My heart went cold and only hollow rhythms resounded from within, but then he rose, brilliant as the moon in full and sank in the burrows of my keep, and all my armor, falling down, in a pile at my feet.
Maybe you're getting into the rhythm of sailing life," says James. He looks out at the waves that are rolling in to lap against the dock. "You know, the tides going in and then out, the wind blowing east and then west, the high of a perfect day out on the water, the low of a thunderstorm or a wind that won't go your way.
My view is that, you know, life unfolds at its own rhythm. You know, I have never lived a life that I thought I could plan out. And I'm just trying to do the best I can every day. I find I have a lot to get done between the time I get up and the time I go to bed.
If you can't create physical life, you find a life force. If that's in music, that's in music. I started to find this deep, primitive rhythm, and I started to move to it. And I held hands with sorrow, and I danced with her, and we giggled a bit.
We've always told stories through music and rhythm and movement, and what we know as western opera has only been around for a few hundred years and in different forms before that. There is great passion regardless of the fact that it's expensive and people who invest in it are giving money because they believe in it. They're not getting anything back other than satisfaction and enjoyment of hopefully many people having a human, deep, reflective and meditative experience that at its core is incredibly emotional.
I don't ... like rhythm, assonance, all that stuff. You just go on your nerve. If someone's chasing you down the street with a knife you just run, you don't turn around and shout, 'Give it up! I was a track star for Mineola Prep.'
The biggest challenge for me was Get Rhythm. I don't know why.
I consider music to be storytelling, melody and rhythm. A lot of hip-hop has broken music down. There are no instruments and no songwriting. So you're left with just storytelling and rhythm. And the storytelling can be so braggadocious, you're just left with rhythm.
At first glance, the rhythm may be confused with gaiety, but when you look more closely at the mechanism of social life and the painful slavery of both men and machines, you see that it is nothing but a kind of typical, empty anguish that makes even crime and gangs forgivable means of escape.
I want to be with people who submerge in the task, who go into the fields to harvest and work in a row and pass the bags along, who are not parlor generals and field deserters but move in a common rhythm when the food must come in or the fire be put out. The work of the world is common as mud. Botched, it smears the hands, crumbles to dust. But the thing worth doing well done has a shape that satisfies, clean and evident.
The people have no ear, either for rhythm or music, and their unnatural passion for pianoforte playing and singing is thus all the more repulsive. There is nothing on earth more terrible than English music, except English painting.
I hate working out, but I love jumping rope. Theres a rhythm. It's like dancing.
I heard someone say that all black people got rhythm. Bullshit.
Walking itself is the intentional act closest to the unwilled rhythms of the body, to breathing and the beating of the heart. It strikes a delicate balance between working and idling, being and doing. It is a bodily labor that produces nothing but thoughts, experiences, arrivals.
There was no violence, no speed. It moved to the rhythm of an elder dance, putting all the rituals of the world to shame. Black, silver, gold and moon-opal, night and sea, fire, earth, air and water.
I grew up singing Mexican music, and that's based on indigenous Mexican rhythms. Mexican music also has an overlay of West African music, based on huapango drums, and it's kind of like a 6/8 time signature, but it really is a very syncopated 6/8. And that's how I attack vocals.
Guitarists should be able to pick up the guitar and play music on it for an hour, without a rhythm section or anything.
There would be no rock and roll or rhythm and blues without Leo Fenders' contribution ... the tone is everything
A poem needs imaginative rhythms as well as imaginative transformation of content.
Florida has its own rhythm, too. People go to work, they watch their children learn and grow and start families of their own. They play in the sun and pass their lives enjoying the outsized blessings that make our state unique.
I try to have a mood or a rhythm for a chapter.
First of all, I always see the sun! The way I want to identify myself and others is with halos here and there halos, movements of color. And that, I believe, is rhythm.
Their pain [the injurer's pain at having injured you] and your pain create the point and counterpoint for the rhythm of reconciliation. When the beat of their pain is a response to the beat of yours, they have become truthful in their feelings...they have moved a step closer to a truthful reunion.
I’m just a storyteller, and the cinema happens to be my medium. I like it because it recreates life in movement, enlarges it, enhances it, distills it. For me, it’s far closer to the miraculous creation of life than, say, a painting or music or even literature. It’s not just an art form; it’s actually a new form of life, with its own rhythms, cadences, perspectives and transparencies. It’s my way of telling a story.
Writing with voice is writing into which someone has breathed. It has that fluency, rhythm, and liveliness that exist naturally in the speech of most people when they are enjoying a conversation...Writing with real voice has the power to make you pay attention and understand --the words go deep.
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