I don’t really read reviews… That’s not where my attention goes.
Reviews condition people. At the end of the day, a lot of human minds are malleable. They can be easily shaped with strong words.
There's two kinds of press that you get when you put out a TV show: The reviews, and the people that just decide what the reviews say.
When you hire that first person, then you're a boss. You've got performance reviews. You've got complaints about not making enough money. You've got people who are just going to sell your story to the tabloids.
To my undying shame, I do read reviews. I don't read them all, but I like to get some kind of idea how things are going.
I don't read reviews because if they're bad I'm devastated and if they're good I get a big head.
My first review for the TV movie The Bionic Showdown said I was as interesting as a bus ride.
I never read reviews of something I want to see.
I don't read my own reviews and I haven't for probably 15 years. I read other people's reviews, though.
As I was coming up on the stage, there was one source that could make or break you, the New York Times. Inevitably there would be one actor singled out for a better review, or worse, than somebody else. The effect of that was cancerous, divisive.
Because I don't give the studios advanced quotes or an advanced look at my reviews. I think the readers deserve to read my reviews before the studios do.
In my reviews, I feel it's good to make it clear that I'm not proposing objective truth, but subjective reactions; a review should reflect the immediate experience.
But in another, I think a woman's going to go into a shop to find a coat or a jacket and I just don't think she's not going to go into a shop because of a bad review she probably didn't even read.
Combined families often get bad reviews, but the family my children got when they traded away 'the suffocating four-person' nuclear one is one that has benefited all of them.
I don't spend sleepless nights over getting very bad reviews.
If people around the world knew how well people at Guantanamo Bay are treating prisoners, they would not fall prey to the accusations that some in our Chamber are making. They are all receiving judicial review.
As authors, we all expect criticism from time to time, and we all have our ways of coping with unfriendly reviews.
When you turn professional, you become an entertainer, and like every other entertainer, you don't want to get a bad review.
I mean, when you're tired of book reviews, you're tired of life.
I have learned not to read reviews. Period. And I hate reviewers. All of them, or at least all but two or three. Life is much simpler ignoring reviews and the nasty people who write them. Critics should find meaningful work.
When I went into 'Fiddler,' I wondered about the response I'd get - the backlash because I'm openly gay. There was none. I toured Canada and America, and not one single review suggested that I played the role gay or that I seemed anything but Tevye.
I do this for the sake of myself. It's a selfish process. I don't really have any expectations from anyone for your comments or your reviews or your previews.
Hype is the awkward and desperate attempt to convince journalists that what you've made is worth the misery of having to review it.
I have published in 'The New Yorker,' 'Holiday,' 'Life,' 'Mademoiselle,' 'American Heritage,' 'Horizon,' 'The Ladies Home Journal,' 'The Kenyon Review,' 'The Sewanee Review,' 'Poetry,' 'Botteghe Oscure,' the 'Atlantic Monthly,' 'Harper's.'
But I honestly don't read critics. My dad reads absolutely everything ever written about me. He calls me up to read ecstatic reviews, but I always insist that I can't hear them. If you give value to the good reviews, you have to give value to the criticism.
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