The foundation of culture, as of character, is at last the moral sentiment.
Of all ennobling sentiments, patriotism may be the most easily manipulated. On the one hand, it gives powerful expression to what is best in a nation's character: a commitment to principle, a willingness to sacrifice, a devotion to the community by the choice of the individual. But among its toxic fruits are intolerance, belligerence and blind obedience, perhaps because it blooms most luxuriantly during times of war.
LIVER, n. A large red organ thoughtfully provided by nature to be bilious with. The sentiments and emotions which every literary anatomist now knows to haunt the heart were anciently believed to infest the liver; and even Gascoygne, speaking of the emotional side of human nature, calls it "our hepaticall parte." It was at one time considered the seat of life; hence its name- liver, the thing we live with.
HATRED, n. A sentiment appropriate to the occasion of another's superiority.
gratitude, n. A sentiment lying midway between a benefit received and a benefit expected.
The only pictorial matter that is of interest to me is the matter and sentiments brought about by the work itself.
This sentiment of self-contempt is a frequent one in young people of both sexes. Their valuation of themselves varies as much as the barometer, and is as much affected by outward causes.
We want more knowledge about our animals and less sentiment. Far more cruelty is caused in this country by lack of knowledge than by lack of heart.
We don't only want to make robots in universities; we want to create good humans. We can't shape a world only with the help of robots made out of technical know-how. We can't be useful to humankind if there are no sentiments in life.
I think after Sandy Hook, when Obama went out, and he talked a lot about gun control and met with the parents, there was a sense that something was going to happen. But then, I guess, the power of special interests was greater than public sentiment.
I couldn't portray a women in all her natural loveliness.. I haven't the skill. No one has. I must, therefore, create a new sort of beauty, the beauty that appears to me in terms of volume of line, of mass, of weight, and through that beauty interpret my subjective impression. Nature is mere a pretext for decorative composition, plus sentiment. It suggests emotion, and I translate that emotion into art. I want to express the absolute, not merely the factitious woman.
I want pictorial content without sentiment, but I want it as human as possible
The danger, though - and there have been signs of this recently - is that Europe begins to demonstrate a return to more nationalist sentiment. To my mind, that would be a great mistake.
The liberality of sentiment toward each other, which marks every political and religious denomination of men in this country, stands unparalleled in the history of nations.
At least since the first petals of the counterculture bloomed across Europe and the United States in the 1960s, it has been fashionable to affirm that all religions are beautiful and all are true...This is a lovely sentiment but it is dangerous, disrespectful, and untrue.
The Woman had once been supreme; in France she still seemed potent, not merely as a sentiment but as a force; why was she unknownin America? for evidently America was ashamed of her, and she was ashamed of herself, otherwise they would not have strewn fig-leaves so profusely all over her. When she was a true force, she was ignorant of fig-leaves, but the monthly-magazine-made American female had not a feature that would have been recognized by Adam. The trait was notorious, and often humorous, but anyone brought up among Puritans knew that sex was sin. In any previous age, sex was strength.
Failing at something is one thing, but Buddhism tells us that it is up to us how we interpret that failure [Buddhism] a philosophy and way of life that resonates with me I identify with it. I agree with so much of the sentiment behind it. I enjoy the liberating effect it's had on me to get back into the game Buddhism, with its concepts of karma and rebirth, have freed me from the twin fears of death and life without rugby, like life, will also come to an end.
One can impose silence on sentiment, but one can not give it limits.
The people shall not be deprived or abridged of their right to speak, or to publish their sentiments; and the freedom of the press, as one of the great bulwarks of liberty, shall be inviolable.
No more fatuous chimera has ever infested the brain than that you can control opinions by law or direct belief by statute, and no more pernicious sentiment ever tormented the heart than the barbarous desire to do so. The field of inquiry should remain open, and the right of debate must be regarded as a sacred right.
[VIA DOLOROSA]'s pushing Broadway as far as it can be pushed. I stand before you as a reporter, and you have to decide whether I'm an honest reporter or not. And if you're convinced that I am honest, then I think that you will listen to me in a way that you wouldn't have listened to a fiction where scenes are made. . . . I've thought quite long and hard about what I want to say in this play. And if it means that every single sentiment that I produce is put minutely under an ideological microscope, that's fine.
Reserved people often really need the frank discussion of their sentiments and griefs more than the expansive. The sternest-seeming stoic is human after all, and to burst with boldness and good-will into the silent sea of their souls is often to confer on them the first of obligations.
Pride in one's own race - and that does not imply contempt for other races - is also a normal and healthy sentiment. I have never regarded the Chinese or the Japanese as being inferior to ourselves. They belong to ancient civilizations, and I admit freely that their past history is superior to our own. They have the right to be proud of their past, just as we have the right to be proud of the civilization to which we belong. Indeed, I believe the more steadfast the Chinese and the Japanese remain in their pride of race, the easier I shall find it to get on with them.
I sit with my toes in a brook, And if any one axes forwhy? I hits them a rap with my crook, For 'tis sentiment does it, says I.
nothing is stronger or better founded than the sentiments for which we can give no reason.
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