As an individual, as a household, you can't spend more money than you're bringing in. You can do it for a little while, but you end up going broke and you end up losing everything you have. That is the path that we're on as a country, and it scares me to death.
Someone told me that each equation I included in my book would halve the sales. I did put in one equation, Einstein's famous equation, E = MC squared. I hope that this will not scare off half of my potential readers.
All those tough guys who want to scare the world into seeing them as men . . . who don't know how to be a man with a woman, only abrute or a boy, who fill up the divorce courts; all those corporate raiders and rain-forest burners and war starters who want more in hopes that will make them feel better; . . . are suffering from Father Hunger. They go through their puberty rituals day after day for a lifetime, waiting for a father to anoint them and say "Attaboy," to treat them as good enough to be considered a man.
My best life lessons and education didn't come from a classroom - they've come from the wild. How you act in the big moments, the ones that challenge you, scare you, tempt you, and force you to make the right decisions, is what defines you.
I was a teenager, we were pretty much fully indoctrinated, thanks to sexual scare tactics. I remember so many public-health commercials with a B-actor in a fake alley background warning us to use protection or telling us the only real safe choice was abstinence. We were highly frightened of sex from day one. There was no free-swinging '90s.
For me, the slower burn is a deeper and more effective scare. But I only like those kinds of scares when they're really earned. I don't like false scares.
At the end of the day, a "jump scare" scares the audience for the moment. Slow burn horror ideas scare people forever.
We're fascinated by things that scare us, and one of the things that scares us is violence. Violence exists. It's a real part of our lives. We are obsessed with what we're scared of, but it certainly doesn't define us.
I love movies that have that resonating scare, that really get under your skin and make you think.
I don't necessarily look for what I respond to in a script. I look for things that scare me, and take that as an indication that I should probably do it. I don't want to be bored. I look for challenges. I look for a variety of different things because it's so easy to go the cliche route.
Some people aren't comfortable with being comfortable. Some people really want to be pushed and find people that they can pull something out of you that you didn't know you had, and you can scare yourself.
I don't want to scare anybody here but we just received word from police that Howard Dean is loose and may be armed with a microphone.
A thousand years may scare form a state. An hour may lay it in ruins.
If it scares you, it might be a good thing to try.
If an opportunity scares you, that's God's way of saying you should jump at it.
To those who scare peace loving people with phantoms of lost liberty, my message is this: your tactics aid terrorists for they erode our national unity and diminish our resolve. They give ammunition to America's enemies and pause to America's friends.
The first monster you have to scare the audience with is yourself.
I don't think you should just do what makes you happy. Do what makes you great. Do what's uncomfortable and scary and hard but pays off in the long run... Let yourself fail... And pick yourself up and fail again. Without that struggle, what is your success anyway?
I think that the joke and the ghost story both have a similar set up in that you kind of set something up and pay it off with a laugh or a scare.
When the press writes scare stories about the global labor supply draining jobs from rich to poor places, the story is usually presented as a "race to the bottom" simply in terms of wages. Capitalism supposedly looks for labor wherever labor is cheapest. This story is half wrong. A kind of cultural selection is also at work, so that jobs leave high-wage countries like the United States and Germany, but migrate to low-wage economies with skilled, sometimes overqualified workers.
Michael made his debut in John Carpenter's 1978 horror classic, Halloween, possibly the best scare movie to come along in the last twenty-five years. With the release of the sixth (and hopefully final) movie to bear the Halloween moniker, we see how far the mighty have fallen. In the final analysis, The Curse of Michael Myers is a horrific motion picture just not in the way the film makers intended.
We hear warmongering every day, every day we hear threats and attempts to scare us. [...] We don't want war and never wanted, but at that time [i.e. during Nagorno-Karabakh war] we had to defend our Motherland. If the time comes again, this time our blow will be final and deadly.
The white light is the joker in the deck. It creates transmutations that are completely unpredictable, which is what makes it fun, which is why it scares the hell out of most people.
But you have to look at your work with an honest critical eye. Work on the things that you need work on. Scare yourself. Surprise yourself. If you don't like the way it's going, you have complete control over changing the course. That's one of the best things about doing this.
I'm a damned sight smarter than Grant; I know more about organization, supply and administration and about everything else than he does; but I'll tell you where he beats me and where he beats the world. He don't care a damn for what the enemy does out of his sight but it scares me like hell.
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