Its interesting, the things you learn when youre 21. I learned never to get tattoos in the middle of shooting a movie. Because if youre not Angelina Jolie or Megan Fox, they will fire you.
If I had a choice of having a woman in my arms or shooting a bad guy on a horse, I'd take the horse. It's a lot more fun
Once you do a joke and it works it's only good for so long, like shooting fish in a barrel.
Filming in India was one big adventure. For 'The Cheetah Girls', we were in Mumbai for two weeks, then Rajasthan for six weeks. Every day after shooting, I would hop into a rickshaw and start exploring the city. I even learned a bit of Hindi. It's such an amazing place to visit.
It is, after all, far too easy to pinch and kick the bizarre Mormon Church; to say it's ripe for satire and parody is to say a Catholic schoolgirl is ripe for debauchery. It's like shooting polygamist fish in a barrel of coffee.
I'm most excited about going swimming and riding water slides, shooting off fireworks, and playing basketball, and things like that. That's what I really love doing. Summer is a great time.
I feel most spiritual when I am listening to a soprano voice soaring to the top of its range at the most dramatic point of an aria. It feels like a geyser shooting up from the center of the earth and reaching for the stars.
I was going to have Brian La Croix do a cameo on Degrassi. But, unfortunately, the scheduling didn't work out. When I was in Toronto, they weren't shooting. To me, that would've been a pretty crazy meta experience.
A good director is very well prepared, and knows exactly how he's going to cut the film, so the shooting is as efficient as possible.
The new film I'm shooting in Jerusalem - which is partly why I'm here in Israel - is something I co-wrote.
When I was younger, I didn't like shooting part, because I was more of a writer and didn't like being the center of it all.
I'm driving down the freeway the other day, on my way to Knott's Scary Farm probably, and I hear this report on NPR that the whole lemmings thing was faked in the 1950s. They were shooting a wildlife documentary in the '50s, they found a group of lemmings, and the crew chased them all off a cliff. No lemming has ever jumped off a cliff, purposefully, ever. Isn't that unbelievable?
Making a mistake means overshooting a scene, shooting too many takes, for instance. Long after you've got it, you just keep shooting.
I've made quite a number of movies like Castaway and a few others where I'm the only guy in the movie and the only place to be is right next to the camera in costume ready to go in order to get it. The years, and more specifically probably the four months prior to beginning shooting, is where the big preparation is that the director does because I knew we were going to get on the set. And the good news is, if you're the boss, if it ain't good, you don't use it. You just cut it out.
When we shot the first series of Aerobic Striptease, we shot five DVD's, so we slowly put out each DVD and timed it out that they were all done and shot and ready to go. We just started shooting the next series once we felt it was time to work on the next one.
There's nothing worse than shooting a scene you haven't rehearsed.
Actually, when I saw it in USA Today, I just, Candace Parker was, we were warming up in practice and she was underneath the basket shooting and I just said, 'Hey Candace! I enjoyed what I read in the paper today about your decision [to stay].' She just started laughing and I did too. So I haven't discussed it with her.
While we were shooting the movie, we shot in the actual hotel in Hong Kong where it all went down, the Mira Hotel. Laura Poitras was coming to Hong Kong to do a screening of Citizenfour, and she ended up staying at the Mira Hotel. It was her first time back in Hong Kong, and I ran into her in the elevator. Literally I had just finished shooting one day, and I came back to the hotel and she was in the elevator.
Ten years ago in Antarctica shooting "Encounters at the End of the World," I met a very fine volcanologist from Cambridge University [Clive Oppenheimer] and we kept talking about doing a film and all of a sudden it became serious when he hinted at the possibility to film in North Korea.
I was talking to Shonda Rhimes the other day and I said, "I. Do. Not. Know. How. You. Do. This." While we're writing episode 10, episode 6 is shooting, episode 3 is in the edit, and episode 2 is in its color session...You've got seven episodes in different parts! It's a wild, wild, wild ride, which I thoroughly enjoyed. It was badass and amazing.
As an actor if you're working you're usually in three places, you're either prepping something, you're shooting something, or you're post on something or promoting something.
If we're not going to take full advantage of digital, then 35mm is a better medium. Especially for shooting dramas - I have no problem with 35mm.
The fact of having this very new context, this unheard-of way of working, for me was very pleasant. I didn't feel that I was working, that I had any kind of burden to wear, to carry. I really was very happy and very lighthearted during the whole process of making the film [Certified Copy], of shooting it.
When I'm shooting, as much as writing, I see edited footage in my mind, so I work that way, and it's economical.
If I'm shooting actually a live-action movie and I feel like I can get the shots that I need with the existing 3D cameras, then I see there is no reason to not use those-to not shoot it in 3D. But there are limitations to the 3D cameras in terms of the amount of them, in terms of the size of them, in terms of where you can actually shoot them. There are definitely limitations so you have to weigh the costs. And you have to weigh also what ultimately what creatively you want to get.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: