A sentence is not emotional a paragraph is.
The turn of a sentence has decided the fate of many a friendship, and, for aught that we know, the fate of many a kingdom.
What I expect from my male friends is that they are polite and clean. What I expect from my female friends is unconditional love, the ability to finish my sentences for me when I am sobbing, a complete and total willingness to pour their hearts out to me, and the ability to tell me why the meat thermometer isn't supposed to touch the bone.
A few words worthy to be remembered suffice to give an idea of a great mind. There are single thoughts that contain the essence of a whole volume, single sentences that have the beauties of a large work, a simplicity so finished and so perfect that it equals in merit and in excellence a large and glorious composition.
Sound waves do not die out. They travel forever and forever. All our sentences are immortal. Our useless bleatings circle the universe for all eternity.
Life is the expression of tone. In that sentence is the basic principle of Chiropractic.
There is poetry in fiction. If you cannot see it and feel it when you write, you need to step back and examine what you are doing wrong. If you have not figured out how to write a simple declarative sentence and make it sing with that poetry, you are not yet ready to write an entire book.
How fascinating to a child are words: the shapes, sounds, textures and mysterious meanings of words; the way words link together into elastic patterns called "sentences." And these sentences into paragraphs, and beyond.
Do not give sentence in another tribunal till you have been yourself judged in the tribunal of Justice.
This sentence contradicts itself - no actually it doesn't.
I think I am less self-assured when I write English than I would be if I were writing in my first language. I have to test each sentence over and over to be sure that it's right, that I haven't introduced some element that isn't English.
I think a novelist must be more tender with living or 'real' people. The moral imperative of having been entrusted with their story looms before you every day, in every sentence.
We put together a one-sentence petition asking Congress to censure President Clinton and move on to other pressing issues. We sent it to under 100 friends and family, and within a week we had 100,000 people sign the petition.
Grammar is what gives sense to language .... sentences make words yield up their meaning. Sentences actively create sense in language. And the business of the study of sentences is grammar.
I read 'The Great Gatsby' in high school and was hypnotized by the beauty of the sentences and moved by the story about the irrevocability of lost love.
I usually do at least a dozen drafts and progressively make more-conscious decisions. Because I've always believed stories are closer to poems than novels, I spend a lot of time on the story's larger rhythms, such as sentence and paragraph length, placement of flashbacks and dialogue.
In [writing] fiction, every sentence is its own reward.
It's not that you get a cliché and then wiggle it about or use synonyms. You don't take an ordinary decorative paragraph and give it style. What you're trying to do is be faithful to your perceptions and transmit them as faithfully as you can. I say these sentences until they sound right. There's no objective reason why they're right. They just sound right to me.
I refuse to imprison our acts in the rigid mould of sentences.
I've been accused of not really paying attention to a sentence unless my name comes up in it twice.
Stop trying to write sentences and start trying to write stories.
I want to fall in love with beautiful women of all races. Rescue somebody every now and then, improve my painting, and improve my sentence structure. If I can make a living doing that stuff, that's great, and I will keep doing it, and they can do whatever they want with my image. I couldn't care less.
I think Yelena Akhtiorskaya is a genius. What she manages to do, linguistically and emotionally, in the span of a single sentence, is astonishing.
If I were forced to sum up in one sentence what the Copenhagen interpretation says to me, it would be 'Shut up and calculate!'
Native speakers of a language know intuitively whether a sentence is grammatical or not. They usually cannot specify exactly what is wrong, and very possibly they make the same mistakes in their own speech, but they know-unconsciously, not as a set of rules they learned in school-when a sentence is incorrect.
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