It's very difficult to say anything in Icelandic. I can say "takk," which means "thank you." That's about all I learned.
I have been cautioned to talk but be careful not to say anything. I do not consider this a difficult task.
The silence of a friend commonly amounts to treachery. His not daring to say anything in our behalf implies a tacit censure.
Only when you understand people, they may understand you. So even though you do not say anything, if you understand people there is some communication.
If you told me to write a love song tonight, I'd have a lot of trouble. But if you tell me to write a love song about a girl with a red dress who goes into a bar and is on her fifth martini and is falling off her chair, that's a lot easier, and it makes me free to say anything I want.
You shouldn't say anything mean about people who can't read. You should write it instead.
The Christian ought not to say anything behind his brother's back with the object of calumniating him, for this is slander, even if what is said is true. He ought to turn away from the brother who speaks evil against him?
The government sent the Indians to Oklahoma. They had a treaty that said, 'You shall have this land as long as grass grows and water flows.' It was not only a good rhyme but looked like a good treaty, and it was till they struck oil. Then the Government took it away from us again. They said the treaty only refers to 'Water and Grass; it don't say anything about oil.'
You could be the World's greatest orator and if you don't say anything while orating, they are going to walk out on you after a while.
We do not say anything about future products. We work on them in secret, then we announce them.
I try to write about small insignificant things. I try to find out if it’s possible to say anything about them. And I almost always do if I sit down and write about something. There is something in that thing that I can write about. It’s very much like a rehearsal. An exercise, in a way.
People have been starving for intellectual fodder, but the best way to get people to close their eyes and not say anything is to tell them that they're not smart enough to comprehend.
I think that the inventors can do anything they want, and nobody can say anything otherwise.
There are only a few safe targets left, just a few groups of people you can say anything negative about without getting in trouble for it. I've made a list of safe targets and I probably ought to stick to those. Politicians, for instance. You can say anything you want about them, and it doesn't matter how unfair you are. People seem to like it.
I don't go by what the law say. The law's liable to say anything. I go by if it's right or not. It don't matter what the law say. I take and look at it for myself.
If I seem happy to you . . . You could never say anything that would please me more. For men are made for happiness, and anyone who is completely happy has a right to say to himself, 'I am doing God's will on earth.' All the righteous, all the saints, all the holy martyrs were happy.
The trouble is, once you say something about a source, then you've pegged it down, and so now I'm reluctant to say anything. If I say I developed 50 different shapes from Mississippian tumuli, that doesn't mean they're copies of tumuli - I'm not ripping off those shapes.
I would be wonderful with a 100-year moratorium on literature talk, if you shut down all literature departments, close the book reviews, ban the critics. The readers should be alone with the books, and if anyone dared to say anything about them, they would be shot or imprisoned right on the spot. Yes, shot. A 100-year moratorium on insufferable literary talk. You should let people fight with the books on their own and rediscover what they are and what they are not. Anything other than this talk.
The only way to escape misrepresentation is never to commit oneself to any critical judgement that makes an impact - that is, never to say anything. I still, however think that the best way to promote profitable discussion is to be as clear as possible with oneself about what one sees and judges, to try and establish the essential discriminations in the given field of interest, and to state them as clearly as one can (for disagreement, if necessary).
It distresses me deeply that ideas are not to be circulated freely in the USA if certain persons have their way. One of the things that was great about this country was that I could say anything and that everyone else could say anything and we would compare all possible ideas and arrive at opinions.
What happens when an art form becomes ambiguous, I think, is that the standards are lowered. You can say anything is jazz. So I think it's important to reflect on what made jazz so special.
Listen to John Coltrane enough and after two bars, just two bars at any place, and you know that's him. We all have signature things that happen to be similar that you can predict and you try to stay away from that except the rhythms: those pauses, they're part of my signature, the part where I know when I say nothing, I already painted enough, led enough and I don't even have to say anything. But those pauses don't belong to me. Jack Benny was one of the first guys in comedy to make the anticipation so great that during the pause people start to laugh before the execution.
What a pity it is that there are so many words! Whenever one wants to say anything, three or four ways of saying it run into one's head together; and one can't tell which to choose. It is as troublesome and puzzling as choosing a ribbon ... or a husband.
If someone had told me, don't say anything about Lillian Hellman because she'll sue you, it wouldn't have stopped me. It might have spurred me on.
I have the thickest skin of anyone you'll ever meet. No one can say anything about me I haven't heard a million times before.
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