The rhythm of daily action aligned with your goals creates the momentum that separates dreamers from super-achievers .
For "Running Up That Hill" we had worked with a drum machine [in 1985]; the basic rhythms of "Running Up That Hill" happened because the whole track was built on a drum machine.
I think in everything we did, there's a sense of tension and a sense of things pulling in a different way. It's interesting calling it "beat music". That's quite true, the rhythm is up to the fore, it's got a slap bass, and it's got "funk" in the title. But I think there's always a level of irony when we did those kind of things.
I have some rhythms on my computers, that are actually called "trance", they go from 1-30 or 40. They're grooves that come on the synth. If I could somehow use them, I would.
I think when you're a writer most of what you read influences you. The rhythms get into your head.
It's hard to transfer one person's type of comic timing or approach to another person's. It's something you innately hear like a rhythm in your ear.
People have to find their rhythm. Some people have need for more contact and time together and some people need more space.
I find that the rhythm of going on long walks will suggest melodies.
To translate, one must have a style of his own, for the translation will have no rhythm or nuance, which come from the process of artistically thinking through and molding the sentences; they cannot be reconstituted by piecemeal imitation. The problem of translation is to retreat to a simpler tenor of one’s own style and creatively adjust this to one’s author.
In a way, a lot of my work is in the re-writing once it is cast, as I adapt to the rhythms of how the roles are played out by the actors.
You're not a rock 'n' roll person four hours a day or even when you're on stage. It's become the rhythm of your whole life.
I began to learn a lot of chords and rhythms. It was a bit boring at the time but came in very handy later on.
At the heart of each of us, whatever our imperfections, there exists a silence pulse of perfect rhythm which is absolutely individual and unique, and yet which connects us to everything else.
There's a charm, there's a rhythm, there's a soul to Jewish humor. When I first saw Richard Pryor perform, I told him, 'You're doing a Jewish act.'
At the root of all power and motion, there is music and rhythm, the play of patterned frequencies against the matrix of time, Before we make music, music makes us.
At the root of all power and motion, at the burning center of existence itself, there is music and rhythm.
There are so many similarities between a startup venture and a political campaign - the rhythm, the tempo, the hours, the intensity.
Of what is the body made? It is made of emptiness and rhythm. At the ultimate heart of the body, at the heart of the world, there is no solidity. Once again, there is only the dance.
We sort of quickly realized every rhythm, Opetaia [Foa'i] takes the lead.
The more you move in rhythm with someone, the closer you become with that person.
The mathematics of rhythm are universal. They don't belong to any particular culture.
Movies are pieces of film stuck together in a certain rhythm, an absolute beat, like a musical composition. The rhythm you create affects the audience.
Max [Landis] writes in quite a heightened way, specifically for Dirk. There's a rhythm and a specific speed to it, and it was very easy to learn because it was so well-written. It just rolled off the tongue. There aren't many auditions that I go for, where I feel like I could actually do the part. But with this one, even though I was not quite sure how to pin Dirk down, I thought I could do it.
Drama is this incredibly vulnerable thing, but with comedy, you have to have a sense of rhythm and be very sensitive to the pace of things.
We do inherently know that poetry is about the way we speak. It's about where we pause, where we drop our words in the middle of a sentence. It's about the rhythm and the cadence of the way we speak. It's about putting that down at the end of the day.
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