I did not go to art school thinking that I was an artist; I went there mainly doing stage sets for bands. I considered my work more as an applied art for musicians, not as art in and for itself.
The story of my grandmother is that of a French woman from the provinces who through her perseverance and thirst for knowledge worked her way up to become the head of a school. She belonged to a generation that didn't travel much. But she believed in Europe and she wanted Europe. And she read a lot - she knew mythology, literature and the classics very well. She passed that on to me, along with the conviction that you can earn your own position in society.
When I got out of college I worked for DC comics. I worked on staff there and I also freelanced for them for about a decade. I spent two years on staff as an editor right out of college. I'm from Los Angeles and I came back here after a couple of years in New York, to go to Graduate School at USC. I wasn't thinking specifically about animation although while I'd worked at DC.
And if you're a parent who thinks you're okay because your kid doesn't have a phone or iPod yet, and/or you've used all the parent controls to filter out explicit material, you're not okay. The filters are tissue paper and your kid without a phone is on a school bus or in a locker room or at a public park with phone-equipped kids every day. And they're like all kids in exploring - by whatever means available to them - exactly what their parents are treating as too embarrassing or taboo to talk about.
My neighborhood is fairly white, yet the local middle school is all black. It is bad. It is very bad.
Certainly the principal has to be bald. Certainly the school counselor has to be bald. And the driver's ed teacher. And maybe the wood-shop teacher. Mine was.
All of the sudden people say, "She's got tits and legs and blond hair. Let's talk to her!" I've been paying dues for years in modeling. Not only that, it took a month and a half of Chuck Russell, The Mask's director, and Jim Carrey trying to get New Line to say O.K. on me. I didn't sleep; I had an ulcer. Of course, when people talk of paying their dues, they mean years of going to acting school and auditionin.
I love making people laugh, and to be able to be that humorous character was great. And I actually was very similar to Neville Longbottom. I was very shy and chubby-cheeked. I wasn't bullied at school, but I wasn't particularly outgoing. We were similar. And so I loved playing him.
I think, because of my background, which is slightly more exotic than the average British actor, I think, I sort of occupied this little niche quite early on of playing the foreign guy. It started way back at drama school, I played an Eastern European heavy, I played the Russian mobster. And I have done all those different ethnic roles, and I think it's partly because of my look, I think I've got an adaptable sort of nondescript ethnicity, which you can't quite pin down, but it's enough to kind of get a flavor of something.
Ever since I was a child, I always had insecurity or suspicions about my own personal identity. That's why I started going to a lot of movie theaters, because I felt more comfortable there than at school. Now, the search for a personal identity is becoming a common topic for young Japanese people, and it's a big theme in their own lives. But it's been a theme in my life, as well, ever since I was young.
At the time, I was reading this Miles Davis book, and he was talking about coming to New York right after he was in high school. It kind of made me feel like, "Yeah." I didn't want to go to college; I wanted to do stand-up. And I figured, "What's the point of doing stand-up around DC? I'm always going to be under-appreciated there because I started there." I felt like I was strong enough and unique enough that I should give it a big leash to shine. New York was the best thing that ever happened to me as a comedian.
You wonder why we're having shootings and killings here in 2017? Because we've asked for it. We've taken prayer out of school.
I was a very young mod. The older mods at school used to like me because I brought in a copy of Mad magazine every week and let them read it. I think Mad magazine is the biggest influence in my life. At the age of ten, I decided I was going to have a band, one of the best in the country.
The growing gap between rich and poor, the seeming lack of concern for the health and well-being of ordinary people, the obscene salaries made by CEOs who are increasing profits by moving their plants to places where labor is cheap - that's where the problem is, not in schools, colleges and universities.
If our public school system is a truly democratic institution. It's the place where we can reach every child in this county from kindergarten. What an opportunity to edibly educate them. I don't just mean a glorified cooking class. I've never thought of it that way. I have always thought of it as a way to empower students to learn, to give them confidence, and to nourish them. So, I think the centerpiece has to be a free, sustainable school lunch for every child.
My daughter went to the school, and it's a very, very progressive and liberal school, and my commencement speech was telling the kids just to always be willing to quit, and that they need to quit a lot in their lives, and keep on quitting, because all the happiness I've ever got was when I turned my back on things that everybody else thought would make you happy. I can smell parents' stomach acid right now, but they know that whole "You gotta get a job and you gotta settle for what people perceive as success" thing is really absurd.
This is something that Randi Weingarten said to me when I interviewed her once, which I think I quote in chapter nine. She talks about how only 7 percent of private sector workers in the American economy are in unions. So all the protections that teachers have that are due to collective bargaining - including generous pensions, generous health plans, limits to what they can be asked to do after school and in the summers - all of those things are sources of resentment to the public. And I think that politicians have played off of that quite effectively.
I just remember saying to myself that I'd much rather do movies than modeling, and that it was worth a try. I didn't really know anything about it. I hadn't seen many movies, or so-called, good movies. When I was a kid, I was obsessed with Star Wars and Night of the Living Dead. When I got more curious about the movies, I thought they were something you had to learn about and go to school for and read every book.
There was so much anti-Irish sentiment not just from other kids at the school I went to in Britain, but also the teachers themselves. I remember very clearly a lot of the things people said to me and my sisters. And of course those sentiments go back a long way. When my dad visited London in the 50s and was looking for somewhere to stay, there were signs outside boarding houses that said "No blacks, no Irish."
I've always been an outsider. I grew up in an isolated house surrounded by three moats. There was no money. I left school early. It was a world of its own. I became fascinated by consciousness because there was nothing much to do except mooch about and think. I had the occasional mystical experience. I studied consciousness, reading all the books I could get.
New York has one of the largest school systems in the country, but it's one of the best school systems in the country. I worked on an initiative called Family Strengthening. What it meant was we began to work with families, people coming out who were incarcerated, connecting them back to the family. Kids today, some of them need psychological help, not just providing for them. We have issues - we have to break cycles. We need to be accountable and we need to assess what's working and what's not working.
There are jobs here in Baltimore, but the problem is we don't have skilled people. Like the Port Covington initiative - that's 20 years out. I instituted initiatives as mayor that called for equities for minorities, increase minority opportunities, training. It's a good model to duplicate. Everybody doesn't want to go to college. A lot of our vocational programs don't have the latest technology. Students should begin freshman year in high school working on a plan for graduation - either going into an apprenticeship or college.
Artist and illustrator R. Crumb did a whole illustration of Genesis. And he didn't go away from the text; he was totally truthful. Reading through that, I was like, "Oh, wow, it's a comic-book version of the Bible." There's a lot of heavy-duty stuff that goes on that doesn't make it into Sunday school.
I've liked music since I can remember and the guitar was always the most attractive thing about music to me at that time. I played guitar in a high school band. I played guitar in various other bands up until I was 20, but nothing too serious. From time to time someone would ask me to play with a group, but I stopped playing with band-oriented projects as a whole soon after.
When we have a better, more social, more responsible, less egotistical, less corrupt system, Mexico will be able to give work to the millions of Mexicans who have to build our roads, dams, schools, all the things that are left undone in Mexico while we have the manpower. There is something very bad going on, on both sides of the border in Mexico and the US. But the worker is a worker, not a criminal. So, I am in favor of a solution such as the Kennedy-McCain proposals that make it clear what steps have to be taken to accept the fact that the US needs foreign workers.
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