We worship so that we live in response to and from this centre, the living God.
This is a dark time, filled with suffering and uncertainty. Like living cells in a larger body, it is natural that we feel the trauma of our world. So don’t be afraid of the anguish you feel, or the anger or fear, because these responses arise from the depth of your caring and the truth of your interconnectedness with all beings.
I marvel now that it was not obvious how inextricable suffering and fear are. It was not until fear left that I noticed, slowly, how it seemed to have taken suffering with it. It took a while to figure out that (for me, anyhow) suffering is mostly caused by fear-not by the circumstances themselves, but by my response to them.
Blessed be all metrical rules that forbid automatic responses, force us to have second thoughts, free us from the fetters of Self.
Violence is the instinctive response to fear.
Shame is the proper reaction when one has purposefully violated the accepted behavior of society. Inflicting it is etiquette's response when its rules are disobeyed. The law has all kinds of nasty ways of retaliating when it is disregarded, but etiquette has only a sense of social shame to deter people from treating others in ways they know are wrong. So naturally Miss Manners wants to maintain the sense of shame. Some forms of discomfort are fully justified, and the person who feels shame ought to be dealing with removing its causes rather than seeking to relieve the symptoms.
Reading [poetry], you know, is rather like opening the door to a horde of rebels who swarm out attacking one in twenty places at once - hit, roused, scraped, bared, swung through the air, so that life seems to flash by; then again blinded, knocked on the head - all of which are agreeable sensations for a reader (since nothing is more dismal than to open the door and get no response).
Without this balance, a body's immune system will not have the desired response when faced with infection. These findings could aid the development and production of vaccines and lead to further research on how the body fights specific infections, such as HIV.
A wedding invitation is sent by people who have been saying, "Do we have to ask them?" to people whose first response is, "How much do you think we have to spend on them?
The habits of a lifetime when everything else had to come before writing are not easily broken, even when circumstances now often make it possible for writing to be first; habits of years - responses to others, distractibility, responsibility for daily matters - stay with you, mark you, become you. The cost of discontinuity (that pattern still imposed on women) is such a weight of things unsaid, an accumulation of material so great, that everything starts up something else in me; what should take weeks take me sometimes months to write; what should take months, takes years.
A tactical retreat is not a bad response to a surprise assault, you know. First you survive. Then you choose your own ground. Then you counterattack.
[On Marilyn Monroe:] I think my response to her death was the common one: it came to me with the impact of a personal deprivation but I also felt it as I might a catastrophe in history or in nature; there was less in life, there was less of life, because she had ceased to exist. In her loss life itself had been injured.
taste governs every free - as opposed to rote - human response. Nothing is more decisive. There is taste in people, visual taste, taste in emotion - and there is taste in acts, taste in morality. Intelligence, as well, is really a kind of taste: taste in ideas.
Truth will always reassert itself, given a symbolic three days. Three days represents the time it takes between the crucifixion and the resurrection, between an open-hearted response to hurt and the experience of rebirth that will always follow.
I work rather blindly. I have a theory that seems to work with me that some of the best things you ever do sort of come through you. You don't know where you get the impetus and response to what's before your eyes.
You might not be able to control your circumstances but you can control your response to your circumstances.
I honestly believe that sound commercialism is the best test of true value in art. People work hard for their money and if they won't part with it for your product the chances are that your product hasn't sufficient value. An artist or writer hasn't any monopoly .... If the public response to his artistry is lacking, he'd do well to spend more time analyzing what's the matter with his work, and less time figuring what's the matter with the public.
By about a week before the big day, you will have received less than half of your invitation response cards. Panic sets in when it occurs to you that everyone invited will actually show up. You couldn't have made it easier for your guests. You have included a card that had boxes for 'will attend' or 'will not attend.' You included a pre-addressed, stamped envelope. How inconvenient could it be for them simply to check it off and drop it in in a mailbox? Very inconvenient. You, evil bride-to-be, are confronting two basic human fears. A terror of correspondence and the dread of decision-making.
The kind of response I hope for when I write my novels for children: to give them a chance to recognize something of their own feelings -- about themselves, their parents, their friends -- and their own situation as a kind of subject race, always at the mercy of the adults who mostly run their lives for them.
In truth, “Extremely Loud & Incredibly Close” isn't about Sept. 11. It's about the impulse to drain that day of its specificity and turn it into yet another wellspring of generic emotions: sadness, loneliness, happiness. This is how kitsch works. It exploits familiar images, be they puppies or babies - or, as in the case of this movie, the twin towers - and tries to make us feel good, even virtuous, simply about feeling. And, yes, you may cry, but when tears are milked as they are here, the truer response should be rage.
Many years from now when your children ask what New York City was like just after 9/11, this will be the book you give them in response. It's an exquisite novel full of heart, soul, passion and intelligence, and it's the one this great New York author was born to write.
I realized that the only possible response was to go to my wonderful local café, Maison Bertaux, check everyone was well, eat a little cake and then make art. To me, making art, and in particular public art, is always an assertion of our humanity and our strength.
... when I hear people say that penmanship is dead, my response: it's about time.
Apollo 11 will probably go down in history as one of the major responses of two nations facing each other with threatening technologies - sometimes called mutually assured destruction. It was also the America's response to the apparent superiority of the Russians in putting objects into space before USA could.
We're selfish to some degree, that's not a criticism and it doesn't mean that we are all narcissists. But in any situation our minds naturally evolve to what's in it for me? How does this affect me? Can this benefit me? Can this harm me? Then we might move on from that and have a more altruistic point of view about things but that's almost always our initial response.
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