If I had cast someone else who didn't have that kind of timing, it would have been leaden and one note. But Ann [Morgan Guilbert] made her really human and really funny without being caricatured or over the top. She feels like a real person.
Fitzcarraldo is that metonymic character that's unwilling to give up on his dreams. Meeting Walter was the point in which all of these dreams coalesced into a very real person with a very real story.
I hadn't mentioned, but Ching Shih is a pretty villainous character. She is a real person, but she was a pirate commander, so she probably murdered a lot of people.
You have this certain about of responsibility to play a fictitious character and you have a script that's guiding you and the other information of the custom department's choices, and the set department, "Where are you," and all those other pieces of information but you have to cull from your imagination the answer to all the unasked questions. And with a real person, there's someone to get that information from, perhaps.
Movies are thankfully about real people nowadays, and I don't necessarily always look like a real person.
Unless you're playing a real character based on a real person, if someone else has done it before, you're probably better off not watching it as an actor. Otherwise you end up trying to copy someone else.
By putting myself out there the way I've been doing people see me as a real person. Even though I do character voices and funny noises the stories are still real and I put them all out there.
The usual marriage in traditional cultures was arranged for by the families. It wasn't a person-to-person decision at all. . . . In the Middle Ages, that was the kind of marriage that was sanctified by the Church. And so the troubadour idea of real person-to-person Amor was very dangerous. . . . It is in direct contradiction to the way of the Church. The word AMOR spelt backwards is ROMA, the Roman Catholic Church, which was justifying marriages that were simply political and social in their character. And so came this movement validating individual choice, what I call following your bliss.
Olympic Gold changed me and my life dramatically. I became a celebrity overnight and people see me as a famous skater, not a real person.
I mean, there was a portion, of course, that I think, when I look back now, that there was a portion of what attracted me must have been the awe of him being a powerful man in this environment, not to take away from who he is as a real person.
When you ask a person to jump, his attention is mostly directed toward the act of jumping and the mask falls so that the real person appears.
When the photographer Philippe Halsman said, 'Jump,' no one asked how high. People simply pushed off or leapt up to the extent that physical ability and personal decorum allowed. In that airborne instant Mr. Halsman clicked the shutter. He called his method jumpology. The idea of having people jump for the camera can seem like a gimmick, but it is telling that jumpology shares a few syllables with psychology. As Halsman, who died in 1979, said, 'When you ask a person to jump, his attention is mostly directed toward the act of jumping, and the mask falls, so that the real person appears.'
The real scientific study of the distribution of wealth has, we must confess, scarcely begun. The conventional academic study of the so-called theory of distribution into rent, interest, wages, and profits is only remotely related to the subject. This subject, the causes and cures for the actual distribution of capital and income among real persons, is one of the many now in need of our best efforts as scientific students of society.
The only virtue a character needs to possess between hardcovers, even if he bears a real person's name, is vitality: if he comes to life in our imaginations, he passes the test.
It may be just one facet of your personality, or it may not even be a facet but only a pretension. You can show this false face with no problem when sometimes you meet on a sea beach, sometimes in a garden, sometimes under the moon and the stars, but when you really start living together then the reality starts surfacing. The real person is a hell and all that sweet talk that had happened under the stars becomes just lies.
President Obama admitted this week that a former girlfriend that he wrote about in his autobiography was made up and not a real person . . . So Obama had an imaginary girlfriend. Big deal! He had an imaginary economic plan. It’s all the same.
The Christian faith is meant to be lived moment by moment. It isn't some broad, general outline--it's a long walk with a real Person. Details count: passing thoughts, small sacrifices, a few encouraging words, little acts of kindness, brief victories over nagging sins.
I don't know if it's harder but when you're playing a real person you want to honor their memory - even if they're a criminal or someone that the public loathed. That can be challenging.
There is no fixed, true and real person inside of you or me, precisely because being a person necessarily implies becoming a person, being in process.
I have a theory that the best ads come from personal experience. Some of the good ones I have done have really come out of the real experience of my life, and somehow this has come over as true and valid and persuasive. People love to read stories. They like to know you as a real person who has your struggle, pain, success and failure, etc. One well-known example is Jared Fogle's weight loss story which made millions of dollars for Subway. Start to collect your stories from today and use them in your ad campaigns.
I do as much research as is physically possible when I'm playing a real person, be they alive or dead.
I don't like smiley pictures. A smile is a defense mechanism. It says, You can't have the real me but here's my smile. You get closer to the real person when they stop smiling.
When we start shooting I don't have rehearsals with characters at all. So, rather than pulling them towards myself, I travel closer to them; it's very much closer to the real person than anything I try to create. So I give them something but I also take from them.
The poet, as a rule, is a half-man - a sissy, not a real person, and he is in no shape to lead real men in matters of blood, or courage.
[Numbers] made me feel like a real person instead of a guy who shows up for two days on a movie, does some funny stuff, and then doesn't see anybody until the premiere.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: