I demand minimal for paid rehearsal and not always six weeks either.
I need six weeks of rehearsal and women need nine months and it took me 15 years to figure that out
I've been onstage once for one performance with four days' rehearsal.
It was amazing that during rehearsals, without any of the costume on, the character was there complete. It just happened. Half the time, I didn't know I was doing it.
Who knows what hellish future lies ahead? ... Actually, I do. I've seen the rehearsals.
I’ve loved the whole process. From previews to rehearsals, I’m in the best company. I’ve done one West End show before this but the excitement here…it’s incredible. It’s been a real education working on this, I don’t feel worthy. The role is over the top, bold and ridiculous.
I love the rehearsal process in the theatre, and the visceral sense of contact and communication with a live audience.
I had panic attacks during rehearsal. There were times when I really thought I wasn't going to be able to do it.
I always treat each take as a rehearsal for the next take. That way you can find stuff and keep adding and playing until they tell me to stop
And this is what we called our childhoods. Little more than a dress rehearsal for adding our digits to the butcher's bill of war.
Toward the later days of Sabbath, instead of going in and knocking out what songs we did in rehearsal, we would polish them to death.
It’s a cliché - but true - that life is not a dress rehearsal. You get to do it once, so do it well.
One does odd things. You see, when one's young one doesn't feel part of it yet, the human condition; one does things because they are not “for good”; one thinks everything is a rehearsal - to be repeated ad lib, to be put right when the curtain goes up in earnest. One day you know that the curtain was up all the time. That was the performance.
There is no definitive list of the duties of a stage manager that is applicable to all theaters and staging environments. Regardless of specific duties, however, the stage manager is the individual who accepts responsibility for the smooth running of rehearsals and performances, on stage and backstage.
Most of our oldest memories are the product of repeated rehearsal and reconstruction.
During the rehearsal process I got thrown off the horse.
I was seventeen and the star of my high school play. I was supposed to kiss my leading man, but I couldn't stand the guy. I really didn't want to kiss him. All during rehearsals, I refused to kiss him. Then my drama teacher told me, "If you don't kiss him on opening night, you'll flunk drama class. So I kissed him, and that was my first kiss.
I often stop when I'm doing something, in the middle of rehearsals or some other job, and I try to take a minute to think "Okay, this might be as good as it gets, so drink it in, appreciate it now". So far, I've been lucky because another job has always come along to equal the last.
Of all the forms of exercise that I have done, Power Plate® training is the most concise. If I start my session at 9.30am, I know I can be at my desk by 10.15am and I can even fit in a workout before rehearsals. Power Plate® exercise is not at all intimidating, and I know that in a short session I have had a complete workout.
Well television is grueling. The hours are grueling, it's hard work, and there's a lot of pressure to get it done without a lot of rehearsal time.
I learned to understand the distance a character can be from yourself and how important rehearsal can be to creating a person that feels like a person that isn't you.
A good film to me is like lightning in a bottle. I used to think that meant hit and run. But then I've changed my definition about what lightning in a bottle means. I think it means that you wait for that surprising moment that you really didn't expect would happen, as good as it may have gone in rehearsal.
I generally enjoy the rehearsal process because that's where you can share your ideas, get your thoughts and feelings out and see whether or not they're going to land, whether or not people are going to agree with them, particularly the director. So you can sort out in that process any elements that need to be sorted out before you're on the set, and of course that saves time and it also makes everyone more comfortable working together.
On movies, I like to involve the cast in the writing of the script. I like to have a rehearsal period, after which I do the last draft, which gives me a chance to incorporate anything the actors have come up with during the rehearsal period, so I'm very inclusive as a writer.
When you've only got few days of rehearsal before you're in the studio, it's wonderful to start off with people that you have good, friendly, tolerable relationships to start with, for the simple reason that you don't have to spend 24 hours figuring out how sensitive they are, and can you give them a line reading, or how do you have to give them direction.
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