeans. And I hardly read any Scandinavian crime before I started writing myself. I wasn't a great crime reader to begin with.
Ghostly legends dot the Prairie State from its big cities to its small towns. These stories make each community unique in a way that no other landmark ever could But Michael Kleen understands that these ghosts are more than just stories. As a folklorist and historian, Kleen shows readers the connection between our past and our present. Haunting Illinois is more than just a ghostly travel guide, it’s an adventure offering new insight on the haunts you know, but also takes you on a trip to the spirits in your own backyard.
I wanted to portray very, very dark subject matter and a deceptively complex story in the brightest colours and simplest lines possible to leave the readers reeling.
There is in Albert Camus’ literary craftsmanship a seductive intelligence that could almost make a reader dismiss his philosophical intentions if he had not insisted on making them so clear.
I have an RSS reader, Feeddler. I mostly subscribe to board game blogs - they have reviews of new games and discussions about trends. It's straight-up dork talk.
Most readers will be shocked by the clear record of history linking Adolf Hitler and the Roman Catholic Church in a conspiracy to exterminate the Jews
I think the invitation offered the non-black reader is to join us in this expression of our familiarity and via that joining, come to understand that when black people come together to celebrate and rejoice in black critical thinking, we do so not to exclude or to separate, but to participate more fully in world community. However, we must first be able to dialogue with one another, to give one another subject-to-subject recognition that is an act of resistance that is part of the decolonizing, anti-racist process.
Many photographers feel their client is the subject. My client is a woman in Kansas who reads Vogue. I'm trying to intrigue, stimulate, feed her. My responsibility is to the reader. The severe portrait that is not the greatest joy in the world to the subject may be enormously interesting to the reader.
When writers stop believing in their own stories, readers tend to sense it.
There are a lot of snobs out there who disregard these books (romance novels), but they fulfil a need. I am happy and fulfilled in what I am doing and readers love them. And why not? They are harmless and they are fun.
The reader reads aloud, with a sing-song up … then down … then down again cadence. My mood shifts from merely reluctant to derisive. It’s a tired reading style. I’m sick of it. It attaches more importance to the words than the words themselves—as they’ve been arranged—could possibly sustain, and it gives poets and poetry a bad name.
As a reader I feel included a lot in Julie Carr’s hard and beautiful book. I can pretty much hear its author speak—a whispering that enables us into its world . . . a masterfully sutured journey, painfully useful. Sarah—Of Fragments and Lines is a book I know I will return to. And urge it on my friends who have lives too and write in them.
Writing is a way of living. It doesn't quite matter that there are too many books for the number of readers in the world to read them. It's a way of being alive, for the writer.
The clever reader who is capable or reading between these lines what does not stand written in them but is nevertheless implied will be able to form some conception.
If he can give his readers no reason why they should read his book, except that the events happened to him, it is not a valid book.
Reality is not always probable, or likely. But if you're writing a story, you have to make it as plausible as you can, because if not, the reader's imagination will reject it.
I have written 20 books, and each one is like having a baby. Writing is not easy; some people want to write books but just can't put a story together. I can put together a story that interests both me and my readers.
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