We offer them mediocrity while calling it magic. We offer them the illusion of intelligent software, seducing them into surrendering the task of thinking to the machine. Of course, the machine isn't thinking, which means that nobody is.
Tolerance - the function of an extinguished ardor - tolerance cannot seduce the young.
Bountiful as is the hand of Providence, its gifts are not so bestowed as to seduce us into indolence, but to rouse us to exertion.
Basically, at the very bottom of life, which seduces us all, there is only absurdity, and more absurdity. And maybe that's what gives us our joy for living, because the only thing that can defeat absurdity is lucidity.
I had a big fight about how to make something come into the real, to make it physical. It sounds really antique, but it's a question of, how do I make this idea happen? You can't just will it into existence. You have to educate, you have to persuade, you have to seduce, you have to do all this stuff to make something three-dimensional and happen. It's not just a concept. It's actually a reality.
The fundamental purpose of Marxism is the total control of a population under the belief that individualism and free markets lead to great disparities and inequalities and injustices and unfairness. Now, this is the outward appeal. Marxism is evil, and Marx knew it, but the appeal that seduces people is its justice and equality and fairness. What they don't tell you is the equality is spread equally to the point everybody's miserably equal and miserably the same.
Look at what's happening on campuses for free speech. They're literally, literally limiting what people can say, under the guise of preventing people from getting hurt feelings. They are limiting constitutionally protected speech to save people from being offended or hurt. And so, denying people freedom is portrayed as a wonderful thing. That's how the left seduce people.
Space Jam was weird because everybody has their own perception of what Bugs Bunny should sound like. Everybody. Somebody would just stick their head in the door and say, "He sounds too Jewish." Or, "He's too tough, he's off-putting. You gotta seduce kids, not scare them out the door."
What the self-styled modern artists are doing is a sort of unemotional pseudo-intellectual masturabtion … whereas creative art is more like intercourse, in which the artist must seduce -- render emotional -- his audience, each time.
That daydreaming seemed important at the time, but when I asked my teacher Katagiri Roshi about it, he said, "Oh, it's just laziness. Get to work." But as for discipline, I don't even use that word. I think more about passion or love. What I've really learned is the way the mind moves, and how the mind works. Rather than discipline, I know how to seduce my mind.
O, popular applause! what heart of man is proof against thy sweet, seducing charms?
I could tell you the truth about me... but to seduce you, I will tell you the truth about you.
Many men start being friendly with women because they are trying to seduce them. I'm not trying to seduce them. I just like hanging out with them.
I don't come on to seduce the audience. I don't care if everyone laughs. I can't think about that anymore. If there's anything that a lot of experience on stage and a lot of stage time gives you is the confidence to know that it's ok if they're not laughing every second you're up there. Although that's what drives me and I still go too fast a lot of the time.
No matter how physically faint, a photograph involuntarily whisper of something exquisitely carnal. The weeks, the years, whatever stretches of time separating our present from the photographs retire into the transparence of the shot and seem erased by it. We almost have to shake ourselves to overcome the feeling that we peer out at the other place, in that different age. Yet we are always aware of this illusory dislocation, for such is the ambiguity, in principle, that seduces us over and over again in the photographic experience.
Like a ventriloquist who laughs at his dummy's jokes, I keep trying to make photographs that seduce me into believing in the image - all the time knowing better, but believing anyway.
The idea that guys should walk into a bar and confidently initiate contact and then seduce a woman based on a short term conversation is a toxic cultural myth that robs guys of self-confidence and that holds them up to an unrealistic standard that they have to become a super-extraverted narcissist in order to 'score with women'
Richard Price got a million dollar advance on one fake film book based on a paragraph outline and is able to seduce gullible White reviewers who know less about ghetto life than he. The New York Times has devoted more space to Price's tourist, ghetto writing than to any Black writer in history.
That's one of those questions that would just love to have a pat answer. You know, poetry's job is to make us feel good. Poetry exists to allow us to express our innermost feelings. There isn't one role for poetry in society. There are many roles for poetry. I wrote a poem to seduce my wife. I wrote a poem when I asked her to marry me. Poetry got me laid. Poetry got me married.
I feel that when you want to seduce a man, you really need your legs. Since all my outfits were long dresses, I have to say that I really didn't feel sexy at all.
I enjoy being a woman. It's what I learned from years of experience in modeling. You learn how to seduce; how to be sensual, how to play. It's very important for a woman, I think. But it's not by beauty that you seduce. It's a meeting - it depends on the image the other reflects back to you, how they see you and make you feel.
I knew that I would have to be brave. Not foolhardy, not in love with risk and danger, not making ridiculous exhibitions of myself to prove that I wasn't terrified--really genuinely brave. Brave enough to be quiet when quiet was called for, brave enough to observe before flinging myself into something, brave enough to not abandon my true self when someone else wanted to seduce or force me in a direction I didn't want to go, brave enough to stand my ground quietly.
Mountains of gold would not seduce some men, yet flattery would break them down.
In the old days, one married a wife; now one forms a company with a female partner, or moves in to live with a friend. And then one seduces the partner, or defiles the friend.
Fiction is more dangerous than nonfiction because it can seduce better. I think we all know this, know that deeper truths can be approached in fiction than in fact. There are risks for the reader, because after reading certain books you find you have changed irreversibly. There are risks for writers: in China, now, and Ethiopia and other countries right now, writers face real persecution.
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