For me, nostalgia is an involuntary emotion. ... I think it's just a natural human response to loss.
They are, in a sense, two sides of the same coin: women are, on the one hand, subjects of an extremely real and abject (as Julia Kristeva put it) body and denigrated sexuality; on the other, the proliferation of images, and their digitalisation produces more and more abstract and air-brushed representations of impossible female bodies. Both indicate, certainly, a "lack of progress." But, one hopes, discussions and resistance are emerging in response.
On all levels, evolution occurs in response to a crisis situation, not infrequently a life-threatening one, when the old structures, inner or outer, are breaking down or are not working anymore. On a personal level, this often means the experience of loss of one kind or another: the death of a loved one, the end of a close relationship, loss of possessions, your home, status, or a breakdown of the external structures of your life that provided a sense of security.
There were really funny characteristics about this guy [Richard Nixon], chief of which would be that he seemed to devote about 85 percent of his waking energy to suppressing any sign of his emotional response to anything that was going on around him, and the other 15 percent blurting out those authentic responses in the silliest and most inopportune ways. And he had these smiles that would come at the most inappropriate times - just flashes that there was an inner life screaming to get out.
It's a good time for me to pursue acting, I suppose since I'm enjoying having another medium in which to express myself. I've been getting a great response to my work.
One of the most frequent responses I get from non-Christian readers is: 'I'm not sure I agree with all this, but I must say this is the first book I've read by a Christian that didn't treat me like I was an idiot.'
The great thing about writing for a younger audience is that they will give it to you straight with their responses. They'll tell you exactly what they liked and didn't like, and when they're enthusiastic, they're unashamedly enthusiastic. They'll talk to you about your characters as if they were real people, which is wonderful.
Spiders frighten me. In response to the spider alerts for Australia, please can the Australian government remove all spiders from Australia and blow them into outer space.
I think kids, in general as an audience, are the way forward because they're not sort of sullied by intellectual expectation or this or that. It's a very pure kind of response to the work.
I think social media really is a great tool. It fascinates me when I tweet something and right away you get a response almost immediately.
Australia will take more refugees from Syria in response to the growing international crisis but it will not increase the total number of asylum seekers it accepts.
You [as an actor] have a responsibility to Jonathan's book and you have a responsibility to talk about a subject that is going to be, whether it's contentious or not, it's going t bring up a huge, emotional response from people. A lot of people will say they are ready or they're not ready.
At first, my love was just to be in the studio and make the music and enjoy it when I hear it played back, but then the biggest thing for me was to see the response of the people. When you go out and see the energy in the crowd, it's incredible.
I tend to avoid melodrama. I try to create very realistic settings and very realistic experiences and realistic responses to these experiences. Melodrama is the use of really big events that may or may not happen in real life - certainly they do, but they're not events that are common to most people. Most of the things that happen in my novels are things that could happen to people in real life.
When I was a kid, I did want to be a boy. I didn't like to play with dolls, and most of my friends were kind of sensitive, sissy boys. But as I got older, the mystique of being a girl began to interest me. It was confusing what sexuality was, and the responses of other people, but it didn't make me feel terrified or vulnerable.
Is there any indication we shouldn't be depressed - are you living on the same planet that I am? Do you ever think that depression might be the reasonable human response to the crap we're going through as a species, meant to propel us into the next evolutionary step, or at least into taking some different course of action so we might survive? Do you ever think that maybe it's the happy people that are really screwed up in the head?
I've never found that getting physical is ever the best response in a bar. You just have to make sure you keep your distance, and if it gets to a point where it gets aggressive then the best thing to do is go get a bouncer and get the situation resolved intelligently.
Gluten free pizza elicits the same response at a hollywood party that a pile of cocaine did in the 80's.
When he (Roger Clemens) threw the bat (during Game 2 of the 2000 World Series), I basically walked out and kept asking him what his problem was. He really had no response. I was trying to figure out whether it was intentional or not. I was going to ask him. If it was, then obviously he really no had response. I was more shocked and confused than anything.
A good poem is not completely a poem until it has received a critical response that grows out of the poem in an almost biological way.
The physical act of meditating by closing one's eyes and slowing down the speed of internal thoughts - especially worrisome thinking - results in a physiological response that is well documented in the scientific literature.
The libertarian approach is a very symmetrical one: the non-aggression principle does not rule out force, but only the initiation of force. In other words, you are permitted to use force only in response to some else's use of force. If they do not use force you may not use force yourself. There is a symmetry here: force for force, but no force if no force was used.
Be prepared for negative responses sometimes. It doesn't have anything to do with you. It's just sometimes you're not the right look, or you're not really what they were envisioning.
Sound continues to be a mystery to me, in that one could create infinite songs focusing on the same subject, but depending on the melody, instrument choice, minor or major key, time signature, etc., each song could elicit an entirely different response.
A lot of the public responses are based on the prejudices and ignorance, they've been inherited from previous generations. California has always been a multicultural state, but the thing is, you've got to open your eyes and people in general need to get over their own prejudices.
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