Just because a baby cries, I discovered, doesn't mean there's always something wrong. Sometimes babies wake up for no real reason. They just want to check if they're doing it right. "This is Sleeping, right?" "Exactly." "I just lie here?" "That's right." "Okay." Then back to sleep they go.
I'm such an awful faker. Everything that comes out of my mouth needs to be the real deal. Not that I ever try to be deceiving, but sometimes it takes a while to find your voice and find what you want to say.
There is a need for expertise, for real expertise. I'm not doing much to help that cause, but I think we can find the healthy balance between intellectualism and anti-intellectualism. Jocks and nerds may come together, I believe it.
If there's any kind of morality, for me, it's about reality; what is reality? I have a hard time distinguishing what is valuable when it comes to the real world and the fantasy world. Like, should I invest my time in the ordinary world or the imaginary world?
I try to be genuine. I try to be real. It's such a subjective thing, but I try to convey an emotion.
The first real thing was Divine as Jackie Kennedy [in Eat Your Makeup]. His mother found the bloody Jackie Kennedy outfit in the boot of his car and said, 'What is this?" and Divine said, "I am Jackie Kennedy!" His mother just changed the subject; she didn't know what to say.
I came out of an electronic music scene that based all its music on software. It was a real boys thing, a real testosterone thing - software and the relationship between music and the software - to the point where it was like a closely guarded secret.
I know, that trends and all of those things and formulae that calculate what audiences want to see and what audiences don't want to see and various other demographic demarcations are the eccentric and ludicrous prerogative of Hollywood studios. But out there in the real world - by which I mean the rest of the world where we make truthful organic films, independent films unimpeded by interference - it's not about all those sort of calculating what is commercial. It's about wanting to say things and saying them in a way that will get through to people.
We are aching to come together and I think it has little to do with liberal or conservative discourse. I think it has to do with increasing disconnection with what is real and soul-serving.
Since Hollywood seems to be more interested in people wearing tights and using powers, there seems to be a fertile ground for movies about real human beings.
I want everything, no matter what concept or genre, to feel real, because it is real. I want to keep making real music, I hope people remember me for that, that's a good thing to be remembered for.
I would give the same advice to anyone, celebrity or not. Produce your own music, keep in original, and be real. You need to earn the respect of your fans for your original work in music, and not rely on your celebrity in other mediums. The same would apply for actors who sing, dance, or even play sports.
All these toys were never intended to possess my heart. My true good is in another world, and my only real treasure is Christ.
India's fortune will depend on how many runs the little champion scores. There is no doubt Tendulkar is the real thing.
All Hell is smaller than one pebble of your earthly world; but it is smaller than one atom of this world, the Real World.
Many people do not understand the difference between peace and a peace treaty. If you want to have real peace with normal relations between people, you need to have comprehensive peace.
The idea of implanting memories where by the implantee couldn't tell the difference between a real experience and a fantasy experience was really cool. And his ideas of technology - do we control technology or does technology begin to control us? His work hasn't aged a day it seems.
I like characters where there's something going on and something to make him real. If you find out what somebody cares about, all of a sudden, the whole world opens up.
Hopefully we'll get to a point where there are absolutely no restrictions on any kind of violence in movies. I'd love to see us get to a point where you can go to theaters and see movies unrated and that people know its not real violence. It's all pretend. It's all fake. It's just acting. It's just magic tricks.
It suits him because way back many years ago when Nikita Mikhalkov, the great Russian director, came, I said, "I want you to meet somebody." So I get Billy Bob from Malvern, Arkansas and Nikita Mikhalkov from Moscow. It's just two big talents meet. We sat for two or three hours and talked. It was great. He's the real deal, this guy.
I know that I'm very susceptible to getting caught up in storylines like, "I want him to be different. I want him to be more open. I want him to call." We have all of these storylines that kind of take over sometimes, and I think there's real grace and a peaceful heart at the center of just accepting what is, and knowing that everything's OK. The good, the bad, the ugly, the pain, the hurt, the frustration - all of that is valuable and part of this human experience, so we should lean in to all of it.
I think people are people and if their feelings are real and truthful, they can connect.
Actually I want to scare away method actors because it's a pain. It's like, 'Come on, what are you doing? It's not real. What are you doing? Oh, you're really brooding. Okay, good. Go to your trailer. I'll see you in an hour.'
You're real selfish and everything is focused on you and how you feel until you realize there is something missing and that's your relationship with Jesus Christ.
I spent a lot of time with a real detective, a lady detective inspector who was the only female detective inspector in the whole of East London. She and I hung out a lot. She showed me what she did and I spent time with her. So, [she was] a lot of the inspiration for the way I dressed and sometimes the dialogue in those interview scenes where we're cross examining and questioning the youths and trying to get a confession out of them.
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