I'm heavily involved in the creative with choreographer Christopher Scott. I go to rehearsals with 'Glee' and then practice with LXD till about midnight.
The first draft is just a skeleton-just bare bones. It's like the very first rehearsal of a play, where the director moves the actors around mechanically to get a feel of the action.
I'm a theater actress. I love rehearsal. I could have six weeks of rehearsal and think it's not enough. But on film, you don't get that luxury.
When you perform in front of an audience after only two days of rehearsal, you're flying by the seat of your pants - particularly when they're rewriting the show right up to the moment the camera goes on.
I really miss the rehearsal process of theater.
Most of the great directors I've worked with - De Palma, Spike Lee - like rehearsals.
Stations and airports are rehearsals for separations by death.
If one sits down and concentrates on imagining the worst possible surroundings for rehearsing a musical show, it's never as bad as the rehearsal rooms one actually lands in.
Theater will always be my first love. The time and dedication that goes into the rehearsal process with the cast and crew is something that TV/Movie acting does not offer.
The collaboration really begins once the rehearsal starts. This is when the actor takes his place, because he becomes the one who is going to bring the words of the author off the page.
I like working in both movies and television. Television is faster, not very much rehearsal and a lot of material is shot in a day. Big budget movies are luxurious in terms of the schedule. Independent films often shoot fast as well.
We rehearsed our 'Scarface' to the nines. Long period of rehearsal, so that by the time we started to shoot, it was almost like doing a play. We all had a grand time doing it. It was a wonderful cast.
I'm happy whenever I'm in a rehearsal room. I've always gotten all my energy and creativity in there.
Well, any time Im preparing for a performance or even a rehearsal, its as if in a way, like any other athletes, these are muscles that support the vocal cords which are just I believe cartilage. It demands a kind of constant warming up and a constant feeling of where is the voice today.
I love going into rehearsals day after day for three, four weeks, trying stuff, coming back the next day, building on that. So many times I'd drive home from the studio [after] shooting and I'd be thinking about a certain moment, and I'd think, "Oh, I know what to do!"
I liked the monsters, I liked them because I couldn't understand how something so scary could also be so good. It got me thinking as a very early age, and I had a lot of rehearsal.
Onstage, of course, you have the luxury of rehearsal and discovery and time and comfort, which then turns into terror when you actually have to put it in front of people.
If you're sounding right, you're probably walking right, and vice versa. If you get the footwork right - if you get even one line right in a rehearsal, the director will say, do you know when you said that, it was exactly the character. You were - really landed on it.
. . . the labor with which we give birth is simply a rehearsal for something we mothers must do over and over: turn ourselves inside out, and then let go.
It is quite amazing how hard the subconscious works when it is made to understand that this life is not a rehearsal, there is no safety net and no assurance of any final closure. It is also quite appalling to realize how catatonic the imagination can become when we hedge our bets, opt for the safer direction at every fork in the path.
I try to shoot the first rehearsal because people are more spontaneous. People in real life don't really know where they are going to be either positioning themselves or how they will be saying their words. When people goof during the first take, it usually looks realistic.
A good film to me is like lightning in a bottle. I used to think that meant hit and run. But then I've changed my definition about what lightning in a bottle means. I think it means that you wait for that surprising moment that you really didn't expect would happen, as good as it may have gone in rehearsal.
I generally enjoy the rehearsal process because that's where you can share your ideas, get your thoughts and feelings out and see whether or not they're going to land, whether or not people are going to agree with them, particularly the director. So you can sort out in that process any elements that need to be sorted out before you're on the set, and of course that saves time and it also makes everyone more comfortable working together.
On movies, I like to involve the cast in the writing of the script. I like to have a rehearsal period, after which I do the last draft, which gives me a chance to incorporate anything the actors have come up with during the rehearsal period, so I'm very inclusive as a writer.
When you've only got few days of rehearsal before you're in the studio, it's wonderful to start off with people that you have good, friendly, tolerable relationships to start with, for the simple reason that you don't have to spend 24 hours figuring out how sensitive they are, and can you give them a line reading, or how do you have to give them direction.
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