I think movies are now like going to a museum and seeing the latest exhibit - people just aren't going. It really is a dying art form. It feels frustrating.
I'm certainly dismayed by what I'm seeing now. There's a lot of ugliness of a kind I've never seen in my lifetime, or heard in my lifetime. But, look, I'm a romantic. I'm hopeful.
Weaponization of a candidate's words against him or her is something we're seeing a lot. The term Obamacare was used against Obama in a pejorative way, but Obama again reclaimed it.
I actually enjoy Instagram. I enjoy seeing what people who I have some connection to are doing around the globe.
It's not terribly dignified to have anyone seeing one laugh at one's own material.
What we are seeing in cities such as Chicago, Athens and other dead zones of capitalism throughout the world is the beginning of a long struggle for the institutions, values and infrastructures that make critical education and community the center of a robust, radical democracy. This is a challenge for young people and all those invested in the promise of a democracy that extends not only the meaning of politics, but also a commitment to economic justice and democratic social change.
My earliest memory of architecture, I was perhaps 6 or 7 years old, was of my aunt building a house in mosul in the north of iraq. The architect was a close friend of my father's and he used to come to our house with the drawings and models. I remember seeing the model in our living room and I think it triggered something, as I was completely intrigued by it.
I finished VCA at the height of the last big recession in the early 90s, and seeing that I was not going to be able to join one of the dwindling number of commercial galleries, I started an ARI called the Basement Project which ran for three years. Things came a little at a time and all of a sudden it's 20 years later and I'm still making art, which is really all I ever wanted to do.
People YouTube me and crap and then, they probably don't want to see me after seeing a friendly posted YouTube video, so I'm constantly having to take those down.
What you're seeing, certainly on Instagram, is not real, not a reflection of real life, not an interaction.
The world they live in now is in no way the world the Michelin system was set up to evaluate back in France, which was all about motorists and seeing if it was worth driving an extra 50 miles for a restaurant. It's a silly thing. Why do you want to help a tire company? You don't owe them nothing.
I think a lot of women can see themselves in me and a lot of people in general are empowered by seeing someone wear what they want, do what they want, maybe get criticism or get praise, whatever, but still continue to wear and do what they want. I think that a lot of people need that.
I've always loved Mary Shelley's Frankenstein. There's this wonderful chapter in which we get a first-person account of the monster's first impressions of the world, being in the woods and taking things in. We're seeing the world as if for the first time. That's just fascinating.
I spent a year pulling all-nighters and driving around in a really tiny fuel-efficient car relying on the kindness of strangers and seeing this incredible range of landscapes throughout the United States. That's what happened with The Honesty Room. It was a huge night and day switch.
I believe we must study which changes must be made now that the immigration system has changed, because we are seeing, I believe, that at this time we are inviting people to come to the U.S. on very dangerous trips.
I believe that the bigger problem is that we're seeing people who arrive from Cuba and a year and a day later are travelling to Cuba 40 times a year, they're staying, and that's hard to justify. The problem is not that I want to deny anything to anyone; it is the need to justify those laws.
I believe that we will see cases like these that will continue because we're talking about companies that are doing business with a tyranny and a dictatorship. And when they do business with a dictatorship, a tyranny, they will have problems like this. This, I believe, is the beginning of several problems that there will be over the next few years because we are talking about American companies that now want to get cozy with this regime, and they will find themselves in very serious problems such as those we're seeing at this time with the Carnival Company.
The Africans were oftentimes allied with the antagonist of the Republic. Now, you may want to step back and ask yourself why that might be. It may lead you to a reconsideration of the origins of the nation now known as the United States of America. As opposed to seeing it in the same vein as the French Revolution and the Haitian Revolution, you might see it in the same vein as the revolt against British rule in Rhodesia in 1965, and, if so, that might help to shed light on why conservatism is so deeply entrenched in this republic.
I remember seeing Stand by Me, when I was around 12, and just feeling like, "This is so refreshing to see kids swear and smoke cigarettes like my friends." It just felt much more real than the Sesame Street version of childhood that I'd been spoon-fed.
More and more, even with a measure of success, I'm not sure what it is people are seeing when they see a movie I've made.
I am hopeful that the pendulum swings toward seeing immigrants in favorable terms once more.
Malcolm X had a clear vision and an understanding that we were - that he was a part of a broad freedom struggle. As his vision became more internationalist and pan-African, as he began, especially in 1964, after seeing the example of anti-colonial revolutions abroad and began to articulate and incorporate a socialist analysis economically into his program, he clearly became a threat to the US state.
I'm looking around at the real world and I'm kind of seeing that as technology is advancing and the human race is advancing, we are kind of also taking steps backward.
In a basic way, acceptance is seeing clearly what's happening and holding it with kindness. This is a radical antidote to the suffering of judging mind.
I'm in a space of surrendering and being open and seeing. It's a good place to be - the only place to be.
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