There are situations where I'm uncomfortable saying, "I'm a hip-hop artist." In some circles, the response is like, "Oh, OK, so... you have whores and your ties are shiny?"
I'm so extremely well prepared for negative response, I've taken precautions.
I'm neither shy nor impressed by media and press. It's just another industry to me. My response to the criticism was, "I work with a steel factory. Why can't I work with the media?"
Whether I'm trying to figure out what the U.S. military is doing in Latin America or Africa, Afghanistan or Qatar, the response is remarkably uniform - obstruction and obfuscation, hurdles and hindrances. In short, the good old-fashioned military runaround.
I'm happy that my films were discovered by chance by foreign film festivals. That makes me realise more that there is a world outside Japan too. For me, it's an occasion to meet many people and to experience directly the response of international audiences to my films. But for me as a director, my attitude towards making films hasn't changed with the fame. I feel it's not good to change as a person anyway
With two children of my own, I know what it means to balance the demands of family and career - and let's not even talk about finding a date for myself. Rabbi Shmuley keeps telling me he'll find me the perfect woman. My response is, 'As long as she's not a journalist'.
As a global community, we must ensure that legitimate concerns about liability do not hold back the possibility of developing an Ebola vaccine, an essential strategy in our global response to the Ebola epidemic in West Africa.
People are sort of numb to watching violence, but sexual activity is still as strong as it ever was in terms of generating response.
I find that our response to homelessness really puzzlingly. It's a peculiar response that people have.
Master your responses to external events--don't attempt to control them.
But if I were asked to pick one constant, one quality that seems dependable, immutable, endlessly available, I'd say that it was intensity. For nothing in Sicily seems withheld, done half way, restrained or suppressed. There's nothing to correspond to say, the ironic, the cerebral remove at which a Frenchman might consider an idea or a question, or the Scandinavian distrust of the sloppy, emotive response.
Comedy is more difficult than drama. I think it's really difficult to make someone laugh because people have very different comedic sensibilities. In drama, you can get away with being a great actor and surrounded by great actors and having good writing. But in comedy you have to listen and you have to perform with a certain rhythm, because if you don't, it's like playing a wrong note in the orchestra and you can hear the off key and it will fall flat and you won't get that instant response.
Character is distilled out of our daily confrontation with temptation, out of our regular response to the call of duty. It is formed as we learn to cherish principles and to submit to self-discipline. Character is the sum total of all the little decisions, the small deeds, the daily reactions to the choices that confront us. Character is not obtained instantly. We have to mold and hammer and forge ourselves into character. It is a distant goal to which there is no shortcut.
Well, there's a lot to react against![in response to the accusation that she was a reactionary]
My craziest on-set story comes from during the Goonies, when I came up to Spielberg and said that I wanted to climb the walls of the tunnels and that it represented my mother's womb, for some odd reason. I was reading Stanislawski at the time and Spielberg's response was "Why don't you just act."
Plant medicines work beyond the physical response; sometimes, it's your spirit or emotion that needs healing, and plant medicines can address that also.
When humans find themselves surrounded by nothing but objects, the response is always one of loneliness.
Responding to sexism you have to not just remain silent but try to figure out a proper response - again, though, not going to the place of anger and feeling sorry for yourself, because that kind of plays into the hands of the sexists.... It does take practice though.
The easiest, the most tempting, and the least creative response to conflict within an organization is to pretend it does not exist.
In effect, painting is the still memory of [the artist's] human motion, and our individual responses to it depend on who we are, on our character, which underlines the simple truth that no person leaves himself behind in order to look at a painting.
Unsolicited surprise requests from strangers are essentially guaranteed to be met with a negative response.
I grew up in the theater, and you can't improvise Shakespeare and Ibsen. You have to speak the language. But obviously, in a contemporary film, there's often room for improvisation and spontaneous things that happen. As long as I know what I'm trying to achieve in the scene, and when something comes up, I know that the response is genuine, I'm comfortable. That's really how I build everything.
In fact, the recent increase in intra-firm trading enables businesses to shift their activities across borders smoothly, thereby strengthening the response of economic activity to exchange rate movements in the long run.
We, all of us in the First World, have participated in something of a binge, a half century of unbelievable prosperity and ease. We may have had some intuition that it was a binge and the earth couldn't support it, but aside from the easy things (biodegradable detergent, slightly smaller cars) we didn't do much. We didn't turn our lives around to prevent it. Our sadness is almost an aesthetic response - appropriate because we have marred a great, mad, profligate work of art, taken a hammer to the most perfectly proportioned of sculptures.
Seventeen years after the Cold War, how can it be in the Unites States' national security interest for the President of Russia to have only a few minutes to decide whether to fire his nuclear weapons or lose them in response to what could be a false warning?
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