In Hollywood the man who cleans your pool is an actor. The man who sells you your copy of Variety is an actor. I don't think there's a real person left in the place.
I want people to know that I'm a real person, and that I've been through normal situations, like crushes and heartbreaks.
You don't make stupid internet videos or show people you have too much free time, you just say the right things and they'll be like, "Damn this dude's a real person and I can relate to that." That can make somebody's life, that can make somebody's day, that can be a line that they never forget.
I want to be real. I want to be a real person. That's what an artist is. An artist has to be honest. Without honesty, there's nothing.
John McEnroe is the most honest and real person I have ever interviewed.
The music is mine. Theres nothing to hide behind. Thats where you see the real person.
It is good for a professional to be reminded that his professionalism is only a husk, that the real person must remain an amateur, a lover of the work.
When you're playing a real person there's a balance between playing the person in the script and playing the person as he was in life. You have to be respectful and true to who that person was, but at the same time tell the story in the film.
I have met Mariah before and she's really cool and so funny. Everyone has been given the wrong impression of her, and maybe it is her doing. But you have to remember that celebrities are always in the spotlight and are sometimes forced to conduct themselves in a different way than they normally do. That's how it is in the business. I have met artists who are real divas, but Mariah Carey is not one of them. She is a very sweet person, and what nobody sees off camera is the real person she is on the inside.
I wish they would see the real person in me. One day, they will know I'm not here for the show. My mind do shine. My heart is so kind. But that they can not see because all they see is the outside of me. Who I am, what I do is only the reaction I get from you.
By putting myself out there the way I've been doing people see me as a real person. Even though I do character voices and funny noises the stories are still real and I put them all out there.
But people who do not know me are surprised to see me as a real person I guess.
I'm sick of very white teeth and lots of gymnasium practice. I'm bored, you know, send in the next one. I wanted a real man that I could believe was my brother, my father, you know, my next-door neighbor - a real person.
We can paint unrealistic pictures of the juggler--displaying her now as a problem-free paragon of glamour and now as a modern hag.Or we can see in the juggler a real person who strives to overcome the obstacles that nature and society put in her path and who does so with vigor and determination.
To recognize yourself in a character onscreen, and to connect with them, you gotta recognize their flaws; they gotta feel like a real person.
Sometimes when you're the good guy, you're sort of trapped. "Oh, he can't say that." And even when you're playing a real person like a Steven Biko, you're sort of stuck within those confines. So yeah, bad guys do have more fun.
The person is a mystery. What I'm playing is the person so I really get to tell you and show you and communicate to you who I think the real person is and that real person is me. The most important thing is to play the human being you are creating, which is my job.
The first item I designed for a real person was when I was about 10 and I made my first item of clothing for myself.
For me, there's always a huge attraction in playing real people. But with it comes an incredible sense of responsibility because you're playing a real person in a real event.
I say what I think. I'm a real person, not some manufactured pop tart who's afraid to step out of the hotel room. I am flawed. I swear, I have the occasional cocktail, I pick my nose and I fart. I'm not running for any presidential campaign at the moment. I'm a sassy girl.
I've never been that person to fake it, and say what everyone else wants you to say. Then you never have anything personal. If I wanted to be an actress all the time, I could do that. But I don't. I want to be real. I want to be a real person. That's what an artist is. An artist has to be honest. Without honesty, there's nothing.
You talk to people and they seem really nice and then you read what they write and it's very disillusioning. You have to deal with how people let you down in terms of that. Because I think I'm basically a nice person and I think I'm a real person, and a lot of people aren't.
I look around and see the things I have, and I remember not having them. That is one thing that keeps me grounded. I'm definitely the same person I was. . . . I never lose me, I never lose the real person.
To create a character who really interests you, try combining aspects of your favourite fictional character with a real person.
As a guy develops and practices his masculinity, he is accompanied by an invisible male chorus of all the other guys, who hiss orcheer as he attempts to approximate the masculine ideal, who push him to sacrifice more of his humanity for the sake of his masculinity, and who ridicule him when he holds back. The chorus is made up of all the guy's comrades and rivals, his buddies and bosses, his male ancestors and his male cultural heroes--and above all, his father, who may have been a real person in his life, or may have existed only as the myth of the man who got away.
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