It's great to do theater and have the live response and know what that can bring to a performance. I like to juggle as many mediums as I can.
The whole story of creation, incarnation, and our incorporation into the fellowship of Christ's body tells us that God desires us, as if we were God, as if we were that unconditional response to God's giving that God's self makes in the life of the Trinity. We are created so that we may be caught up in this, so that we may grow into the wholehearted love of God by learning that God loves us as God loves God.
Our response to temptation is an accurate barometer of our love for God.
The process of democracy is one of change. Our laws are not frozen into immutable form, they are constantly in the process of revision in response to the needs of a changing society.
It is obvious that the bumper sticker question "What would Jesus do?" will not always bring a popular response.
What history teaches us is that man does not change arbitrarily; he does not transform himself at will on hearing the voices of inspired prophets. The reason is that all change, in colliding with the inherited institutions of the past, is inevitably hard and laborious; consequently it only takes place in response to the demands of necessity. For change to be brought about it is not enough that it should be seen as desirable; it must be the product of changes within the whole network of diverse casual relationships which then determine the situation of man.
I miss THE WALLFLOWERS. Great band. Wrote my first Fan letter to them. No response.
If your message to the universe is gimme, gimme, gimme, the universe's response back to that kind of mentality is exactly the same. The universe will say right back to you over and over again, gimme, gimme, gimme. If you shift that and you say to the universe, to the world, how may I serve? How may I serve? The universe's response back to you is how may I serve you? How may I serve you?
Words have a life; without response they die.
We all have the potential to show others love and affection, but as we progress in our materialistic world, these values tend to remain dormant. We can develop them on the basis of common sense, common experience and scientific findings. The response to the recent tragedy in the Philippines is an example of how such values are awakened; people helped simply because others are suffering and in need of support.
Critics are giving marks for originality, acting, photography and scripting, while mass audiences are more drawn to familiarity of genre, stars they would like to have sex with or plots that are more likely to make their dates have sex with them. Reviewers are doing their day's work, cinema-goers are escaping from theirs: this leads to an inevitable difference of response. It is, though, wrong to conclude that reviewers are completely useless. Books, movies and shows may be critic-proof, but the egos and psyches of the people who make them very rarely are.
The worst thing the federal government could do is to increase the size, reach and cost of government. If government failed in its response to the hurricane, the answer is not more inefficient government.
I take his [Theodore Geisel] legacy very, very seriously. I know others may disagree because he's made such an impact on so many people that response to work becomes very personal, so people will have different points of view. But, at the core of this, I take the protection and the extension of his legacy very, very seriously. It's a very important part of my life.
There are... scientific works - star catalogues, for example - which are not art; but the theoretical structures of Gauss, Einstein, or Maxwell are original, individual, "very personal" responses and expressions of exactly the same kind as the creative works of Beethoven or Dostoievski.
I feel I should try to reveal. When you hit it right, you produce an emotional response in the listener that can be cathartic. When you're wrong, you're soppy, sentimental.
The experience is no longer traumatic; the response of most women to the experience is relief.
The human capacity for grief. It just isn't capable of providing an adequate emotional response once the dead exceed a few dozen in number. And it doesn't just level off - it just gives up, resets itself to zero.
When I did a Love Boat, it would go to so many different countries, and I would travel there and get this incredible response!
The gusto of one, the indignation of the other; the challenge of the one party, the response of the other; the eloquence and the comedy, the passion and the issues were ours-no other country can provide them.
Karma, memory, and desire are just the software of the soul. It's conditioning that the soul undergoes in order to create experience. And it's a cycle. In most people, the cycle is a conditioned response. They do the same things over and over again.
There were two Republican responses to the State of the Union. So if you watched the whole night, it was kind of evolution in reverse. You have Obama, then Paul Ryan, and then Michele Bachmann. Then Animal Planet had a squirrel monkey give his take.
I didn't worry if a bit got no response, as long as I believed it had enough response to linger.
'Scissorman' is terrifying. The studio at the time didn't want Scissorman because they were afraid that he'd look silly to which my response was, 'Well, then why did buy this because that's what the game is.' But I lost that battle.
Dealing with architecture brings me very close to the state of mind required to make pictures. One also needs an old seeing eye, appropriate reflexes which embrace sensitive observations coupled with appropriate emotional responses.
What is even more worrying still is George Osborne's breathtakingly complacent response to today's figures. This is a Chancellor who is in total denial.
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