I did a 'Children of the Corn' remake for Sci Fi Channel. I play the Peter Horton role from the original, and Candace McClure from 'Battlestar Galactica' is my Linda Hamilton.
If we use resources productively and take to heart the lessons learned from coping with the energy crisis, we face a future confronted only, as Pogo, once said, by insurmountable opportunities. The many crises facing us should be seen, then, not as threats, but as chances to remake the future so it serves all beings.
Apollo without Dionysus may indeed be a well-informed, good citizen but he's a dull fellow. He may even be 'cultured,' in the sense one often gets from traditionalist writings in education. . . . But without Dionysus he will never make and remake a culture.
The only thing that we can really make is our work, and deliberate work of the mind, imagination and hand, done, as Nietzsche said, ‘notwithstanding,’ in the long run remakes the world.
It seems that every movie is a remake of something that was better when it was first released in a foreign language, as a 1960s TV show, or even as a comic book. Now you’ve got theme park rides as the source material of movies. The only things left are breakfast cereal mascots. In our lifetime, we will see Johnny Depp playing Captain Crunch.
Luckily, I've never been offered a directing job that was lucrative. I've never heard, "Here's $800,000 to remake Sisters."
I had to go on without my mother, even though I was suffering terribly, grieving her. My whole life sort of ended when my mom died. I had to remake it again and be a new person in the world without my mom. It was a very primal rebirth, that time after my mom died.
The so-called "remake" is simply a commercial formulation of a much deeper exchange which accounts for the way cinema is what it is.
Snowden is almost preternaturally prepossessing and self-possessed. I think of a novelist whose dream character just walks into his or her head. It must have been like that with you and Snowden. But what if he'd been a graying guy with the same documents and far less intelligent things to say about them? In other words, how exactly did who he was make your movie and remake our world?
I was keen to direct an action film, and when Reliance approached me for the remake of Singham, I saw an opportunity to return to my first love.
We are cannibalizing our audience by only giving them regurgitated material. Every movie is either a remake, a sequel, based on something else. Based on a former television series. Based on a successful videogame.
Archery, fencing, spear fighting, all of the martial arts, tea ceremony, flower arranging...in all of these, correct breathing, correct balance, and correct stillness help to remake the individual. The basic aim is always the same: by tirelessly practicing a given skill, the student finally sheds the ego with its fears, worldly ambitions, and reliance on objective scrutiny - sheds it so completely that he becomes the instrument of a deeper power, from which mastery falls instinctively, without further effort on his part, like a ripe fruit.
I don't feel so strongly against remakes, but if I don't like it, I guess I just don't do it. It is what it is. Hollywood is driven by the financial system, so if they think that it has a brand and people are going to go see it because it's a recognizable property, they're going to remake it.
But you could only remake your own future, not anyone else's, and for some people that just wasn't good enough.
Genius is answerable only to itself; it is the sole judge of the means, since it alone knows the end; thus genius must consider itself as above the law, for it is the task of genius to remake the law; moreover the man who frees himself from his time and place may take everything, hazard everything, for everything is his by right.
The beginner hugs his infant poem to him and does not want it to grow up. But you may have to break your poem to remake it.
I think there's an element in Milady where she sees her own innocence in D'Artagnan. In the very beginning, she's using him in a pretty cynical way. When she gets to know him, she sees qualities in him that she recognizes and it's almost like trying to remake the past, but of course, it doesn't work.
But the 20th century suffered "two" ideologies that led to genocides. The other one, Marxism, had no use for race, didn't believe in genes and denied that human nature was a meaningful concept. Clearly, it's not an emphasis on genes or evolution that is dangerous. It's the desire to remake humanity by coercive means (eugenics or social engineering) and the belief that humanity advances through a struggle in which superior groups (race or classes) triumph over inferior ones.
The Pink Panther wasn't shown to the press for reasons that soon became apparent when I saw it at a public performance. Two people (20 per cent of the audience) laughed; one was Chinese, the other, whom I couldn't see, might have been an escaped hyena. This laughless francophobic comedy stars its co-scriptwriter, Steve Martin, in what is, by my reckoning, his eighth lousy remake since 1989.
In general I think the inspiration was to think about all those movies that I saw as a kid and never knew they were remakes, because I know there's probably another kid going to watch Evil Dead who has no idea.
If we weren't doing remakes, nobody would know who Shakespeare was. I'm not saying that RoboCop is Shakespeare, but it's a way we're retelling. That's what we do as human beings. We retell our favorite stories.
Godzilla it's not a remake, it's our chapter. I think what I'm most excited about is all the principles that we laid out in the beginning, I feel like we were able to hit on those things.
I'm not the worlds biggest remake guy, meaning finding titles and saying, "Hey it's got some brand awareness, let's just make a movie."
[In remake] you've got to have something new to say, or technology that wasn't available, or a new chapter that kind of speaks to this generation of fans. They've got some unique assets, so we're certainly discussing those things.
And what we can see if we look deep within is that the authentic self is the Soul made visible. Do not try to remake yourself into something you're not. Just try making the best of what God made. The sacred art and craft of nurturing our souls and the souls of those we love is Simple Abundance soulcraft. Begin today by turning on the Light.
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