People like to define you through what they've seen you do. There are aspects of my personality, I guess, that come through on-screen, but I don't sit around thinking, 'I've been a bumbling suitor all my life.'
If you can get the audience to talk to the screen, I just thought that was so cool, and I wanted to do that. And I just leaned towards the scary and the thriller. I find it very emotional. I want to make emotional horror. If I can make you cry, than you have a full experience.
The chemistry and the comfort and trust between two people playing a love story l is key, and to have a friend that I could trust, and whose sensibilities I already understood, made it so much easier, and is a big part of why it all looks natural on screen.
I think the long-term effect of video on cinema is good in that what we are now getting up there on the screen is of superior quality. Videos are just so much more sensitive to the world.
Now musing o'er the changing scene Farmers behind the tavern screen Collect; with elbows idly press'd On hob, reclines the corner's guest, Reading the news to mark again The bankrupt lists or price of grain. Puffing the while his red-tipt pipe He dreams o'er troubles nearly ripe, Yet, winter's leisure to regale, Hopes better times, and sips his ale.
Consciousness is the screen. The images on the screen are your perceptions, the illusion that life is solid, that there is a material universe.
It didn't bother me in the slightest and I'm someone who's never done that sort of thing before on stage or screen. It was just a device for her; it wasn't nudity for nudity's sake.
The 3-D effects in "Star Wars" are so realistic, you can actually see George Lucas reaching from the screen and taking the money from your wallet.
Even as a child, I just leaned towards the scary. I remember seeing Halloween, for the first time. I snuck into the theater and was sitting there with a group of friends in the front row, and I turned back to look at the audience. They were screaming and interacting with the screen and were interacting with Jamie Lee Curtis as she walked through that horrible night. I just thought, "I want to do that."
The artist doesn't have to suffer to show suffering. Have it on the screen but have the people come out of the theater into a world of peace, of a beautiful world. They don't have to suffer in their lives.
Software unification. So that I no longer care what computing device I pick up, whether it's a laptop or desktop, whether it's one I own or one in a public place, whether it has a small screen or a large screen.
The thing about a motion picture is that look of film on a big screen takes you into a magical.
Screen work always boils down to that moment between the camera and the actor or the actors. It always boils down to that, ultimately. You serve the camera.
In addition, help your children learn self-discipline by such activities as learning to play a musical instrument or other demanding skill. I am reminded of the story of the salesman who came to a house one hot summer day. Through the screen door he could see a young boy practicing his scales on the piano. His baseball glove and hat were by the side of the piano bench. He said, "Say, boy, is your mother home?" To which the boy replied, "What do you think?" Thank heavens for conscientious parents!
The artist should paint not only what he sees before him, but also what he sees within him. If, however, he sees nothing within him, then he should also refrain from painting that which he sees before him. Otherwise, his pictures will be like those folding screens behind which one expects to find only the sick or the dead.
I suppose that literature as it is won't die, science fiction included. But games are becoming an extremely important part of the science fiction world, including games that are adapted from books (or vice versa: books that are adapted from games). It's wonderful to have the opportunity to play and see your favorite characters on the screen, but the opportunity to read a book does not become less attractive.
in Divorce American style, there was the discomfort of seeing one of the beautiful wasted actresses of the screen, Jean Simmons. Her suggestions of sensibility - what she embodies - were too fine for the world of that movie. Her presence made the movie she was trapped in seem uglier.
If you are explaining, you're losing. It's a bumper sticker culture. People have to get it like that, and if they don't, if it takes three seconds to make them understand, you're off their radar screen. Three seconds to understand, or you lose. This is our problem.
One can derive the same fun from print-making as from making mud pies and great subtlety can be achieved through the use of transparent inks, half-tone screens and even accidental colour combinations, which is often where the art hides.
Electrical fire and the fire of greed kindle economies. In that flux, nations become digitized commodities on stock-exchange floors and on investors' rating screens. A country becomes a product to be rated for its obedience to paying of deficits and debts.
Remain steadfast in the faith; instruct yourself; bridle your tongue; repress your wrath; forbear to do evil; associate with the good; screen the faults of your neighbour; relieve the poor by your alms; and expect your reward in eternity.
Garrel has succeeded in filming something we have never seen before: the faces of actors in silent films during those moments when the black intertitles, with their paltry, illuminated words, filled the screen.
Producing and distributing premium TV entertainment content is more 'global' now than at any point in the history of the business. World Screen does an excellent job in following the news, trends and key players. It's a must-read for those in the business of global TV and brings us that much closer to prospective buyers and distributors of our premium content.
Well, I suppose that, in a sense, every screen role is a favourite with me
I couldnt imagine something asking as much of me as House Of Cards. Its a great warm-up for coming back to the screen.
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